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|---|---|---|---|
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| 7ee2f406dd | |||
| 513d06a89b | |||
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| 27bba96500 | |||
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| e61c5ae12c |
42
.gitea/workflows/deploy.yaml
Normal file
42
.gitea/workflows/deploy.yaml
Normal file
@ -0,0 +1,42 @@
|
||||
name: Deploy
|
||||
run-name: ${{ gitea.actor }} is deploying ${{ gitea.repository }}
|
||||
on:
|
||||
push:
|
||||
branches:
|
||||
- main
|
||||
|
||||
jobs:
|
||||
deploy:
|
||||
runs-on: ubuntu-latest
|
||||
container:
|
||||
image: docker.gitea.com/runner-images:ubuntu-latest
|
||||
volumes:
|
||||
- /opt/hugo/florilegium.ink:/opt/hugo/florilegium.ink
|
||||
env:
|
||||
DART_SASS_VERSION: 1.98.0
|
||||
steps:
|
||||
- name: Check out repo
|
||||
uses: actions/checkout@v6
|
||||
with:
|
||||
submodules: 'true'
|
||||
|
||||
- name: Install Hugo
|
||||
uses: peaceiris/actions-hugo@v3
|
||||
with:
|
||||
hugo-version: '0.157.0'
|
||||
extended: true
|
||||
|
||||
- name: Install Dart Sass
|
||||
run: |
|
||||
curl -LJO https://github.com/sass/dart-sass/releases/download/${DART_SASS_VERSION}/dart-sass-${DART_SASS_VERSION}-linux-x64.tar.gz \
|
||||
&& tar -xf dart-sass-${DART_SASS_VERSION}-linux-x64.tar.gz \
|
||||
&& cp -r dart-sass/* /usr/local/bin \
|
||||
&& rm -rf dart-sass* \
|
||||
&& sass --embedded --version
|
||||
|
||||
- name: Build site
|
||||
run: |
|
||||
hugo build --gc --minify --baseURL https://florilegium.ink --destination /opt/hugo/florilegium.ink
|
||||
|
||||
- name: Set permissions
|
||||
run: chown -R www-data:www-data /opt/hugo/florilegium.ink
|
||||
2
.gitignore
vendored
2
.gitignore
vendored
@ -1 +1,3 @@
|
||||
.hugo_build.lock
|
||||
public
|
||||
resources/_gen
|
||||
|
||||
@ -1,12 +1,20 @@
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||||
---
|
||||
---
|
||||
|
||||
**flor·i·le·gi·um** */flor ə lɛ dʒi əm/*
|
||||
**flor·i·le·gi·um** */ˌflor ə ˈlɛ dʒi əm/*
|
||||
n. pl. **flor·i·le·gi·a** */-dʒi ə/*
|
||||
|
||||
> A collection of excerpts from written texts, especially works of literature.
|
||||
|
||||
*Florilegium* is a series of essays exploring just how much space we're allowed to take up in the world. While not all of them are provided here, a few are in order to give a sense of the overall work. This project serves as partial fulfillment my MFA in creative writing from Cornell College in Mount Vernon, IA.
|
||||
*Florilegium* is a series of essays exploring just how much space we're allowed to take up in the world.
|
||||
|
||||
-----
|
||||
|
||||
{{< works corpus="works" collections="none" creators="none" >}}
|
||||
|
||||
-----
|
||||
|
||||
*Florilegium* was originally written as part of my MFA in creative writing from Cornell College in Mount Vernon, IA. The original dedication, abstract, and PDF are provided here for posterity's sake:
|
||||
|
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<details><summary>Dedication</summary>
|
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|
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@ -29,24 +37,3 @@ In the third and final part, the dichotomy is broken and the knowledge provided
|
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</details>
|
||||
|
||||
[*Download the PDF*](/Madison_Rye_Progress--Florilegium.pdf).
|
||||
|
||||
-----
|
||||
|
||||
|
||||
## [And Flowers Wreathe Your Sleeping Form](/and-flowers-wreathe-your-sleeping-form)
|
||||
|
||||
> *What means death or grief*
|
||||
> *in the face of endless time?*
|
||||
> *Slow-turning seasons.*
|
||||
|
||||
An exploration of the spiral of poetry and of grief.
|
||||
|
||||
## [The Elevation of Unknown Things](/the-elevation-of-unknown-things)
|
||||
|
||||
> If Matthew died in 2012, why was I not born then?
|
||||
|
||||
An exploration of disinterested identity and the choices that lead to them.
|
||||
|
||||
## [The Margin of the Terrifying](/the-margin-of-the-terrifying)
|
||||
|
||||
> Around and around thoughts flow like water downstream with eddies behind rocks building whirlpools as holes in identity.
|
||||
|
||||
@ -1,14 +1,11 @@
|
||||
---
|
||||
title: And Flowers Wreathe Your Sleeping Form
|
||||
subtitle: And Flowers Wreathe Your Sleeping Form
|
||||
type: page
|
||||
title: And Flowers Wreathe Your Sleeping Form
|
||||
next: "and-flowers-wreathe-your-sleeping-form/intro"
|
||||
---
|
||||
|
||||
"Seasons" is a 2022 essay by Madison Scott-Clary written as part of her coursework for her MFA in creative writing at Cornell College. It relies heavily on the use of footnotes while discussing the aspects of seasonality within poetry. The essay was released both as a printable PDF[^pdf] and as a static HTML site.
|
||||
|
||||
## Content note
|
||||
|
||||
This document contains frank discussions of death and grief, including descriptions of the euthanasia of a pet (marked with ⚠ ).
|
||||
|
||||
[^pdf]: Available for download [here](/seasons.pdf).
|
||||
|
||||
@ -2,6 +2,7 @@
|
||||
title: Autumn
|
||||
subtitle: And Flowers Wreathe Your Sleeping Form
|
||||
next: "and-flowers-wreathe-your-sleeping-form/winter"
|
||||
type: page
|
||||
---
|
||||
|
||||
Autumn bears a strange dichotomy of plenty and impending naught. In Autumn, we harvest. We think of squash and gourds. We think of wheat, rye, corn, those fields all tan and gray. Those rattle-dry stalks we met in spring are born here.
|
||||
|
||||
@ -1,6 +1,6 @@
|
||||
---
|
||||
title: Bibliography
|
||||
subtitle: And Flowers Wreathe Your Sleeping Form
|
||||
type: page
|
||||
---
|
||||
|
||||
{{% bibliography "bibliography" %}}
|
||||
|
||||
@ -1,6 +1,7 @@
|
||||
---
|
||||
title: Introduction
|
||||
subtitle: And Flowers Wreathe Your Sleeping Form
|
||||
type: page
|
||||
next: "and-flowers-wreathe-your-sleeping-form/spring"
|
||||
---
|
||||
|
||||
|
||||
@ -1,6 +1,7 @@
|
||||
---
|
||||
title: Winter
|
||||
subtitle: And Flowers Wreathe Your Sleeping Form
|
||||
type: page
|
||||
next: "and-flowers-wreathe-your-sleeping-form/spiral"
|
||||
---
|
||||
|
||||
|
||||
@ -1,6 +1,7 @@
|
||||
---
|
||||
title: Spiral
|
||||
subtitle: And Flowers Wreathe Your Sleeping Form
|
||||
type: page
|
||||
---
|
||||
|
||||
To return to Spring, to make it through that cycle of growth, of insomnia and harvest and frost, is to stand at a precipice. It is to stand right up against the edge of that spiral, lean over carefully, peer down into the depths from however many storeys up, and wonder. It is to confront memory in the form of heights. It is to regard the spiraling days, weeks, and months to either side of you, give them the acknowledgement they deserve, and then return to peering down into the depths.
|
||||
|
||||
@ -1,6 +1,7 @@
|
||||
---
|
||||
title: Spring
|
||||
subtitle: And Flowers Wreathe Your Sleeping Form
|
||||
type: page
|
||||
next: "and-flowers-wreathe-your-sleeping-form/summer"
|
||||
---
|
||||
|
||||
@ -23,7 +24,7 @@ for "start" and "end" neglects the limen sleek.
|
||||
|
||||
January first is the time to make the resolutions and the rest of winter is the time to try them out, whether tentatively or with great passion, but the setting of expectations for the year doesn't come until the trauma of the year before has settled into uneasy memory --- or, to use an outdated metaphor, expectations are not set until one stops writing the previous year on the date line of one's checks.
|
||||
|
||||
Although it often engaged with expectations in its work, Dwale tackles the subject of Spring in the context of beginnings and growth infrequently, seeming to prefer Autumn.[^1] One small example of this comes from a short *renga* it took part in on Twitter:
|
||||
Although it often engaged with expectations in its work, Dwale tackles the subject of Spring in the context of beginnings and growth infrequently, seeming to prefer Autumn.[^4] One small example of this comes from a short *renga* it took part in on Twitter:
|
||||
|
||||
{{% verse %}}
|
||||
Blackbird headed south
|
||||
@ -124,7 +125,7 @@ It is this world that poetry most clearly provides a glimpse into. It contains t
|
||||
|
||||
[^5]: Or perhaps later in life, when cancer may rear its ugly head. It is proving quite difficult to write about even seasons of new growth and beginnings without death-thoughts creeping in.
|
||||
|
||||
[^6]: When its friends learned of its passing, many of us decided to memorialize it with poetry of our own, several of which were included in a postscript to its posthumous novella {{% cite source="memorial" %}}. My attempt also incorporated the loss of breath:
|
||||
[^6]: When its friends learned of its passing, many of us decided to memorialize it with poetry of our own, several of which were included in a postscript to its posthumous novella {{% cite source="motion" page="63" %}}. My attempt also incorporated the loss of breath:
|
||||
|
||||
> Beneath that evening's breeze the sickly sweet\
|
||||
> and brazen scent of countless flow'rs\
|
||||
|
||||
@ -1,6 +1,7 @@
|
||||
---
|
||||
title: Summer
|
||||
subtitle: And Flowers Wreathe Your Sleeping Form
|
||||
type: page
|
||||
next: "and-flowers-wreathe-your-sleeping-form/autumn"
|
||||
---
|
||||
|
||||
@ -45,7 +46,7 @@ In a solitary humor
|
||||
{{% cite source="issa" page="65" %}}
|
||||
{{% /verse %}}
|
||||
|
||||
The slender maiden flower is the slender maiden flower. We have no say in its existence except that we might pick it, trample it, or leave it be. It is itself, in all its glory --- or at least all its solitary humor. The flower defines itself and though we may take action on it, may think it beautiful or ugly or lonely or austere, that doesn't matter to the flower.[^3]
|
||||
The slender maiden flower is the slender maiden flower. We have no say in its existence except that we might pick it, trample it, or leave it be. It is itself, in all its glory --- or at least all its solitary humor. The flower defines itself and though we may take action on it, may think it beautiful or ugly or lonely or austere, that doesn't matter to the flower.[^15]
|
||||
|
||||
"Summer, season of hot insomnia / That much never seems to change at all" speaks well to this. Summer is Summer. It is the season of hot insomnia and it doesn't care how tired we are. It's not that it is inimical to us so much as existing within its own external nature. It exists in that floating world that is separate from us. It does not know us, it knows only itself. It's hyperreal, perhaps, only casting its shadow into our reality.
|
||||
|
||||
|
||||
@ -1,6 +1,7 @@
|
||||
---
|
||||
title: Winter
|
||||
subtitle: And Flowers Wreathe Your Sleeping Form
|
||||
type: page
|
||||
next: "and-flowers-wreathe-your-sleeping-form/spiral"
|
||||
---
|
||||
|
||||
|
||||
@ -663,3 +663,7 @@ Weinberger, Eliot, and Octavio Paz. 2016. *Nineteen Ways of Looking at Wang Wei:
|
||||
|
||||
[^6]: Denoted *Septuagint 2001* when verses are quoted.
|
||||
|
||||
<script type="text/javascript" charset="utf-8" src="https://www.sefaria.org/linker.v3.js"></script>
|
||||
<script>
|
||||
sefaria.link();
|
||||
</script>
|
||||
|
||||
@ -307,15 +307,15 @@ Too many words, too many thoughts.
|
||||
|
||||
<blockquote>
|
||||
|
||||
But tell me, who are these itinerants, more fleeting than even
|
||||
we ourselves, since early on wrung out by an urgent (for *whose* sake, *whose?*)
|
||||
always unsatisfied will; which rather wrings them,
|
||||
bends them, slings and swings them, throws them
|
||||
and catches them back; and as from an oiled,
|
||||
slipperier air, they come down
|
||||
on the worn out carpet, thinner from their
|
||||
incessant landing, this lost, forlorn carpet in the cosmos,
|
||||
laid on there like a plaster, as if
|
||||
But tell me, who are these itinerants, more fleeting than even<br>
|
||||
we ourselves, since early on wrung out by an urgent (for *whose* sake, *whose?*)<br>
|
||||
always unsatisfied will; which rather wrings them,<br>
|
||||
bends them, slings and swings them, throws them<br>
|
||||
and catches them back; and as from an oiled,<br>
|
||||
slipperier air, they come down<br>
|
||||
on the worn out carpet, thinner from their<br>
|
||||
incessant landing, this lost, forlorn carpet in the cosmos,<br>
|
||||
laid on there like a plaster, as if<br>
|
||||
Earth's skyward outskirts had been smarting there. <details><summary>[Note]</summary>
|
||||
|
||||
See Rilke p. 47
|
||||
|
||||
@ -55,6 +55,9 @@ pale_she:
|
||||
memorial:
|
||||
cite: Scott-Clary et al. 2021
|
||||
entry: Scott-Clary, Madison et al. 2021. "In Memory of Dwale." https://forums.furrywritersguild.com/t/in-memory-of-dwale/2359.
|
||||
motion:
|
||||
cite: Dwale 2022
|
||||
entry: 'Dwale. *A Drop in the Motion.* Thurston Howl Publications, 2022.'
|
||||
plu:
|
||||
cite: Scott-Clary, 2021
|
||||
entry: Scott-Clary, Madison (2021). Please look Up. https://makyo.ink/please-look-up/.
|
||||
|
||||
29
data/works.yaml
Normal file
29
data/works.yaml
Normal file
@ -0,0 +1,29 @@
|
||||
- title: And Flowers Wreathe Your Sleeping Form
|
||||
url: /and-flowers-wreathe-your-sleeping-form
|
||||
authors:
|
||||
- Madison Rye Progress
|
||||
description: |
|
||||
> *What means death or grief*
|
||||
> *in the face of endless time?*
|
||||
> *Slow-turning seasons.*
|
||||
|
||||
An exploration of the spiral of poetry and of grief.
|
||||
cw: frank discussions of death and grief, including descriptions of the euthanasia of a pet
|
||||
|
||||
- title: The Elevation of Unknown Things
|
||||
url: /the-elevation-of-unknown-things
|
||||
authors:
|
||||
- Madison Rye Progress
|
||||
description: |
|
||||
> If Matthew died in 2012, why was I not born then?
|
||||
|
||||
An exploration of disinterested identity and the choices that lead to it.
|
||||
|
||||
- title: The Margin of the Terrifying
|
||||
url: /the-margin-of-the-terrifying
|
||||
authors:
|
||||
- Madison Rye Progress
|
||||
description: |
|
||||
> Around and around thoughts flow like water downstream with eddies behind rocks building whirlpools as holes in identity.
|
||||
|
||||
The struggle to justify a plural existence.
|
||||
12
layouts/_default/baseof.html
Normal file
12
layouts/_default/baseof.html
Normal file
@ -0,0 +1,12 @@
|
||||
<!DOCTYPE html>
|
||||
<html lang="en">
|
||||
{{- partial "head.html" . -}}
|
||||
<body>
|
||||
{{- partial "header.html" . -}}
|
||||
<div id="content">
|
||||
{{- block "main" . }}{{- end }}
|
||||
</div>
|
||||
{{- partial "footer.html" . -}}
|
||||
</body>
|
||||
</html>
|
||||
|
||||
7
layouts/_partials/header.html
Normal file
7
layouts/_partials/header.html
Normal file
@ -0,0 +1,7 @@
|
||||
<header>
|
||||
<button class="theme-toggle" title="Toggle light/dark theme"></button>
|
||||
<script src="/js/theme.js"></script>
|
||||
<h1><a href="/">Florilegium ¹</a></h1>
|
||||
<h2><a href="https://makyo.ink">¹ Madison Rye Progress</a></h2>
|
||||
{{ if .Params.subtitle }}<!--<h3>{{ .Params.subtitle }}</h3>-->{{ end }}
|
||||
</header>
|
||||
@ -1,6 +1,7 @@
|
||||
{{ define "main" }}
|
||||
<main id="main">
|
||||
<h1>{{ .Title }}</h1>
|
||||
<h1>{{ if .Params.subtitle }}{{ .Params.subtitle }}{{ else }}{{ .Title }}{{ end }}</h1>
|
||||
{{ if .Params.subtitle }}<hr><h2>{{ .Title }}</h2>{{ end }}
|
||||
{{ .Content }}
|
||||
</main>
|
||||
{{ end }}
|
||||
|
||||
@ -1,4 +0,0 @@
|
||||
<header>
|
||||
<h1><a href="/">{{ if .Params.subtitle }}{{ .Params.subtitle }}{{ else }}Florilegium{{ end }} ¹</a></h1>
|
||||
<h2><a href="https://makyo.ink">¹ Madison Rye Progress</a></h2>
|
||||
</header>
|
||||
15
netlify.toml
Normal file
15
netlify.toml
Normal file
@ -0,0 +1,15 @@
|
||||
[build.environment]
|
||||
DART_SASS_VERSION = "1.98.0"
|
||||
GO_VERSION = "1.26.1"
|
||||
HUGO_VERSION = "0.157.0"
|
||||
|
||||
[build]
|
||||
publish = "public"
|
||||
command = """\
|
||||
curl -sLJO "https://github.com/sass/dart-sass/releases/download/${DART_SASS_VERSION}/dart-sass-${DART_SASS_VERSION}-linux-x64.tar.gz" && \
|
||||
tar -C "${HOME}/.local" -xf "dart-sass-${DART_SASS_VERSION}-linux-x64.tar.gz" && \
|
||||
rm "dart-sass-${DART_SASS_VERSION}-linux-x64.tar.gz" && \
|
||||
export PATH="${HOME}/.local/dart-sass:${PATH}" && \
|
||||
git config core.quotepath false && \
|
||||
hugo build --gc --minify --baseURL "${URL}"
|
||||
"""
|
||||
@ -8,18 +8,26 @@ body * {
|
||||
font-family: "Alegreya", serif;
|
||||
}
|
||||
|
||||
h1, h2, h1 *, h2 *, summary {
|
||||
h1, h2, h1 *, h2 *, summary, header {
|
||||
font-family: "Coelacanth", serif !important;
|
||||
}
|
||||
|
||||
header {
|
||||
padding-left: 25%;
|
||||
margin: 0 auto;
|
||||
}
|
||||
|
||||
header * {
|
||||
font-family: "Coelacanth", serif !important;
|
||||
text-align: left;
|
||||
}
|
||||
|
||||
header h3 {
|
||||
padding-top: 1rem;
|
||||
margin-bottom: -0.1rem;
|
||||
border-top: 1px solid rgba(0, 0, 0, 0.1);
|
||||
text-align: center;
|
||||
}
|
||||
|
||||
header h1 {
|
||||
font-weight: 700;
|
||||
}
|
||||
@ -39,6 +47,10 @@ header h2:after {
|
||||
border-top: 1px solid black;
|
||||
}
|
||||
|
||||
.dark-mode header h2:after {
|
||||
border-top: 1px solid #eee;
|
||||
}
|
||||
|
||||
.next {
|
||||
font-family: sans-serif !important;
|
||||
display: block;
|
||||
@ -50,3 +62,16 @@ header h2:after {
|
||||
.phantom {
|
||||
visibility: hidden;
|
||||
}
|
||||
|
||||
.works dt {
|
||||
font-size: 20pt;
|
||||
background: linear-gradient(90deg, rgba(127, 127, 127, 0.1), rgba(127, 127, 127, 0.07));
|
||||
}
|
||||
|
||||
.works dt .author {
|
||||
display: none;
|
||||
}
|
||||
|
||||
.works dd {
|
||||
background: linear-gradient(90deg, rgba(127, 127, 127, 0.05), transparent);
|
||||
}
|
||||
|
||||
Submodule themes/maddybook updated: c87a60de54...44ebac130c
Reference in New Issue
Block a user