diff --git a/content/birds/04.md b/content/birds/04.md index b5d736b..9db0368 100644 --- a/content/birds/04.md +++ b/content/birds/04.md @@ -3,195 +3,4 @@ date: 2019-08-19 weight: 4 --- - - - -
-
-

I

-

Geese Level:
- Unnerving

-

Expect:
- Anxiety

-
-
-A hundred geese overhead — - A thousand — - A million — - -Heady scent of premonition. -Acrid tang of ill omens. -Portents. -Too much meaning - In too small a space. -
-
- -
-
-

II

-

Geese Level:
- Noise-Cancelling Headphones

-

Expect:
- auditory aberrations

-
-
-Geese are a byproduct of laminar shear stress - Of two layers of phantasmagorical - Newtonian fluids, - Which is why they’re often seen on a plane. -A thin, sort-of Truth - From a sort of thin layer - geese chromatography. -
-
- -
-
-

III

-

Geese Level:
- Eldrich

-

Expect:
- red tint to vision; hot flashes

-
-
-As the dove bears the olive branch, - so too the goose bears the wand - that withers all it touches. -A wand of nightshade, - Core of tainted silver. -A wand of obscure origin, - The goose surely stole it. -Malice begets malice. -
-
- -
-
-

IV

-

Geese Level:
- Beyond Comprehension

-

Expect:
- confusion; nausea; sweating; racing pulse

-
-
-We know not the transgression, - the origin - -We know not the punishment, - only the terror. -
-
- -
-
-

V

-

Geese Level:
- Excruciating

-

Expect:
- pounding heart; tunnel vision; racing thoughts; black outs; -blood pouring from ears

-
-
-Geas - Wing - Dark - Horizon -
-
- -
-
-

VI

-

Geese Level:
- Terrifying

-

Expect:
- tinnitus; piloerection; shortness of breath; uneven gait

-
-
-I’d rather owls. -Owls, as though geese were turned inside out, - made less evil. -Still portentous, - Still momentous, - Just less terrifying. -Owls are okay. -I can think about owls. -
-
- -
-
-

VII

-

Geese Level:
- Uncomfortable

-

Expect:
- subdermal itching; formication

-
-
-Life within a comfortable grid. -Parallel lines - Interrupting narrowing circles - Of birds in flight. -Travel in straight lines. -Turn at right angles. -Trace the roof of your mouth - With wet tongue. - -I’m not afraid of geese anymore - Because I can step on them now. -I’m big enough. -
-
- -
-
-

VIII

-

Geese Level:
- Birds

-

Expect:
- birds

-
-
-Ritual thinking - Driven by geese — - By lines, by grids, by food — - By numbers and neat delineation. -And I’m left with questions: - Why the portents? - Why the anxiety? -Or maybe: - Did I take my meds this morning? - -Failing that, - Can I just have the comfort of prayer - Or the ecstasy of signs - Without bleak paranoia - Over circling birds? -
-
+[![Geese](/bird/geese.jpg)](/bird/geese.jpg) diff --git a/content/birds/05.md b/content/birds/05.md index 0660701..4d48795 100644 --- a/content/birds/05.md +++ b/content/birds/05.md @@ -3,4 +3,194 @@ date: 2019-08-19 weight: 5 --- -[![Geese](/bird/geese.jpg)](/bird/geese.jpg) + + +
+
+

I

+

Geese Level:
+ Unnerving

+

Expect:
+ Anxiety

+
+
+A hundred geese overhead — + A thousand — + A million — + +Heady scent of premonition. +Acrid tang of ill omens. +Portents. +Too much meaning + In too small a space. +
+
+ +
+
+

II

+

Geese Level:
+ Noise-Cancelling Headphones

+

Expect:
+ auditory aberrations

+
+
+Geese are a byproduct of laminar shear stress + Of two layers of phantasmagorical + Newtonian fluids, + Which is why they’re often seen on a plane. +A thin, sort-of Truth + From a sort of thin layer + geese chromatography. +
+
+ +
+
+

III

+

Geese Level:
+ Eldrich

+

Expect:
+ red tint to vision; hot flashes

+
+
+As the dove bears the olive branch, + so too the goose bears the wand + that withers all it touches. +A wand of nightshade, + Core of tainted silver. +A wand of obscure origin, + The goose surely stole it. +Malice begets malice. +
+
+ +
+
+

IV

+

Geese Level:
+ Beyond Comprehension

+

Expect:
+ confusion; nausea; sweating; racing pulse

+
+
+We know not the transgression, + the origin - +We know not the punishment, + only the terror. +
+
+ +
+
+

V

+

Geese Level:
+ Excruciating

+

Expect:
+ pounding heart; tunnel vision; racing thoughts; black outs; +blood pouring from ears

+
+
+Geas + Wing + Dark + Horizon +
+
+ +
+
+

VI

+

Geese Level:
+ Terrifying

+

Expect:
+ tinnitus; piloerection; shortness of breath; uneven gait

+
+
+I’d rather owls. +Owls, as though geese were turned inside out, + made less evil. +Still portentous, + Still momentous, + Just less terrifying. +Owls are okay. +I can think about owls. +
+
+ +
+
+

VII

+

Geese Level:
+ Uncomfortable

+

Expect:
+ subdermal itching; formication

+
+
+Life within a comfortable grid. +Parallel lines + Interrupting narrowing circles + Of birds in flight. +Travel in straight lines. +Turn at right angles. +Trace the roof of your mouth + With wet tongue. + +I’m not afraid of geese anymore + Because I can step on them now. +I’m big enough. +
+
+ +
+
+

VIII

+

Geese Level:
+ Birds

+

Expect:
+ birds

+
+
+Ritual thinking + Driven by geese — + By lines, by grids, by food — + By numbers and neat delineation. +And I’m left with questions: + Why the portents? + Why the anxiety? +Or maybe: + Did I take my meds this morning? + +Failing that, + Can I just have the comfort of prayer + Or the ecstasy of signs + Without bleak paranoia + Over circling birds? +
+
diff --git a/content/core/004.md b/content/core/004.md index 3e26b4d..f2b2657 100644 --- a/content/core/004.md +++ b/content/core/004.md @@ -1,69 +1,118 @@ --- -date: 2019-08-10 +date: 2019-08-11 weight: 4 tags: +- questions - echoes -- kind -- snarky -- earnest +- humor categories: +- meta - alcohol +- nostalgia --- -When 2007 rolled around, I turned 21. *What if,* I thought to myself. *What if I decided to see what it feels like to be addicted to something?* +> Why am I here? -By that point, alcohol was this nebulous thing. I'd roped a few people into getting me alcohol now and then, and it was fine. I'd started brewing and it was whatever. I had beer and it was alright. I went through a mead phase-- +Aren't you always? -> You went through several. +> With you, sure. Why am I bound to words, though? It's been fourteen years. ---I went through a wine phase, and an absinthe phase-- +Surely that's not all on me. You must play some role in it. I was talking with my partner about doing something autobiographical for my next project, after all. -> Don't sell yourself short. You wrote [an essay on absinthe](https://writing.drab-makyo.com/non-fiction/tasting/new-american-absinthe/). +> I'm the observer and the mirror. All I can do is reflect your choices back at you. Choice itself is not my department. ---and a gin phase. That's the one that got me. I had a bottle of Beefeater's, what was to become my gin of choice, and I had an inch of it poured over ice and I was standing in the kitchen. Such a wide open space. The kitchen at that apartment was larger than my bedroom now, and it opened onto a living room the size of what we have now. I was standing tall in that vast plain of a room, staring down into my glass and watching the way the ice melting into the gin created swirls of two different kinds of transparent. I was thinking how it was probably due to the different ways the two liquids refracted light, and then I was laughing, because I was staring down into my drink like something out of a bar. +After getting [*Restless Town*](https://makyo.ink/publications/restless-town/) finished, I needed something to do. Some other project that would make me feel like I was being productive. -*What if I decided to see what it feels like to be addicted to something?* I thought. I drank every night that week. +> Feel, or seem? -> Why ruin your life on accident when you can do it on purpose? +Both. If I sat still, I'd burn up. If I was seen sitting still, clearly I'd be worth less in the eyes of those around me, right? -I don't think I was thinking in those terms at that point. +> Not my department. -> Are you now? +Right. -Perhaps. +So I started digging through stuff I'd already done, seeing if any of it could be cleaned up and turned into a new project. I stumbled across [*Rum and Coke*](https://makyo.ink/publications/rum-and-coke/) and found it mostly clean as it was, so I decided to publish it as a book. Paperback and ebook, I mean, not just the stories online. -> Maybe you're just afraid of doing anything by accident. +> Were you proud of them? -Perhaps. +To an extent. A different me wrote them. A lesser me, in some ways. I was younger, I hadn't quite found my voice and tone. No [*Arcana*](https://makyo.ink/publications/arcana), no *Disappearance*, no [*Getting Lost*](https://writing.drab-makyo.com/fiction/getting-lost/) or [*Post-Self*](http://post-self.io). All I had was a few scattered tidbits and my mom's words ringing in my ears: "You wrote your own wedding vows, right? I could tell." -> You're sounding like me more by the day. +A me with a different identity, too. A me that was working on gender through small steps. I hadn't yet picked up the word 'trans' for myself. I was non-binary, presenting male, writing to justify myself. Or maybe to hype myself up. I was writing works about gender and poly problems being worked through to convince myself it was possible. -Learn from the best. +> They read like parables. -> And so you set about with a will. +They were, to me. Each one came with an internal discussion after the last line, *now, what can we take from this?* Something in a circle. Socratic. A talking stick. -Like magic. I set forth my will with a stated goal and made it happen. My spell was spoken and washed down with liquor. I drank nearly every day from then on out. I spent thousands of dollars on alcohol over the next ten years. I went through more mead phases and more beer phases. I went through a distillation phase. +> I know, I was there. -I drank hard with the choir, and then I left school and drank hard with the programmers. If there's one thing that most programmers do better than computers, it's drinking, after all. +Of course. -I did some work at a bar, even. Just making [their menu](/emb-menu.pdf) and website for them in exchange for free drinks. +> Why didn't I show up then? -> You mastered LaTeX that way. A very you thing to do. +I was too...something. Too busy, too preoccupied. I was focused too much on identity, too much on The Work, as it were, to reflect. Maybe I was moving too quickly to notice my choices being shown to me. -I did well at it. I still have one of the menus and some of the paper laying around somewhere. I did that until the bartender left and, when I asked for my next payment from the owner, he flipped out at me and threatened to sue me for impersonating him. I don't think I realized Raffi, the bar manager who hired me, was already on his way out. +> You'd mostly stopped [[adjective][species]](https://adjectivespecies.com) by then, too. -I drank my way out of one job and through a good chunk of another. I drank until I got better at it than I was at software. I drank myself into burnout. I drank until I collapsed. +Life got weird. I was transitioning-- -> You used up your spell slots. You ran out of will. You had to quit by accident. +> A choice. -I worked to quit, I'll have you know. It wasn't easy. It took meds and some rough nights. +--I was solidifying my relationship with Judith-- -> You were less of a person then than you were when you started drinking. The you who started drinking by focusing on **starting drinking** was more real than the you who collapsed in the kitchen from a PNES and stopped drinking because she was completely empty of intention. +> A choice. -Should I start the daily drinking again, then? +--I was starting to burn out at work-- -> You're more of a person now than you were when you started drinking. +> Was that a choice? -That, coming from you, is a glowing endorsement. +The result of choices, maybe. The result of the choice to start drinking. It *is* called *Rum and Coke*, after all. The result of the choice to get into computers. The result of the choice to work from home, which itself was the result of a choice to take the previous job so far from home. -> You may have been more of a person when you started than when you stopped, but you weren't much of one, even then. +> You burned out in part because you burned so hard at the start. + +Was I not supposed to? I had to prove myself. + +> To whom? + +You? + +> Not my department. + +One of your neighbors, perhaps. A cubicle over, a floor above, something like that. + +> Do you anthropomorphize me that much? + +No, I suppose, I don't. You're not my therapist, sitting in a chair across from me and talking me through my problems. You're not person shaped. You're the shape of my hands displaced half an inch behind my own, navy blue and trimmed with sea-foam green. + +> You haven't used colors in fourteen years, either. + +What I'm trying to say is that maybe you're back because of nostalgia. *Restless Town* was done and couldn't be published yet, and a prideful part of me didn't want it to be my first book, so I pulled *Rum and Coke* into shape. + +It rubbed my nose in the past. I published it a few weeks ago, and I wasn't done with the past, so I started archiving more data. I dug up my old hard drives. I grabbed stuff from Dreamhost, both files and database backups. I finally unlocked my LJ account and archived that. + +> And you work at an archive. + +I go through phases, looking back at the past. I'll spend a few days trying to backdate some log files, or dig through my old scores and publish them --- I did that too, alongside *Rum and Coke*, publish a bunch of my old music --- or resurrect my notes on [*Nanon*](http://nanon.lang.drab-makyo.com), or the like. + +> You are quite mercurial. + +A failing. That may play a role in my burnout. I'm only good at something for seven years before it becomes so intolerable that I have to leave. Happened with school. + +> So here I am, your ally, twice seven years later. + +I hadn't thought of it that way. + +> Portentous. The only way it would've been more so is if it were thrice seven years. + +I ran away thrice seven years ago. In seventh grade, in 1997, no less. + +> Ill omens. What will happen to me in seven years? + +Will you leave me for good? + +> Can an ally disinhabit a mind so easily? + +I'm not comfortable with that question. I'm not comfortable with its implications. Either way, the past is important to me because maybe it can help me figure out the present. Those who don't know history are doomed to blah blah blah. + +> And have you figured out your present? + +For me to pull out that trite quote about my own personal history speaks pretty well to my fears of doing things accidentally. I've certainly figured out my present better than twice-seven-years-ago me had figured out his. diff --git a/content/core/005.md b/content/core/005.md index 5e365d7..cdf7ca7 100644 --- a/content/core/005.md +++ b/content/core/005.md @@ -2,40 +2,70 @@ date: 2019-08-10 weight: 5 tags: -- brief -- honest +- echoes +- kind +- snarky - earnest categories: -- dad -- mental health +- alcohol --- -When I was young, back before I knew what mental health entailed, what anxiety and abuse and depression really meant, I was convinced I was having semi-regular mental breakdowns. That was the phrase I used then, because I was unsure of what it meant to have a panic attack. +When 2007 rolled around, I turned 21. *What if,* I thought to myself. *What if I decided to see what it feels like to be addicted to something?* -This was before LiveJournal, of course. This was before I was writing on the internet, or even really on the internet at all. This was before you. +By that point, alcohol was this nebulous thing. I'd roped a few people into getting me alcohol now and then, and it was fine. I'd started brewing and it was whatever. I had beer and it was alright. I went through a mead phase-- -> No, it wasn't. +> You went through several. -Right. +--I went through a wine phase, and an absinthe phase-- -When I [ran away](https://writing.drab-makyo.com/blog/running-away/), my dad found my paper journal. I had kept it infrequently, as something about daily journaling to a seventh-grader felt dishonest, stupid. What could I possibly write about? +> Don't sell yourself short. You wrote [an essay on absinthe](https://writing.drab-makyo.com/non-fiction/tasting/new-american-absinthe/). -In the journal, I mentioned on a few occasions that I'd had a mental breakdown. My dad called me several times over the next few days after my mom found me, and in one of those calls, he yelled at me about that. "Do you really think you're crazy?" he said. "Do you need to be taken to an asylum?" +--and a gin phase. That's the one that got me. I had a bottle of Beefeater's, what was to become my gin of choice, and I had an inch of it poured over ice and I was standing in the kitchen. Such a wide open space. The kitchen at that apartment was larger than my bedroom now, and it opened onto a living room the size of what we have now. I was standing tall in that vast plain of a room, staring down into my glass and watching the way the ice melting into the gin created swirls of two different kinds of transparent. I was thinking how it was probably due to the different ways the two liquids refracted light, and then I was laughing, because I was staring down into my drink like something out of a bar. -I told him no. I whispered it. I murmured it. I wasn't crazy. I didn't need to go to an asylum. I just felt like time stopped for me and the world around me sped up. I just felt like I was holding on by the barest amount of friction on my fingertips. The whorls of my fingerprints providing my only grasp on reality. +*What if I decided to see what it feels like to be addicted to something?* I thought. I drank every night that week. -> That was me saying hi. +> Why ruin your life on accident when you can do it on purpose? -Blunt-force greeting? +I don't think I was thinking in those terms at that point. -> I was quiet as a mouse. +> Are you now? -I have the words now. I have the vocabulary. I can say derealization, depersonalization, dissociation. I can say panic attack and anxiety and depression and hypomania. I can say *ah, __this__ is what is happening now*. +Perhaps. -> You have emotions now, is what you have. Those were your mental breakdowns. +> Maybe you're just afraid of doing anything by accident. -Dad didn't believe in those. Not for boys. *Mood's a thing for cattle and loveplay*, right? Emotions are for women. +Perhaps. -> He was half-right. +> You're sounding like me more by the day. -I suppose he was. +Learn from the best. + +> And so you set about with a will. + +Like magic. I set forth my will with a stated goal and made it happen. My spell was spoken and washed down with liquor. I drank nearly every day from then on out. I spent thousands of dollars on alcohol over the next ten years. I went through more mead phases and more beer phases. I went through a distillation phase. Magic is empowerment through attention to detail. + +> The MEAD principle. Cute. + +I drank hard with the choir, and then I left school and drank hard with the programmers. If there's one thing that most programmers do better than computers, it's drinking, after all. + +I did some work at a bar, even. Just making [their menu](/emb-menu.pdf) and website for them in exchange for free drinks. + +> You mastered LaTeX that way. A very you thing to do. + +I did well at it. I still have one of the menus and some of the paper laying around somewhere. I did that until the bartender left and, when I asked for my next payment from the owner, he flipped out at me and threatened to sue me for impersonating him. I don't think I realized Raffi, the bar manager who hired me, was already on his way out. + +I drank my way out of one job and through a good chunk of another. I drank until I got better at it than I was at software. I drank myself into burnout. I drank until I collapsed. + +> You used up your spell slots. You ran out of will. You had to quit by accident. + +I worked to quit, I'll have you know. It wasn't easy. It took meds and some rough nights. + +> You were less of a person then than you were when you started drinking. The you who started drinking by focusing on **starting drinking** was more real than the you who collapsed in the kitchen from a PNES and stopped drinking because she was completely empty of intention. + +Should I start the daily drinking again, then? + +> You're more of a person now than you were when you started drinking. + +That, coming from you, is a glowing endorsement. + +> You may have been more of a person when you started than when you stopped, but you weren't much of one, even then. diff --git a/content/core/006.md b/content/core/006.md index e6d47ed..7b546ea 100644 --- a/content/core/006.md +++ b/content/core/006.md @@ -1,118 +1,41 @@ --- -date: 2019-08-11 +date: 2019-08-10 weight: 6 tags: -- questions -- echoes -- humor +- brief +- honest +- earnest categories: -- meta -- alcohol -- nostalgia +- dad +- mental health --- -> Why am I here? +When I was young, back before I knew what mental health entailed, what anxiety and abuse and depression really meant, I was convinced I was having semi-regular mental breakdowns. That was the phrase I used then, because I was unsure of what it meant to have a panic attack. -Aren't you always? +This was before LiveJournal, of course. This was before I was writing on the internet, or even really on the internet at all. This was before you. -> With you, sure. Why am I bound to words, though? It's been fourteen years. - -Surely that's not all on me. You must play some role in it. I was talking with my partner about doing something autobiographical for my next project, after all. - -> I'm the observer and the mirror. All I can do is reflect your choices back at you. Choice itself is not my department. - -After getting [*Restless Town*](https://makyo.ink/publications/restless-town/) finished, I needed something to do. Some other project that would make me feel like I was being productive. - -> Feel, or seem? - -Both. If I sat still, I'd burn up. If I was seen sitting still, clearly I'd be worth less in the eyes of those around me, right? - -> Not my department. +> No, it wasn't. Right. -So I started digging through stuff I'd already done, seeing if any of it could be cleaned up and turned into a new project. I stumbled across [*Rum and Coke*](https://makyo.ink/publications/rum-and-coke/) and found it mostly clean as it was, so I decided to publish it as a book. Paperback and ebook, I mean, not just the stories online. +When I [ran away](https://writing.drab-makyo.com/blog/running-away/), my dad found my paper journal. I had kept it infrequently, as something about daily journaling to a seventh-grader felt dishonest, stupid. What could I possibly write about? -> Were you proud of them? +In the journal, I mentioned on a few occasions that I'd had a mental breakdown. My dad called me several times over the next few days after my mom found me, and in one of those calls, he yelled at me about that. "Do you really think you're crazy?" he said. "Do you need to be taken to an asylum?" -To an extent. A different me wrote them. A lesser me, in some ways. I was younger, I hadn't quite found my voice and tone. No [*Arcana*](https://makyo.ink/publications/arcana), no *Disappearance*, no [*Getting Lost*](https://writing.drab-makyo.com/fiction/getting-lost/) or [*Post-Self*](http://post-self.io). All I had was a few scattered tidbits and my mom's words ringing in my ears: "You wrote your own wedding vows, right? I could tell." +I told him no. I whispered it. I murmured it. I wasn't crazy. I didn't need to go to an asylum. I just felt like time stopped for me and the world around me sped up. I just felt like I was holding on by the barest amount of friction on my fingertips. The whorls of my fingerprints providing my only grasp on reality. -A me with a different identity, too. A me that was working on gender through small steps. I hadn't yet picked up the word 'trans' for myself. I was non-binary, presenting male, writing to justify myself. Or maybe to hype myself up. I was writing works about gender and poly problems being worked through to convince myself it was possible. +> That was me saying hi. -> They read like parables. +Blunt-force greeting? -They were, to me. Each one came with an internal discussion after the last line, *now, what can we take from this?* Something in a circle. Socratic. A talking stick. +> I was quiet as a mouse. -> I know, I was there. +I have the words now. I have the vocabulary. I can say derealization, depersonalization, dissociation. I can say panic attack and anxiety and depression and hypomania. I can say *ah, __this__ is what is happening now*. -Of course. +> You have emotions now, is what you have. Those were your mental breakdowns. -> Why didn't I show up then? +Dad didn't believe in those. Not for boys. *Mood's a thing for cattle and loveplay*, right? Emotions are for women. -I was too...something. Too busy, too preoccupied. I was focused too much on identity, too much on The Work, as it were, to reflect. Maybe I was moving too quickly to notice my choices being shown to me. +> He was half-right. -> You'd mostly stopped [[adjective][species]](https://adjectivespecies.com) by then, too. - -Life got weird. I was transitioning-- - -> A choice. - ---I was solidifying my relationship with Judith-- - -> A choice. - ---I was starting to burn out at work-- - -> Was that a choice? - -The result of choices, maybe. The result of the choice to start drinking. It *is* called *Rum and Coke*, after all. The result of the choice to get into computers. The result of the choice to work from home, which itself was the result of a choice to take the previous job so far from home. - -> You burned out in part because you burned so hard at the start. - -Was I not supposed to? I had to prove myself. - -> To whom? - -You? - -> Not my department. - -One of your neighbors, perhaps. A cubicle over, a floor above, something like that. - -> Do you anthropomorphize me that much? - -No, I suppose, I don't. You're not my therapist, sitting in a chair across from me and talking me through my problems. You're not person shaped. You're the shape of my hands displaced half an inch behind my own, navy blue and trimmed with sea-foam green. - -> You haven't used colors in fourteen years, either. - -What I'm trying to say is that maybe you're back because of nostalgia. *Restless Town* was done and couldn't be published yet, and a prideful part of me didn't want it to be my first book, so I pulled *Rum and Coke* into shape. - -It rubbed my nose in the past. I published it a few weeks ago, and I wasn't done with the past, so I started archiving more data. I dug up my old hard drives. I grabbed stuff from Dreamhost, both files and database backups. I finally unlocked my LJ account and archived that. - -> And you work at an archive. - -I go through phases, looking back at the past. I'll spend a few days trying to backdate some log files, or dig through my old scores and publish them --- I did that too, alongside *Rum and Coke*, publish a bunch of my old music --- or resurrect my notes on [*Nanon*](http://nanon.lang.drab-makyo.com), or the like. - -> You are quite mercurial. - -A failing. That may play a role in my burnout. I'm only good at something for seven years before it becomes so intolerable that I have to leave. Happened with school. - -> So here I am, your ally, twice seven years later. - -I hadn't thought of it that way. - -> Portentous. The only way it would've been more so is if it were thrice seven years. - -I ran away thrice seven years ago. In seventh grade, in 1997, no less. - -> Ill omens. What will happen to me in seven years? - -Will you leave me for good? - -> Can an ally disinhabit a mind so easily? - -I'm not comfortable with that question. I'm not comfortable with its implications. Either way, the past is important to me because maybe it can help me figure out the present. Those who don't know history are doomed to blah blah blah. - -> And have you figured out your present? - -For me to pull out that trite quote about my own personal history speaks pretty well to my fears of doing things accidentally. I've certainly figured out my present better than twice-seven-years-ago me had figured out his. +I suppose he was. diff --git a/content/core/018.md b/content/core/018.md new file mode 100644 index 0000000..95d56fa --- /dev/null +++ b/content/core/018.md @@ -0,0 +1,30 @@ +--- +date: 2019-09-01 +weight: 18 +--- + +> You are unsettled in your identity. +> Boy → enby → girl → trans woman. +> Biochemist → musician → programmer → writer. +> Gay → bi → ace → pan. +> Mono → poly. + +People change. + +> Healthy → sick → broken → sick → improving. + +Like I said, people change. + +> You change like it's your job. + +Is that not a good thing? + +> Will you ever stop coming out? + +I don't know. Must I? + +> No. + +Should I? + +> Should you? diff --git a/content/map.html b/content/map.html index 42b45b9..3f99143 100644 --- a/content/map.html +++ b/content/map.html @@ -4,17 +4,17 @@ - - + + Map - + Aside 1 - -Aside 1 + +Aside 1 @@ -22,8 +22,8 @@ Aside 2 - -Aside 2 + +Aside 2 @@ -31,8 +31,8 @@ Aside 3 - -Aside 3 + +Aside 3 @@ -40,8 +40,8 @@ Birds 1 - -Birds 1 + +Birds 1 @@ -49,68 +49,68 @@ Birds 2 - -Birds 2 + +Birds 2 Birds 1->Birds 2 - - + + Birds 3 - -Birds 3 + +Birds 3 Birds 2->Birds 3 - - + + Birds 4 - -Birds 4 + +Birds 4 Birds 3->Birds 4 - - + + Birds 5 - -Birds 5 + +Birds 5 Birds 4->Birds 5 - - + + ally 1 - -ally 1 + +ally 1 @@ -118,1857 +118,2028 @@ ally 2 - -ally 2 + +ally 2 ally 1->ally 2 - - + + ally 3 - -ally 3 + +ally 3 ally 2->ally 3 - - + + ally 4 - -ally 4 + +ally 4 ally 3->ally 4 - - + + ally 5 - -ally 5 + +ally 5 ally 4->ally 5 - - + + ally 6 - -ally 6 + +ally 6 ally 5->ally 6 - - + + ally 7 - -ally 7 + +ally 7 ally 6->ally 7 - - + + ally 8 - -ally 8 + +ally 8 ally 7->ally 8 - 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- - -Writing 2->Poet and Mystic 1 - - + + - + Writing 3 - - -Writing 3 + + +Writing 3 - + Writing 2->Writing 3 - - + + - - -Koans 1 - -Koans 1 + + +Writing 4 + + +Writing 4 + - - -Writing 2->Koans 1 - - + + + +Writing 3->Writing 4 + + + + + +Writing 5 + + +Writing 5 + + + + + +Writing 4->Writing 5 + + + + + +Writing 6 + + +Writing 6 + + + + + +Writing 5->Writing 6 + + + + + +Writing 7 + + +Writing 7 + + + + + +Writing 6->Writing 7 + + + + + +Music 1 + + +Music 1 + + + + + +Writing 7->Music 1 + + + + + +Music 2 + + +Music 2 + + + + + +Music 1->Music 2 + + + + + +Music 3 + + +Music 3 + + + + + +Music 2->Music 3 + + + + + +Music 4 + + +Music 4 + + + + + +Music 3->Music 4 + + + + + +Music 5 + + +Music 5 + + + + + +Music 4->Music 5 + + diff --git a/content/news/2019-08-29-writing-about-writing.md b/content/news/2019-08-29-writing-about-writing.md new file mode 100644 index 0000000..c5ca438 --- /dev/null +++ b/content/news/2019-08-29-writing-about-writing.md @@ -0,0 +1,27 @@ +--- +date: 2019-08-29 +title: Writing about writing +--- + +When my therapist asked about what the plot of this writing project was, I told her it was about the ways in which creativity interacted with the important facets of my life. + + + +I'm not totally convinced that's true, but it's at least providing more fodder. + +### New content + +* [Writing 4](/writing/4) +* [Writing 5](/writing/5) +* [Writing 6](/writing/6) +* [Writing 7](/writing/7) +* [Music](/writing/music) +* [Agony and Ecstasy](/poet-and-mystic/agony-and-ecstasy) +* [Ally 18](/18) + +### Updated content + +* The [map](/map) has been updated to be a *bit* less confusing. +* [Birds 4](/birds/4) and [Birds 5](/birds/5) have swapped places. +* [Ally 4](/4), [Ally 5](/5), and [Ally 6](/6) have cycled positions. +* [Poet and Mystic 13](/poet-and-mystic/13) updated to link to Agony and Ecstasy. diff --git a/content/poet-and-mystic/013.md b/content/poet-and-mystic/013.md index daa7733..6670d5d 100644 --- a/content/poet-and-mystic/013.md +++ b/content/poet-and-mystic/013.md @@ -7,7 +7,7 @@ I'm tired. I'm so tired. I'm tired and I'm upset and I'm lost. > I know. -I want to shout and to whisper. I want to talk about how I feel when I read Stevens or Esch or Rilke. I want to put words to the feeling of falling to the ground and taking root. +I want to shout and to whisper. I want to talk about how the light flows in through the head and out through the heart. I want to put words to the feeling of falling to the ground and taking root. I want to say how it feels when I step outside myself. diff --git a/content/poet-and-mystic/_index.md b/content/poet-and-mystic/_index.md index ae471a0..8212be4 100644 --- a/content/poet-and-mystic/_index.md +++ b/content/poet-and-mystic/_index.md @@ -4,5 +4,5 @@ background: '#2f082a' color: '#ccd' quote: '#eef' pulse_light: true -back: /38 +back: /16 --- diff --git a/content/poet-and-mystic/agony-and-ecstasy/_index.md b/content/poet-and-mystic/agony-and-ecstasy/_index.md new file mode 100644 index 0000000..d4f4418 --- /dev/null +++ b/content/poet-and-mystic/agony-and-ecstasy/_index.md @@ -0,0 +1,5 @@ +--- +type: single +--- + +Upon reading certain things, upon hearing certain songs, upon seeing certain things, upon smelling certain scents, upon tasting certain foods, upon feeling certain feelings and upon losing myself, it flows, the light, in through the head, out through the heart, washes over all, and, being lost in it, have found myself without. diff --git a/content/poet-and-mystic/agony-and-ecstasy/audio.md b/content/poet-and-mystic/agony-and-ecstasy/audio.md new file mode 100644 index 0000000..6d98adc --- /dev/null +++ b/content/poet-and-mystic/agony-and-ecstasy/audio.md @@ -0,0 +1,5 @@ +--- +type: single +--- + + diff --git a/content/poet-and-mystic/agony-and-ecstasy/text.md b/content/poet-and-mystic/agony-and-ecstasy/text.md new file mode 100644 index 0000000..1ac9029 --- /dev/null +++ b/content/poet-and-mystic/agony-and-ecstasy/text.md @@ -0,0 +1,88 @@ +--- +type: single +--- + +
I +Among twenty snowy mountains, +The only moving thing +Was the eye of the blackbird. + +II +I was of three minds, +Like a tree +In which there are three blackbirds. + +III +The blackbird whirled in the autumn winds. +It was a small part of the pantomime. + +IV +A man and a woman +Are one. +A man and a woman and a blackbird +Are one. + +V +I do not know which to prefer, +The beauty of inflections +Or the beauty of innuendoes, +The blackbird whistling +Or just after. + +VI +Icicles filled the long window +With barbaric glass. +The shadow of the blackbird +Crossed it, to and fro. +The mood +Traced in the shadow +An indecipherable cause. + +VII +O thin men of Haddam, +Why do you imagine golden birds? +Do you not see how the blackbird +Walks around the feet +Of the women about you? + +VIII +I know noble accents +And lucid, inescapable rhythms; +But I know, too, +That the blackbird is involved +In what I know. + +IX +When the blackbird flew out of sight, +It marked the edge +Of one of many circles. + +X +At the sight of blackbirds +Flying in a green light, +Even the bawds of euphony +Would cry out sharply. + +XI +He rode over Connecticut +In a glass coach. +Once, a fear pierced him, +In that he mistook +The shadow of his equipage +For blackbirds. + +XII +The river is moving. +The blackbird must be flying. + +XIII +It was evening all afternoon. +It was snowing +And it was going to snow. +The blackbird sat +In the cedar-limbs. + + — Wallace Stevens
+ +### See also +* [Winter](https://ericwhitacre.com/music-catalog/winter) by Edward Esch diff --git a/content/poet-and-mystic/agony-and-ecstasy/video.md b/content/poet-and-mystic/agony-and-ecstasy/video.md new file mode 100644 index 0000000..d0e7e41 --- /dev/null +++ b/content/poet-and-mystic/agony-and-ecstasy/video.md @@ -0,0 +1,9 @@ +--- +type: single +--- + + + +### See also + +* [ANIMA](https://www.netflix.com/title/81110498) diff --git a/content/writing/02.md b/content/writing/02.md index 144f764..e779dfa 100644 --- a/content/writing/02.md +++ b/content/writing/02.md @@ -1,6 +1,6 @@ --- date: 2019-08-27 -weight: 41 +weight: 2 --- All of writing, all of creativity is selfish. To take some idea or some concept and to set it down on paper and say, "I made this" is selfish, of course, but to then take that thing and show it to others with the expectation that they might get something out of it as well is taking that several steps further. diff --git a/content/writing/03.md b/content/writing/03.md index 3e6048b..61555d0 100644 --- a/content/writing/03.md +++ b/content/writing/03.md @@ -1,6 +1,6 @@ --- date: 2019-08-27 -weight: 42 +weight: 3 --- The first poetry I remember writing was back before high school. At some point I picked up the poetry bug and decided I was going to try my hand at it. Finding it hard, I quit after the first poem I wrote. It was something really, *really* bad, too. Something where all I knew about poetry was that it should rhyme, so I sacrificed...well, everything in search of a rhyme. Readability. Sense. It was horrifying. diff --git a/content/writing/04.md b/content/writing/04.md new file mode 100644 index 0000000..7cea213 --- /dev/null +++ b/content/writing/04.md @@ -0,0 +1,265 @@ +--- +date: 2019-08-29 +weight: 4 +--- + +> I assume you went looking for one of these execrable poems of yours? + +I did. I wasn't really able to find much from The Before Times, but I found a few from shortly after while prowling through my LiveJournal and archives of my old site in high school. + +> [RedFox! Productions](https://web.archive.org/web/2005*/http://ranna.babylonia.flatirons.org/), right? + +Gah, yeah. I was a kid, alright? + +> If you say so. + +September 26, 2003: + +
I. +Borne through air, + Close my eyes. +Wind ruffles hair + Soul sighs, + Heart flies; +I’m the wind. + +I flow east: + Over the plains, +Over land creased. + Current refrains, + Cloud stains +As I build. + +Trees bow at my + Will +To move drives me + Onward +I push through + Mountains +Do nothing but + Divert +The rain as I + Flow. + + +II. +Borne through air - + Rise up high - +Driven there, + Earth nigh, + I sigh; +I’m the wind. + +I flow west: + Past the lakes, +Water my guest; + Thunder makes + Noise, wakes, +As I storm. + +Sand flies at my + Force +Builds as I + Push +Across the + Land +Flows beneath my + Self +Means nothing to + Wind. + + +III. +Borne through air, + Through the night +And dawn fair. + No fight, + Only flight; +I’m the wind. + +I flow south + On the ocean, +On delta’s mouth + My motion + Just notion +As I breathe. + +Waves break as I + Drive +Past the thin + Sands +Lift themselves to my + Body +Waxes as I + Press +Through the stillness of + Night. + + +IV. +Borne through air, + Around the world +And forests I tear; + Ferns furled, + Trees burled; +I am the wind. + +I flow north, + Across the ice; +I roll forth + Past spice – + So nice – +As I change. + +Men bask as I + Warm +Drops of rain + Fall +Colored leaves + Shiver +Because of the + Chill +Wind blows on + Past.
+ +> It's not without its own sense of charm. + +I suppose. It's crude. It's a bit heavy-handed. + +> Your others are not? + +Well, okay, fair. I like to think that I've improved nonetheless. + +> Are these old ones not creative? Are they still just play? + +The more I think of it, the more I think it's that they're just too...work. They're not creative, because they're too mechanical. I had realized that writing wasn't just play, so I stopped playing altogether. + +> Wrong answer. + +Tell me about it. + +January 11, 2003: + +
What hath man wrought! + When faced with the question of love + Or seeking peace with the answer thereof, +Or faced with life peril-fraught, + Created a god, or several, to satisfy + Some need to fulfill or deny + A lacking - + A slacking + On someone else's behalf, + Or his own behalf - +And on the world a question of faith brought. + +And when a man, endowed + With the ability to make his own God, + Does so with nary a nod, +And finds the god shan't be cowed, + What does he then? + And when a group of men + Make their God + With nary a nod, + And cow him easily, rightly + To them, and find him tightly +bound, what then, with a god bowed? + +What then, indeed, should a God, + Now lesser than his creators, do + When his creators move to gods new? +Is he then still a God? + Or is that when God dies, + Not bloated with swarms of flies, + But forgotten? + Not rotten, + Forgotten and immortal, what then? + Does he hope to come again, +Rising a second time, perhaps again to be God? + +One would hope that the God, being omniscient + Would realize he was no longer, otherwise + Might he become destructive? Likewise, +A god, waiting patient + Could become restless, + Try to leave his creators breathless, + Again, + But then, + Be pronounced a heretic + By all but the hermetic +And others of the new God ignorant. + +So hence a people divided + Those of Whispers and those of Nanon, + Fight to the tooth and fight to the bone, +Until over Whispers Nanon presided; + And when those of Nanon took + Speech from the Whispers so as to look + And not hear, + They here + Those of Whispers with + Supposed powers of myth +Of creation with speech's remnants provided. + +So it was before the fall of Whispers that + Faith of most all lay in technology, + Remnants of religion lay in astrology +And superstitious fears like the black cat. + Only after the fall did the faiths + Of only the Whisperers turn to mysterious wraiths + And gods, + But the odds + That one of the gods was taken more seriously + Than the rest was small, and not mysteriously, +The small bit of Faith quickly passed as society's scat + +Now, it's come that those of Nanon have all but forgotten + Those of Whispers except perhaps in myth + Maybe portrayed as consorting with +Black cats or something equally rotten. + But for the Whisperers, the city + Of Nanon is very real, also denial of pity + Of sunlight, + For sunlight + Is blocked by the city directly overhead + And the Whisperers know of only shadow instead; +Only death out from beneath the city to be gotten. + +The magic that's spoken of those + Of the Whispers, is often made + Out to be more, but because of their stayed +Speech, only whispers remain in quite prose. + So through the long stretches of time, + The Whisperers, through long stretches of rhyme + Can make - + Only make - + What they wish, with words divine, + Benign, or malign, +And in their creations complete trust repose. + +So begins a story, often told but never yet writ + Of a divided people still the same + And the rise and fall of a god played like a game. +While not true itself, it is truth lit: + As men continue to create and live under gods, + What would happen if the gods, at odds, + Warred and fell, + Raising hell + In the process? What would happen + In a society misshapen +If a wrathful god fell and no one cared a whit?
+ +> Ah yes, your Keats phase. + +It was a mixture of Keats and Larry Niven, I think. + +> That is intensely Madison. + +Thanks. + +I had recently read *The Ringworld Throne*, so I was thinking about vertically stratified cities, and had also been on a Keats kick ever since reading *The Hyperion Cantos*, so I decided I would write a sci-fi epic poem to support my conlang. + +It's a mess. + +> Could be worse. + +Could be better. diff --git a/content/writing/05.md b/content/writing/05.md new file mode 100644 index 0000000..3e6e998 --- /dev/null +++ b/content/writing/05.md @@ -0,0 +1,80 @@ +--- +date: 2019-08-29 +weight: 5 +--- + +> If you went from a mockery of creativity to a mockery of play, when did you settle down and just write a damn story? + +I think it wasn't too long after, actually. I wrote [*All of Time at Once*](https://writing.drab-makyo.com/fiction/all-of-time-at-once/) in April of 2004, and that was the first time I started to think, *ah-hah, okay, there's a rhythm to this, a pace, a set of mechanics as well as an art.* + +And from then on, I basically dropped writing in favor of music for months. Sure, there were a few others scattered around there. [*Tu pater et mater*](https://writing.drab-makyo.com/fiction/tu-pater-et-mater/) in May of 2003, and [*Light*](https://writing.drab-makyo.com/fiction/light/) in June of 2004, but other than that, I kind of just dropped it. + +> Why? + +I graduated. I left language arts classes behind. I went to school for an engineering major. + +> One you were supremely unhappy in. + +Right. And then when I started writing again, it was music. + +I wrote a few essays I was reasonably proud of, but it took another four years before I decided to actually sit down and give writing a go in a more structured setting, and then only because of NaNoWriMo. + +> Ah yes, your "boy meets girl with a twist" story. + +Yeah, [*The Consequences of Dissonance*](https://writing.drab-makyo.com/fiction/consequences-of-dissonance/). + +> You originally named it **Coming to Terms with Being a Terrible Person**. + +I did, yeah. I was fresh off my relationship with Kayla and well into a relationship with Kanja, and had a head full of hatred for who I used to be. + +> And who you were becoming. + +Well, it wasn't *Coming to Terms with Having Been a Terrible Person*, was it? + +> Fair enough. + +It wasn't a bad story, really, nor even that poorly written. I've even thought of revisiting it sometime. It was sort of a coming out story, but a coming-out-for-the-second-time sort of thing. Gay boy starts dating a girl and has to go through the social process of coming out as bi. + +> As Madison? + +I suppose. I went through my own series of comings-out, so maybe I have more insight into that now. + +> And you're less of a terrible person. + +Doubt. + +> There are perfectly cromulent reasons for you to think of yourself as a terrible person in the past, and even as a terrible person in 2008. Or even one now, really. You're just less of one. + +Always improving, I guess. + +> How did it feel to come up with a schedule, a goal, and a plan, and then to stick to it? + +I never finished the story. + +> But you won NaNoWriMo that year. You went over by eight thousand lines. + +I guess. + +> And you're dodging the question. + +That's why, though. It felt good while it lasted. It felt good during that hypomanic rush to actually complete something, to come up with an outline and actually work through it. + +Then I finished NaNo with several hours to spare and tried to keep going, but there was something missing. I felt rudderless. I kept trying to poke at it, but I think I was working as well as I was because of the deadlines. I was still trying to balance the work with the fun that go into a creative endeavor. + +> Did you stop having fun, or did you stop doing the work? + +I think it's more complex than that. There was fun to be had in the race to the finish line. I think that's why NaNo is so popular. And doubtless it was work, of course. + +But with the fun of having already won gone, I was faced with the fact that I had less outline than I had originally thought. Pantsing, as the community so eloquently puts it, may work well for some folks, but I was mostly left feeling uninspired and unmotivated once December hit. The same thing happened with *Getting Lost* and *Inner Demons*. I started strong enough with the basic idea as I tried to write by the seat of my pants, but without a direction or even any goal, I lost steam and wound up disheartened. + +> Do you not do well without goals, then? You don't seem to have one for this project. + +It's not necessarily that. More that, the shorter the project, the less planning that's required. I do much better with articles and short stories than I do with novels. At least so far, given the amount of planning that goes into each. + +This project is working as well as it is because of my heavy reliance on these side-quests. I can break a story down into manageable chunks so that, by the time I might start losing direction, they're about overwith anyway. + +Besides, I have you to help. + +> Me? Little old me? + +Yeah. It's much easier to have a conversation than it is to plan out a story. You keep taking me in directions I don't mean to go. diff --git a/content/writing/06.md b/content/writing/06.md new file mode 100644 index 0000000..b4055bd --- /dev/null +++ b/content/writing/06.md @@ -0,0 +1,36 @@ +--- +date: 2019-08-29 +weight: 6 +--- + +> So if the goal of this project is to write about the ways in which creativity interacts with various facets of your life, what are your goals when it comes to creativity itself? + +Huh. + +I'll have to think on that one. + +> I'd say I'll be patient, but you know I won't be. + +Yeah. + +I think the goals for my creativity are to find a happy medium of entertaining and applicable for others to consume as well as enjoyable for me to create. + +> Vague. + +I guess. I could list specifics, but I don't think that's quite what you're asking after. + +> No, vague is good. It's good to have something you'll always fall short on, because that'll always give you reason to strive for improvement. + +That "if you hate who you were in the past, it's a good sign that you've improved as a person" sort of thing? + +> In a way. If you hate your old work, it's a good sign you've improved as a writer, musician, developer, whatever. + +That makes sense. + +Though I do have concrete goals. I'd like to write a book. I'd like to finish some outstanding music I've still got hanging around. I'd like to maybe work toward getting a job in something other than tech. + +> So what you're saying is that you'd like to be happy? + +I suppose so. + +> Good luck, kid. diff --git a/content/writing/07.md b/content/writing/07.md new file mode 100644 index 0000000..61ed775 --- /dev/null +++ b/content/writing/07.md @@ -0,0 +1,14 @@ +--- +date: 2019-08-30 +weight: 7 +--- + +
Autoplaying music
+ +> If this is about creativity, then tell me about composing. + +Shall I do so in song? + +> Please. + +No thanks, but I'll tell you all the same. diff --git a/content/writing/music/01.md b/content/writing/music/01.md new file mode 100644 index 0000000..0a2620b --- /dev/null +++ b/content/writing/music/01.md @@ -0,0 +1,47 @@ +--- +date: 2019-08-30 +weight: 1 +--- + + + + +I did not fall into music of my own accord, my dad bought me a saxophone. + +> As his dad bought him before you. + +He wanted us to be alike in so many ways. + +> But you already knew that. + +He got me a saxophone and he and my mom pooled resourses to get me lessons. + +> And showed you to all his friends. + +I played at his Christmas parties. I played at his neighbor's Christmas parties. + +> Once, he was going to show you off to his friends at a barbeque, and you got so anxious and upset that you bent the octave key out of shape. You could only produce squeaks. You said it was an accident. + +I did it to get out of playing for the party, and instead it got me in trouble for being careless. + +> You were anything but. You were very careful. You acted with intent. + +I kept playing. Sometimes it was fun, sometimes it wasn't. + +> Once, you told your mom you weren't sure why she or your dad bothered with you learning to play the saxophone when all life was meaningless, anyway. + +How old was I, then? Ten? Eleven? + +> Dad made you apologize to her. I don't think either knew what to do with a nihilistic preteen. + +But it worked, in a roundabout way. I wound up in music. I wound up playing the saxophone and even sometimes enjoying it. I moved from that to the oboe. + +And not just playing. I listened to tapes until they wore out. I made mixtapes of my dad's music after he taught me how to program his six-disc CD changer. After that, it was mix CDs, which I'd listen to on the bright yellow Sport Discman I carried everywhere. I fell asleep with headphones on more than once. + +Music held --- continues to hold --- this sense of mystery about it. It worked on some level below spoken language, understandable without being text, affecting emotions without the cadence of words. + +> So why'd you quit? + +I can't just say "computers" and beg off, here, can I? + +> Nope. diff --git a/content/writing/music/02.md b/content/writing/music/02.md new file mode 100644 index 0000000..68a7a1d --- /dev/null +++ b/content/writing/music/02.md @@ -0,0 +1,30 @@ +--- +date: 2019-08-30 +weight: 2 +--- + + + +Okay, you're right. It's not quite true that I left because of computers. I stopped playing the oboe after I ran away and moved schools. Band was already well underway, after all, and I couldn't join in partway through. They let me play the cymbal in one concert, but I basically gave up after that. We returned the rental oboe. I wouldn't touch an instrument in all seriousness until well into university. + +And really, during all that time, there was no sense of regret, no sense of loss. + +> Your dad bought you a pair of drumsticks after that concert, but while you played with them for a few weeks, you soon lost interest. You had moved on. + +I had moved on. + +I was trying to square being gay with being the type of person my parents would like. I was trying to figure out how to make friends after transfering into a school. I was trying so hard to settle down and just become someone, to just be born already. + +> You told your mom and Jay that, when you complained about karate in the future, they should remind you that you do enjoy it sometimes, that it just comes and goes. You just wanted to cling to something and have it stick. + +Computers were all well and good. They certainly offered me a route to explore so much that I might otherwise have not. They got me Danny. They got me into furry. They got me into programming. + +> You're still a furry. You still program. Hell, you still think about Danny. Does that not count as sticking? + +Oh, it definitely does, don't get me wrong. Some of the things I launched myself into did stick, even if some of them did not. I was too busy getting ready to be born to focus on what, I suppose. + +And then, two weeks into my freshman year at high school, a few girls stopped me in the hall during my only free period and asked me to join choir with them. + +> And you said yes. + +Lord help me, I have no idea why, but I did. diff --git a/content/writing/music/03.md b/content/writing/music/03.md new file mode 100644 index 0000000..fea0baa --- /dev/null +++ b/content/writing/music/03.md @@ -0,0 +1,52 @@ +--- +date: 2019-08-30 +weight: 3 +--- + + + +When you're a choir kid, you're a choir kid. + +> The first rule of the tautology club is the first rule of the tautology club. + +You have to understand. There's a level of identity, a level of expression that goes along with being a choir kid. It's writ on your face. It's in the way you walk. It's an aura that emanates from you. It hovers about your head in a halo. It colors your perception, and others' perception of you. + +You don't do choir. You *are* choir. + +> Just as you **are** furry? + +There's plenty of comparison that can be made there, yes. + +> Like how, fresh out of middle school, fresh out of your mom's messy divorce with Jay, fresh after your mom's diagnosis, so soon after running away, you found yourself once again largely alone. It was more complex now, too. You weren't simply physically alone. You were a newborn and you were alone in the world. You were alone on some ineffable level. You craved a family. You craved a community. You needed to not be alone. You needed those things to grow up, whether you knew it or not --- and you didn't --- so you latched onto whatever you brushed up against, arms hard around it, and you refused to let go. You refused to let it let **you** go. + +I...well. Huh. + +> Carry on. + +Give me a second. + +> Take your time. + +I suppose I was going to go on to say that when you're a choir kid and a boy, something happens inside people's heads. They go a little bit crazy. + +There are other identities within school, after all. There's band, of course. Band is pretty egalitarian (in some ways; obviously individual instruments have their own gender roles). There's some of the sports, too, where a girl joining the team would be quite out of place, if it's even allowed. Nerds fall along similar lines --- or fell, I suspect this is changing --- in that a girl nerd is considered something more unique. + +High-schoolers, however, seem to be intensely aware of gender roles, even if they don't realize. This includes the power dynamic instilled in them in the west. A girl "striving" to be "something greater" by taking part in a supposedly masculine activity-- + +> Nice qualification quotes. + +--is a curiosity, perhaps gently encouraged, perhaps the source of patronizing. + +A boy "falling back" to "something less" by taking part in a supposedly feminine activity is a cause for alarm, a cause for concern, a cause for laughing and jeering and taunting. + +> That you transitioned later in life being, of course, irrelevant. + +It sort of is, it sort of isn't. + +It is, because I don't think I know any other choir friends who transitioned. And not just those like me who transitioned and then dropped out of choir because boy is *that* fraught. + +It isn't, because in a lot of people's eyes, that's confirmation that joining choir was an early sign of my weakening masculinity. It's self-reinforcing that way. + +> As are a lot of social roles. Furries are nerdy because they're expected to be, and so they attract nerds. Nerds are awkward because of course they are, and so awkward kids are more likely to become nerds. + +When you're a choir kid and a boy and *gay*, after all, well...pff, of course. A boy in choir *would* be gay. diff --git a/content/writing/music/04.md b/content/writing/music/04.md new file mode 100644 index 0000000..b3136ec --- /dev/null +++ b/content/writing/music/04.md @@ -0,0 +1,47 @@ +--- +date: 2019-08-30 +weight: 4 +--- + + + + +I tried to let go of choir when I went to university. I was all set to begin anew. I was going to live up to my parents' dreams of becoming an engineer. + +That, and I heard the choir perform during All-State my senior year of high school, and they weren't that good. the All-State choirs were better. My school's choirs were better. I didn't want to tarnish my feelings on choir by having my last few years in it be less than what I was used to. + +> Yeah. How'd that work out? + +I lasted a semester. + +Part of it was, of course, that I started the same year they hired Dr. Kim, who turned the choral department around. Suddenly I had something I wanted to reach for. + +Part of it was that, on graduating, one of my chosen families disappeared. I still had furry, of course, and I still had Ash and Shannon, but I was missing a core part of myself, and I wasn't strong enough to not have that in my life. + +> You weren't strong enough to do a lot of things, then. + +No, I wasn't. I wasn't strong enough to tamp down my mania or pull myself up by my bootstraps through depression. I wasn't strong enough to buckle down on my math and chemistry studies. I wasn't strong enough to treat my friends and lovers as well as they deserved. Not on my own, at least. + +So I joined choir. + +> You did more than that. You took ownership of your life. + +I changed my major to music. I started taking singing lessons. I gained strength from my community, and I got better. I got strong enough to at least learn, bit by bit, how to deal with each of those things. I'm still working on some of them, but that's where I started learning. + +I got strong enough to make it into voice lessons with Dr. Morrow-King. + +I got strong enough to get into Chamber Choir. + +I got strong enough to go on two choir tours in South Korea. + +I got strong enough to leave the music education program and move to music composition. + +I got strong enough to talk to the department chair about why I wasn't getting lessons through the school. + +I got strong enough to stand up to Dr. Wohl when he was called on it and not selected to be the new professor. + +> Not strong enough to suffer defeat. + +No. + +Not the one I experienced. diff --git a/content/writing/music/05.md b/content/writing/music/05.md new file mode 100644 index 0000000..a0e1502 --- /dev/null +++ b/content/writing/music/05.md @@ -0,0 +1,88 @@ +--- +date: 2019-08-30 +weight: 5 +--- + + + +My senior recital did not go well. + +> Understatement. + +It was a failure from very early on. I was commissioned to write a work for two friends in the music department. French horn and contrabass are an unlikely combination, so I figured it'd be a good challenge. It turned into a nightmare with astonishing speed. + +They dictated what I wrote to a large extent, and when Dr. David heard about it, he explained that that's not quite how it was supposed to work. I flailed and finished the piece as best as I could. + +I couldn't find performers to commit to any of my pieces. When I did, they didn't practice. The two who commissioned that work from me only practiced once: half an hour before the concert itself. + +The performance itself was a disaster. + +> You grabbed the recording and left to dinner with your mom and dad, Bob, Maurine, JD, his dad, and Diane. Diane said, as politely as she could, that many of your pieces sounded "so dark", and it was all you could do not to cry and say that it wasn't supposed to be that way. + +I gave up after that. I stopped going to class regularly. I stopped doing homework. I started programming more. I worked as many hours as I was allowed. I applied for tech jobs. + +> You kept singing. + +I did, but my heart wasn't in it. + +I left music. + +I stopped composing. + +It took a year, but I stopped performing. + +I couldn't do it. + +All of the work I had put into it, all of the time and effort and blood and sweat and tears, and as soon as I had something I was proud of, I was shown just how little the world thought of me. My community didn't change, and yet it felt hateful to me. I had no guarantees at all that it would get any better, so I got out while I was at least only a little behind. + +> In writing, you were later told, the worst that could happen if you submitted a story was that the editors would say no. This was worse than the editor saying no. This was the editor sneering at you, looking you directly in the eye, and slowly tearing your story to shreds, long strips of paper dropping from their hands as you watched. + +And I had to smile as I did so. I had to smile and shake hands and gesture for the performers to bow. I had to keep talking to the audience, explaining the significance and features of each piece throughout the recital even as it continued to get worse and worse. + +> You stopped writing music. + +Why wouldn't I? Life told me what it thought of me doing so. Why would I willingly continue to fail? + +> You were not strong enough. + +I was not strong enough. + +> You started programming. + +Website after website. + +> You started writing. + +I splashed around in great heaps of words. + +> You promised yourself you were okay with the outcome. + +Seven years was enough. + +> And now it's seven years since you got into tech. + +Yes. + +> And you started writing music again. + +Yes. + +> A few pieces. Miniatures. Stuff you can finish without getting tired of it first. + +Yes. + +> Something to try and capture the agony and the ecstasy. + +Yes. + +> You still write for choir. + +Yes. + +> Stuff that will never get performed. + +Yes. + +> You promise yourself you are okay with this. + +Yes. diff --git a/content/writing/music/_index.md b/content/writing/music/_index.md new file mode 100644 index 0000000..63e8ddc --- /dev/null +++ b/content/writing/music/_index.md @@ -0,0 +1,4 @@ +--- +type: serial +back: /writing/7 +--- diff --git a/static/map.dot b/static/map.dot index 3f2bad3..69e2f24 100644 --- a/static/map.dot +++ b/static/map.dot @@ -33,11 +33,12 @@ digraph Map { "ally 15" [href="/15"] "ally 16" [href="/16"] "ally 17" [href="/17"] + "ally 18" [href="/18"] "To be continued..." [shape="none"] "ally 1" -> "ally 2" -> "ally 3" -> "ally 4" -> "ally 5" -> "ally 6" -> "ally 7" -> "ally 8" -> "ally 9" -> "ally 10" -> "ally 11" -> "ally 12" -> "ally 13" -> "ally 14" -> "ally 15" -> - "ally 16" -> "ally 17" -> "To be continued..." + "ally 16" -> "ally 17" -> "ally 18" -> "To be continued..." node[group="dad",style="filled",fillcolor="#cccccc",fontcolor="#222222"] "Dad 1" [href="/dad/1"] @@ -177,11 +178,22 @@ digraph Map { "Poet and Mystic 9" [href="/poet-and-mystic/9"] "Poet and Mystic 10" [href="/poet-and-mystic/10"] "Poet and Mystic 11" [href="/poet-and-mystic/11"] - "Poet and Mystic 12" [href="/poet-and-mystic/21"] + "Poet and Mystic 12" [href="/poet-and-mystic/12"] + "Poet and Mystic 13" [href="/poet-and-mystic/13"] "Poet and Mystic 1" -> "Poet and Mystic 2" -> "Poet and Mystic 3" -> "Poet and Mystic 4" -> "Poet and Mystic 5" -> "Poet and Mystic 6" -> "Poet and Mystic 7" -> "Poet and Mystic 8" -> "Poet and Mystic 9" -> - "Poet and Mystic 10" -> "Poet and Mystic 11" -> "Poet and Mystic 12" + "Poet and Mystic 10" -> "Poet and Mystic 11" -> "Poet and Mystic 12" -> + "Poet and Mystic 13" + + node[group="ane",style="",fontcolor="#111111"] + "Agony and Ecstasy" [href="/poet-and-mystic/agony-and-ecstasy"] + "Audio" [href="/poet-and-mystic/agony-and-ecstasy/audio"] + "Video" [href="/poet-and-mystic/agony-and-ecstasy/video"] + "Text" [href="/poet-and-mystic/agony-and-ecstasy/text"] + "Agony and Ecstasy" -> "Audio" + "Agony and Ecstasy" -> "Video" + "Agony and Ecstasy" -> "Text" node[group="poly",style="",fontcolor="#111111"] "Poly 1" [href="/poly"] @@ -201,9 +213,33 @@ digraph Map { "Writing 1" [href="/writing"] "Writing 2" [href="/writing/2"] "Writing 3" [href="/writing/3"] - "Writing 1" -> "Writing 2" -> "Writing 3" + "Writing 4" [href="/writing/4"] + "Writing 5" [href="/writing/5"] + "Writing 6" [href="/writing/6"] + "Writing 7" [href="/writing/7"] + "Writing 1" -> "Writing 2" -> "Writing 3" -> "Writing 4" -> "Writing 5" -> + "Writing 6" -> "Writing 7" - /***** Connections *****/ + node[group="music",style="",fontcolor="#111111"] + "Music 1" [href="/writing/music"] + "Music 2" [href="/writing/music/2"] + "Music 3" [href="/writing/music/3"] + "Music 4" [href="/writing/music/4"] + "Music 5" [href="/writing/music/5"] + "Music 1" -> "Music 2" -> "Music 3" -> "Music 4" -> "Music 5" + + + + /** + Connections + + Connections should only lead from one quest to another the first time that + link appears. No need to link to a quest a second time. + + Wasn't the point of this to be intentionally confusing? + + Yeah, but it was grating on me. All of those lines crossing, all those curves, side-quests pushed way down the page because I linked to them too many times. + */ // Asides "ally 14" -> "Aside 1" @@ -259,19 +295,21 @@ digraph Map { /* none */ // Poet and Mystic - "Poet and Mystic 1" -> "Manifesto Project 1" + /*"Poet and Mystic 1" -> "Manifesto Project 1"*/ + "Poet and Mystic 13" -> "Agony and Ecstasy" // Poly "Poly 1" -> "Jay 1" // Self-harm - "Self-harm 1" -> "Margaras 1" + /*"Self-harm 1" -> "Margaras 1"*/ // Writing - "Writing 2" -> "Koans 1" + /*"Writing 2" -> "Koans 1" "Writing 2" -> "Birds 1" "Writing 2" -> "Margaras 1" "Writing 2" -> "Dad 1" "Writing 2" -> "Fursoñas 1" - "Writing 2" -> "Poet and Mystic 1" + "Writing 2" -> "Poet and Mystic 1"*/ + "Writing 7" -> "Music 1" } diff --git a/static/map.png b/static/map.png index 09f6e90..088bfab 100644 Binary files a/static/map.png and b/static/map.png differ diff --git a/static/map.svg b/static/map.svg index 5abb867..26eba10 100644 --- a/static/map.svg +++ b/static/map.svg @@ -4,17 +4,17 @@ - - + + Map - + Aside 1 - -Aside 1 + +Aside 1 @@ -22,8 +22,8 @@ Aside 2 - -Aside 2 + +Aside 2 @@ -31,8 +31,8 @@ Aside 3 - -Aside 3 + +Aside 3 @@ -40,8 +40,8 @@ Birds 1 - -Birds 1 + +Birds 1 @@ -49,68 +49,68 @@ Birds 2 - -Birds 2 + +Birds 2 Birds 1->Birds 2 - - + + Birds 3 - -Birds 3 + +Birds 3 Birds 2->Birds 3 - - + + Birds 4 - -Birds 4 + +Birds 4 Birds 3->Birds 4 - - + + Birds 5 - -Birds 5 + +Birds 5 Birds 4->Birds 5 - - + + ally 1 - -ally 1 + +ally 1 @@ -118,1857 +118,2028 @@ ally 2 - -ally 2 + +ally 2 ally 1->ally 2 - - + + ally 3 - -ally 3 + +ally 3 ally 2->ally 3 - - + + ally 4 - -ally 4 + +ally 4 ally 3->ally 4 - - + + ally 5 - -ally 5 + +ally 5 ally 4->ally 5 - - + + ally 6 - -ally 6 + +ally 6 ally 5->ally 6 - - + + ally 7 - -ally 7 + +ally 7 ally 6->ally 7 - - + + ally 8 - -ally 8 + +ally 8 ally 7->ally 8 - - + + ally 9 - -ally 9 + +ally 9 ally 8->ally 9 - - + + - + Manic notes 1 - - -Manic notes 1 + + +Manic notes 1 - + ally 8->Manic notes 1 - - + + - + ally 9->Birds 1 - - + + ally 10 - 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- -Writing 1 + + +Writing 1 - + ally 17->Writing 1 - - + + + + + +To be continued... +To be continued... + + + +ally 18->To be continued... + + - + Dad 1 - - -Dad 1 + + +Dad 1 - + Dad 2 - - -Dad 2 + + +Dad 2 - + Dad 1->Dad 2 - - + + - + Dad 3 - - -Dad 3 + + +Dad 3 - + Dad 2->Dad 3 - - + + - + Dad 4 - - -Dad 4 + + +Dad 4 - + Dad 3->Dad 4 - - + + - + Dad 5 - - -Dad 5 + + +Dad 5 - + Dad 4->Dad 5 - - + + - + Dad 6 - - -Dad 6 + + +Dad 6 - + Dad 5->Dad 6 - - + + - + Dad 7 - - -Dad 7 + + +Dad 7 - + Dad 6->Dad 7 - - + + - + Dad 8 - - -Dad 8 + + +Dad 8 - + Dad 7->Dad 8 - - + + - + Dad 9 - - -Dad 9 + + +Dad 9 - + Dad 8->Dad 9 - - + + - + Dad 10 - - -Dad 10 + + +Dad 10 - + Dad 9->Dad 10 - - + + - + Dad 11 - - -Dad 11 + + +Dad 11 - + Dad 10->Dad 11 - - + + - + Dad 11->ally 16 - - + + - + From within 2 - - -From within 2 + + +From within 2 - + From within 1->From within 2 - - + + - + From within 3 - - -From within 3 + + +From within 3 - + From within 2->From within 3 - - + + - + From within 4 - - -From within 4 + + +From within 4 - 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- + + - + Liminal 4->Aside 2 - - + + - + Liminal 5 - - -Liminal 5 + + +Liminal 5 - + Liminal 4->Liminal 5 - - + + - + Liminal 6 - - -Liminal 6 + + +Liminal 6 - + Liminal 5->Liminal 6 - - + + - + Liminal 7 - - -Liminal 7 + + +Liminal 7 - + Liminal 6->Liminal 7 - - + + - + Liminal 8 - - -Liminal 8 + + +Liminal 8 - + Liminal 7->Liminal 8 - - + + - + Liminal 8->Dad 1 - - + + - + Manic notes 2 - - -Manic notes 2 + + +Manic notes 2 - + Manic notes 1->Manic notes 2 - - + + - + Manic notes 3 - - -Manic notes 3 + + +Manic notes 3 - + Manic notes 2->Manic notes 3 - - + + - + Manic notes 4 - - -Manic notes 4 + + +Manic notes 4 - + Manic notes 3->Manic notes 4 - - + + - + Manic notes 5 - - -Manic notes 5 + + +Manic notes 5 - + Manic notes 4->Manic notes 5 - - + + - + Manifesto Project 1 - - -Manifesto Project 1 + + +Manifesto Project 1 - + Manic notes 4->Manifesto Project 1 - - + + - + Manifesto Project 2 - - -Manifesto Project 2 + + +Manifesto Project 2 - + Manifesto Project 1->Manifesto Project 2 - - + + - + Manifesto Project 3 - - -Manifesto Project 3 + + +Manifesto Project 3 - + Manifesto Project 2->Manifesto Project 3 - - + + - + Manifesto Project 4 - - -Manifesto Project 4 + + +Manifesto Project 4 - + Manifesto Project 3->Manifesto Project 4 - - + + - + Manifesto Project 5 - - -Manifesto Project 5 + + +Manifesto Project 5 - + Manifesto Project 4->Manifesto Project 5 - - + + - + Manifesto Project 6 - - -Manifesto Project 6 + + +Manifesto Project 6 - + Manifesto Project 5->Manifesto Project 6 - - + + - + Manifesto Project 7 - - -Manifesto Project 7 + + +Manifesto Project 7 - + Manifesto Project 6->Manifesto Project 7 - - + + - + Manifesto Project 8 - - -Manifesto Project 8 + + +Manifesto Project 8 - + Manifesto Project 7->Manifesto Project 8 - - + + - + Manifesto Project 9 - - -Manifesto Project 9 + + +Manifesto Project 9 - + Manifesto Project 8->Manifesto Project 9 - - + + - + Manifesto Project 10 - - -Manifesto Project 10 + + +Manifesto Project 10 - + Manifesto Project 9->Manifesto Project 10 - - + + - + Manifesto Project 11 - - -Manifesto Project 11 + + +Manifesto Project 11 - + Manifesto Project 10->Manifesto Project 11 - - + + - + Manifesto Project 12 - - -Manifesto Project 12 + + +Manifesto Project 12 - + Manifesto Project 11->Manifesto Project 12 - - + + - + Manifesto Project 13 - - -Manifesto Project 13 + + +Manifesto Project 13 - + Manifesto Project 12->Manifesto Project 13 - - + + - + Manifesto Project 14 - - -Manifesto Project 14 + + +Manifesto Project 14 - + Manifesto Project 13->Manifesto Project 14 - - - - - -Poet and Mystic 1->Manifesto Project 1 - - + + - + Poet and Mystic 2 - - -Poet and Mystic 2 + + +Poet and Mystic 2 - + Poet and Mystic 1->Poet and Mystic 2 - - + + - + Poet and Mystic 3 - - -Poet and Mystic 3 + + +Poet and Mystic 3 - + Poet and Mystic 2->Poet and Mystic 3 - - + + - + Poet and Mystic 4 - - -Poet and Mystic 4 + + +Poet and Mystic 4 - + Poet and Mystic 3->Poet and Mystic 4 - - + + - + Poet and Mystic 5 - - -Poet and Mystic 5 + + +Poet and Mystic 5 - + Poet and Mystic 4->Poet and Mystic 5 - - + + - + Poet and Mystic 6 - - -Poet and Mystic 6 + + +Poet and Mystic 6 - + Poet and Mystic 5->Poet and Mystic 6 - - + + - + Poet and Mystic 7 - - -Poet and Mystic 7 + + +Poet and Mystic 7 - + Poet and Mystic 6->Poet and Mystic 7 - - + + - + Poet and Mystic 7->Aside 3 - - + + - + Poet and Mystic 8 - - -Poet and Mystic 8 + + +Poet and Mystic 8 - + Poet and Mystic 7->Poet and Mystic 8 - - + + - + Poet and Mystic 9 - - -Poet and Mystic 9 + + +Poet and Mystic 9 - + Poet and Mystic 8->Poet and Mystic 9 - - + + - + Poet and Mystic 10 - - -Poet and Mystic 10 + + +Poet and Mystic 10 - + Poet and Mystic 9->Poet and Mystic 10 - - + + - + Poet and Mystic 11 - - -Poet and Mystic 11 + + +Poet and Mystic 11 - + Poet and Mystic 10->Poet and Mystic 11 - - + + - + Poet and Mystic 12 - - -Poet and Mystic 12 + + +Poet and Mystic 12 - + Poet and Mystic 11->Poet and Mystic 12 - - + + + + + +Poet and Mystic 13 + + +Poet and Mystic 13 + + + + + +Poet and Mystic 12->Poet and Mystic 13 + + + + + +Agony and Ecstasy + + +Agony and Ecstasy + + + + + +Poet and Mystic 13->Agony and Ecstasy + + + + + +Audio + + +Audio + + + + + +Agony and Ecstasy->Audio + + + + + +Video + + +Video + + + + + +Agony and Ecstasy->Video + + + + + +Text + + +Text + + + + + +Agony and Ecstasy->Text + + - + Poly 1->Jay 1 - - + + - + Poly 2 - - -Poly 2 + + +Poly 2 - + Poly 1->Poly 2 - - + + - + Poly 3 - - -Poly 3 + + +Poly 3 - + Poly 2->Poly 3 - - - - - -Self-harm 1->Margaras 1 - - + + - + Self-harm 2 - - -Self-harm 2 + + +Self-harm 2 - + Self-harm 1->Self-harm 2 - - + + - + Self-harm 3 - - -Self-harm 3 + + +Self-harm 3 - + Self-harm 2->Self-harm 3 - - + + - + Writing 2 - - -Writing 2 + + +Writing 2 - + Writing 1->Writing 2 - - - - - -Writing 2->Birds 1 - - - - - -Writing 2->Dad 1 - - - - - -Writing 2->Fursoñas 1 - - - - - -Writing 2->Margaras 1 - - - - - -Writing 2->Poet and Mystic 1 - - + + - + Writing 3 - - -Writing 3 + + +Writing 3 - + Writing 2->Writing 3 - - + + - - -Koans 1 - -Koans 1 + + +Writing 4 + + +Writing 4 + - - -Writing 2->Koans 1 - - + + + +Writing 3->Writing 4 + + + + + +Writing 5 + + +Writing 5 + + + + + +Writing 4->Writing 5 + + + + + +Writing 6 + + +Writing 6 + + + + + +Writing 5->Writing 6 + + + + + +Writing 7 + + +Writing 7 + + + + + +Writing 6->Writing 7 + + + + + +Music 1 + + +Music 1 + + + + + +Writing 7->Music 1 + + + + + +Music 2 + + +Music 2 + + + + + +Music 1->Music 2 + + + + + +Music 3 + + +Music 3 + + + + + +Music 2->Music 3 + + + + + +Music 4 + + +Music 4 + + + + + +Music 3->Music 4 + + + + + +Music 5 + + +Music 5 + + + + + +Music 4->Music 5 + + diff --git a/static/miniatures/1.mp3 b/static/miniatures/1.mp3 new file mode 100755 index 0000000..dca24f4 Binary files /dev/null and b/static/miniatures/1.mp3 differ diff --git a/static/miniatures/2.mp3 b/static/miniatures/2.mp3 new file mode 100755 index 0000000..6131c5a Binary files /dev/null and b/static/miniatures/2.mp3 differ diff --git a/static/miniatures/3.mp3 b/static/miniatures/3.mp3 new file mode 100755 index 0000000..b94fe0b Binary files /dev/null and b/static/miniatures/3.mp3 differ diff --git a/static/miniatures/4.mp3 b/static/miniatures/4.mp3 new file mode 100755 index 0000000..40d4fea Binary files /dev/null and b/static/miniatures/4.mp3 differ diff --git a/static/miniatures/5.mp3 b/static/miniatures/5.mp3 new file mode 100644 index 0000000..2386ec7 Binary files /dev/null and b/static/miniatures/5.mp3 differ diff --git a/themes/ally/static/css/main.css b/themes/ally/static/css/main.css index 39c039f..0006554 100644 --- a/themes/ally/static/css/main.css +++ b/themes/ally/static/css/main.css @@ -146,6 +146,10 @@ pre { code { font-family: 'Ubuntu Mono', monospace; } +audio { + display: block; + margin: 0 auto; +} @keyframes flash {