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---
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layout: default
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---
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<style type="text/css" media="screen">
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.container {
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margin: 10px auto;
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max-width: 600px;
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text-align: center;
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}
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h1 {
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margin: 30px 0;
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font-size: 4em;
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line-height: 1;
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letter-spacing: -1px;
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}
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</style>
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|
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<div class="container">
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<h1>404</h1>
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<p><strong>Page not found :(</strong></p>
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<p>The requested page could not be found.</p>
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</div>
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687
LICENSE
687
LICENSE
@ -1,21 +1,674 @@
|
||||
MIT License
|
||||
GNU GENERAL PUBLIC LICENSE
|
||||
Version 3, 29 June 2007
|
||||
|
||||
Copyright (c) 2017 Madison Scott-Clary
|
||||
Copyright (C) 2007 Free Software Foundation, Inc. <http://fsf.org/>
|
||||
Everyone is permitted to copy and distribute verbatim copies
|
||||
of this license document, but changing it is not allowed.
|
||||
|
||||
Permission is hereby granted, free of charge, to any person obtaining a copy
|
||||
of this software and associated documentation files (the "Software"), to deal
|
||||
in the Software without restriction, including without limitation the rights
|
||||
to use, copy, modify, merge, publish, distribute, sublicense, and/or sell
|
||||
copies of the Software, and to permit persons to whom the Software is
|
||||
furnished to do so, subject to the following conditions:
|
||||
Preamble
|
||||
|
||||
The above copyright notice and this permission notice shall be included in all
|
||||
copies or substantial portions of the Software.
|
||||
The GNU General Public License is a free, copyleft license for
|
||||
software and other kinds of works.
|
||||
|
||||
THE SOFTWARE IS PROVIDED "AS IS", WITHOUT WARRANTY OF ANY KIND, EXPRESS OR
|
||||
IMPLIED, INCLUDING BUT NOT LIMITED TO THE WARRANTIES OF MERCHANTABILITY,
|
||||
FITNESS FOR A PARTICULAR PURPOSE AND NONINFRINGEMENT. IN NO EVENT SHALL THE
|
||||
AUTHORS OR COPYRIGHT HOLDERS BE LIABLE FOR ANY CLAIM, DAMAGES OR OTHER
|
||||
LIABILITY, WHETHER IN AN ACTION OF CONTRACT, TORT OR OTHERWISE, ARISING FROM,
|
||||
OUT OF OR IN CONNECTION WITH THE SOFTWARE OR THE USE OR OTHER DEALINGS IN THE
|
||||
SOFTWARE.
|
||||
The licenses for most software and other practical works are designed
|
||||
to take away your freedom to share and change the works. By contrast,
|
||||
the GNU General Public License is intended to guarantee your freedom to
|
||||
share and change all versions of a program--to make sure it remains free
|
||||
software for all its users. We, the Free Software Foundation, use the
|
||||
GNU General Public License for most of our software; it applies also to
|
||||
any other work released this way by its authors. You can apply it to
|
||||
your programs, too.
|
||||
|
||||
When we speak of free software, we are referring to freedom, not
|
||||
price. Our General Public Licenses are designed to make sure that you
|
||||
have the freedom to distribute copies of free software (and charge for
|
||||
them if you wish), that you receive source code or can get it if you
|
||||
want it, that you can change the software or use pieces of it in new
|
||||
free programs, and that you know you can do these things.
|
||||
|
||||
To protect your rights, we need to prevent others from denying you
|
||||
these rights or asking you to surrender the rights. Therefore, you have
|
||||
certain responsibilities if you distribute copies of the software, or if
|
||||
you modify it: responsibilities to respect the freedom of others.
|
||||
|
||||
For example, if you distribute copies of such a program, whether
|
||||
gratis or for a fee, you must pass on to the recipients the same
|
||||
freedoms that you received. You must make sure that they, too, receive
|
||||
or can get the source code. And you must show them these terms so they
|
||||
know their rights.
|
||||
|
||||
Developers that use the GNU GPL protect your rights with two steps:
|
||||
(1) assert copyright on the software, and (2) offer you this License
|
||||
giving you legal permission to copy, distribute and/or modify it.
|
||||
|
||||
For the developers' and authors' protection, the GPL clearly explains
|
||||
that there is no warranty for this free software. For both users' and
|
||||
authors' sake, the GPL requires that modified versions be marked as
|
||||
changed, so that their problems will not be attributed erroneously to
|
||||
authors of previous versions.
|
||||
|
||||
Some devices are designed to deny users access to install or run
|
||||
modified versions of the software inside them, although the manufacturer
|
||||
can do so. This is fundamentally incompatible with the aim of
|
||||
protecting users' freedom to change the software. The systematic
|
||||
pattern of such abuse occurs in the area of products for individuals to
|
||||
use, which is precisely where it is most unacceptable. Therefore, we
|
||||
have designed this version of the GPL to prohibit the practice for those
|
||||
products. If such problems arise substantially in other domains, we
|
||||
stand ready to extend this provision to those domains in future versions
|
||||
of the GPL, as needed to protect the freedom of users.
|
||||
|
||||
Finally, every program is threatened constantly by software patents.
|
||||
States should not allow patents to restrict development and use of
|
||||
software on general-purpose computers, but in those that do, we wish to
|
||||
avoid the special danger that patents applied to a free program could
|
||||
make it effectively proprietary. To prevent this, the GPL assures that
|
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patents cannot be used to render the program non-free.
|
||||
|
||||
The precise terms and conditions for copying, distribution and
|
||||
modification follow.
|
||||
|
||||
TERMS AND CONDITIONS
|
||||
|
||||
0. Definitions.
|
||||
|
||||
"This License" refers to version 3 of the GNU General Public License.
|
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|
||||
"Copyright" also means copyright-like laws that apply to other kinds of
|
||||
works, such as semiconductor masks.
|
||||
|
||||
"The Program" refers to any copyrightable work licensed under this
|
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License. Each licensee is addressed as "you". "Licensees" and
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||||
|
||||
To "modify" a work means to copy from or adapt all or part of the work
|
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in a fashion requiring copyright permission, other than the making of an
|
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exact copy. The resulting work is called a "modified version" of the
|
||||
earlier work or a work "based on" the earlier work.
|
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|
||||
A "covered work" means either the unmodified Program or a work based
|
||||
on the Program.
|
||||
|
||||
To "propagate" a work means to do anything with it that, without
|
||||
permission, would make you directly or secondarily liable for
|
||||
infringement under applicable copyright law, except executing it on a
|
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computer or modifying a private copy. Propagation includes copying,
|
||||
distribution (with or without modification), making available to the
|
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public, and in some countries other activities as well.
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|
||||
To "convey" a work means any kind of propagation that enables other
|
||||
parties to make or receive copies. Mere interaction with a user through
|
||||
a computer network, with no transfer of a copy, is not conveying.
|
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|
||||
An interactive user interface displays "Appropriate Legal Notices"
|
||||
to the extent that it includes a convenient and prominently visible
|
||||
feature that (1) displays an appropriate copyright notice, and (2)
|
||||
tells the user that there is no warranty for the work (except to the
|
||||
extent that warranties are provided), that licensees may convey the
|
||||
work under this License, and how to view a copy of this License. If
|
||||
the interface presents a list of user commands or options, such as a
|
||||
menu, a prominent item in the list meets this criterion.
|
||||
|
||||
1. Source Code.
|
||||
|
||||
The "source code" for a work means the preferred form of the work
|
||||
for making modifications to it. "Object code" means any non-source
|
||||
form of a work.
|
||||
|
||||
A "Standard Interface" means an interface that either is an official
|
||||
standard defined by a recognized standards body, or, in the case of
|
||||
interfaces specified for a particular programming language, one that
|
||||
is widely used among developers working in that language.
|
||||
|
||||
The "System Libraries" of an executable work include anything, other
|
||||
than the work as a whole, that (a) is included in the normal form of
|
||||
packaging a Major Component, but which is not part of that Major
|
||||
Component, and (b) serves only to enable use of the work with that
|
||||
Major Component, or to implement a Standard Interface for which an
|
||||
implementation is available to the public in source code form. A
|
||||
"Major Component", in this context, means a major essential component
|
||||
(kernel, window system, and so on) of the specific operating system
|
||||
(if any) on which the executable work runs, or a compiler used to
|
||||
produce the work, or an object code interpreter used to run it.
|
||||
|
||||
The "Corresponding Source" for a work in object code form means all
|
||||
the source code needed to generate, install, and (for an executable
|
||||
work) run the object code and to modify the work, including scripts to
|
||||
control those activities. However, it does not include the work's
|
||||
System Libraries, or general-purpose tools or generally available free
|
||||
programs which are used unmodified in performing those activities but
|
||||
which are not part of the work. For example, Corresponding Source
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||||
includes interface definition files associated with source files for
|
||||
the work, and the source code for shared libraries and dynamically
|
||||
linked subprograms that the work is specifically designed to require,
|
||||
such as by intimate data communication or control flow between those
|
||||
subprograms and other parts of the work.
|
||||
|
||||
The Corresponding Source need not include anything that users
|
||||
can regenerate automatically from other parts of the Corresponding
|
||||
Source.
|
||||
|
||||
The Corresponding Source for a work in source code form is that
|
||||
same work.
|
||||
|
||||
2. Basic Permissions.
|
||||
|
||||
All rights granted under this License are granted for the term of
|
||||
copyright on the Program, and are irrevocable provided the stated
|
||||
conditions are met. This License explicitly affirms your unlimited
|
||||
permission to run the unmodified Program. The output from running a
|
||||
covered work is covered by this License only if the output, given its
|
||||
content, constitutes a covered work. This License acknowledges your
|
||||
rights of fair use or other equivalent, as provided by copyright law.
|
||||
|
||||
You may make, run and propagate covered works that you do not
|
||||
convey, without conditions so long as your license otherwise remains
|
||||
in force. You may convey covered works to others for the sole purpose
|
||||
of having them make modifications exclusively for you, or provide you
|
||||
with facilities for running those works, provided that you comply with
|
||||
the terms of this License in conveying all material for which you do
|
||||
not control copyright. Those thus making or running the covered works
|
||||
for you must do so exclusively on your behalf, under your direction
|
||||
and control, on terms that prohibit them from making any copies of
|
||||
your copyrighted material outside their relationship with you.
|
||||
|
||||
Conveying under any other circumstances is permitted solely under
|
||||
the conditions stated below. Sublicensing is not allowed; section 10
|
||||
makes it unnecessary.
|
||||
|
||||
3. Protecting Users' Legal Rights From Anti-Circumvention Law.
|
||||
|
||||
No covered work shall be deemed part of an effective technological
|
||||
measure under any applicable law fulfilling obligations under article
|
||||
11 of the WIPO copyright treaty adopted on 20 December 1996, or
|
||||
similar laws prohibiting or restricting circumvention of such
|
||||
measures.
|
||||
|
||||
When you convey a covered work, you waive any legal power to forbid
|
||||
circumvention of technological measures to the extent such circumvention
|
||||
is effected by exercising rights under this License with respect to
|
||||
the covered work, and you disclaim any intention to limit operation or
|
||||
modification of the work as a means of enforcing, against the work's
|
||||
users, your or third parties' legal rights to forbid circumvention of
|
||||
technological measures.
|
||||
|
||||
4. Conveying Verbatim Copies.
|
||||
|
||||
You may convey verbatim copies of the Program's source code as you
|
||||
receive it, in any medium, provided that you conspicuously and
|
||||
appropriately publish on each copy an appropriate copyright notice;
|
||||
keep intact all notices stating that this License and any
|
||||
non-permissive terms added in accord with section 7 apply to the code;
|
||||
keep intact all notices of the absence of any warranty; and give all
|
||||
recipients a copy of this License along with the Program.
|
||||
|
||||
You may charge any price or no price for each copy that you convey,
|
||||
and you may offer support or warranty protection for a fee.
|
||||
|
||||
5. Conveying Modified Source Versions.
|
||||
|
||||
You may convey a work based on the Program, or the modifications to
|
||||
produce it from the Program, in the form of source code under the
|
||||
terms of section 4, provided that you also meet all of these conditions:
|
||||
|
||||
a) The work must carry prominent notices stating that you modified
|
||||
it, and giving a relevant date.
|
||||
|
||||
b) The work must carry prominent notices stating that it is
|
||||
released under this License and any conditions added under section
|
||||
7. This requirement modifies the requirement in section 4 to
|
||||
"keep intact all notices".
|
||||
|
||||
c) You must license the entire work, as a whole, under this
|
||||
License to anyone who comes into possession of a copy. This
|
||||
License will therefore apply, along with any applicable section 7
|
||||
additional terms, to the whole of the work, and all its parts,
|
||||
regardless of how they are packaged. This License gives no
|
||||
permission to license the work in any other way, but it does not
|
||||
invalidate such permission if you have separately received it.
|
||||
|
||||
d) If the work has interactive user interfaces, each must display
|
||||
Appropriate Legal Notices; however, if the Program has interactive
|
||||
interfaces that do not display Appropriate Legal Notices, your
|
||||
work need not make them do so.
|
||||
|
||||
A compilation of a covered work with other separate and independent
|
||||
works, which are not by their nature extensions of the covered work,
|
||||
and which are not combined with it such as to form a larger program,
|
||||
in or on a volume of a storage or distribution medium, is called an
|
||||
"aggregate" if the compilation and its resulting copyright are not
|
||||
used to limit the access or legal rights of the compilation's users
|
||||
beyond what the individual works permit. Inclusion of a covered work
|
||||
in an aggregate does not cause this License to apply to the other
|
||||
parts of the aggregate.
|
||||
|
||||
6. Conveying Non-Source Forms.
|
||||
|
||||
You may convey a covered work in object code form under the terms
|
||||
of sections 4 and 5, provided that you also convey the
|
||||
machine-readable Corresponding Source under the terms of this License,
|
||||
in one of these ways:
|
||||
|
||||
a) Convey the object code in, or embodied in, a physical product
|
||||
(including a physical distribution medium), accompanied by the
|
||||
Corresponding Source fixed on a durable physical medium
|
||||
customarily used for software interchange.
|
||||
|
||||
b) Convey the object code in, or embodied in, a physical product
|
||||
(including a physical distribution medium), accompanied by a
|
||||
written offer, valid for at least three years and valid for as
|
||||
long as you offer spare parts or customer support for that product
|
||||
model, to give anyone who possesses the object code either (1) a
|
||||
copy of the Corresponding Source for all the software in the
|
||||
product that is covered by this License, on a durable physical
|
||||
medium customarily used for software interchange, for a price no
|
||||
more than your reasonable cost of physically performing this
|
||||
conveying of source, or (2) access to copy the
|
||||
Corresponding Source from a network server at no charge.
|
||||
|
||||
c) Convey individual copies of the object code with a copy of the
|
||||
written offer to provide the Corresponding Source. This
|
||||
alternative is allowed only occasionally and noncommercially, and
|
||||
only if you received the object code with such an offer, in accord
|
||||
with subsection 6b.
|
||||
|
||||
d) Convey the object code by offering access from a designated
|
||||
place (gratis or for a charge), and offer equivalent access to the
|
||||
Corresponding Source in the same way through the same place at no
|
||||
further charge. You need not require recipients to copy the
|
||||
Corresponding Source along with the object code. If the place to
|
||||
copy the object code is a network server, the Corresponding Source
|
||||
may be on a different server (operated by you or a third party)
|
||||
that supports equivalent copying facilities, provided you maintain
|
||||
clear directions next to the object code saying where to find the
|
||||
Corresponding Source. Regardless of what server hosts the
|
||||
Corresponding Source, you remain obligated to ensure that it is
|
||||
available for as long as needed to satisfy these requirements.
|
||||
|
||||
e) Convey the object code using peer-to-peer transmission, provided
|
||||
you inform other peers where the object code and Corresponding
|
||||
Source of the work are being offered to the general public at no
|
||||
charge under subsection 6d.
|
||||
|
||||
A separable portion of the object code, whose source code is excluded
|
||||
from the Corresponding Source as a System Library, need not be
|
||||
included in conveying the object code work.
|
||||
|
||||
A "User Product" is either (1) a "consumer product", which means any
|
||||
tangible personal property which is normally used for personal, family,
|
||||
or household purposes, or (2) anything designed or sold for incorporation
|
||||
into a dwelling. In determining whether a product is a consumer product,
|
||||
doubtful cases shall be resolved in favor of coverage. For a particular
|
||||
product received by a particular user, "normally used" refers to a
|
||||
typical or common use of that class of product, regardless of the status
|
||||
of the particular user or of the way in which the particular user
|
||||
actually uses, or expects or is expected to use, the product. A product
|
||||
is a consumer product regardless of whether the product has substantial
|
||||
commercial, industrial or non-consumer uses, unless such uses represent
|
||||
the only significant mode of use of the product.
|
||||
|
||||
"Installation Information" for a User Product means any methods,
|
||||
procedures, authorization keys, or other information required to install
|
||||
and execute modified versions of a covered work in that User Product from
|
||||
a modified version of its Corresponding Source. The information must
|
||||
suffice to ensure that the continued functioning of the modified object
|
||||
code is in no case prevented or interfered with solely because
|
||||
modification has been made.
|
||||
|
||||
If you convey an object code work under this section in, or with, or
|
||||
specifically for use in, a User Product, and the conveying occurs as
|
||||
part of a transaction in which the right of possession and use of the
|
||||
User Product is transferred to the recipient in perpetuity or for a
|
||||
fixed term (regardless of how the transaction is characterized), the
|
||||
Corresponding Source conveyed under this section must be accompanied
|
||||
by the Installation Information. But this requirement does not apply
|
||||
if neither you nor any third party retains the ability to install
|
||||
modified object code on the User Product (for example, the work has
|
||||
been installed in ROM).
|
||||
|
||||
The requirement to provide Installation Information does not include a
|
||||
requirement to continue to provide support service, warranty, or updates
|
||||
for a work that has been modified or installed by the recipient, or for
|
||||
the User Product in which it has been modified or installed. Access to a
|
||||
network may be denied when the modification itself materially and
|
||||
adversely affects the operation of the network or violates the rules and
|
||||
protocols for communication across the network.
|
||||
|
||||
Corresponding Source conveyed, and Installation Information provided,
|
||||
in accord with this section must be in a format that is publicly
|
||||
documented (and with an implementation available to the public in
|
||||
source code form), and must require no special password or key for
|
||||
unpacking, reading or copying.
|
||||
|
||||
7. Additional Terms.
|
||||
|
||||
"Additional permissions" are terms that supplement the terms of this
|
||||
License by making exceptions from one or more of its conditions.
|
||||
Additional permissions that are applicable to the entire Program shall
|
||||
be treated as though they were included in this License, to the extent
|
||||
that they are valid under applicable law. If additional permissions
|
||||
apply only to part of the Program, that part may be used separately
|
||||
under those permissions, but the entire Program remains governed by
|
||||
this License without regard to the additional permissions.
|
||||
|
||||
When you convey a copy of a covered work, you may at your option
|
||||
remove any additional permissions from that copy, or from any part of
|
||||
it. (Additional permissions may be written to require their own
|
||||
removal in certain cases when you modify the work.) You may place
|
||||
additional permissions on material, added by you to a covered work,
|
||||
for which you have or can give appropriate copyright permission.
|
||||
|
||||
Notwithstanding any other provision of this License, for material you
|
||||
add to a covered work, you may (if authorized by the copyright holders of
|
||||
that material) supplement the terms of this License with terms:
|
||||
|
||||
a) Disclaiming warranty or limiting liability differently from the
|
||||
terms of sections 15 and 16 of this License; or
|
||||
|
||||
b) Requiring preservation of specified reasonable legal notices or
|
||||
author attributions in that material or in the Appropriate Legal
|
||||
Notices displayed by works containing it; or
|
||||
|
||||
c) Prohibiting misrepresentation of the origin of that material, or
|
||||
requiring that modified versions of such material be marked in
|
||||
reasonable ways as different from the original version; or
|
||||
|
||||
d) Limiting the use for publicity purposes of names of licensors or
|
||||
authors of the material; or
|
||||
|
||||
e) Declining to grant rights under trademark law for use of some
|
||||
trade names, trademarks, or service marks; or
|
||||
|
||||
f) Requiring indemnification of licensors and authors of that
|
||||
material by anyone who conveys the material (or modified versions of
|
||||
it) with contractual assumptions of liability to the recipient, for
|
||||
any liability that these contractual assumptions directly impose on
|
||||
those licensors and authors.
|
||||
|
||||
All other non-permissive additional terms are considered "further
|
||||
restrictions" within the meaning of section 10. If the Program as you
|
||||
received it, or any part of it, contains a notice stating that it is
|
||||
governed by this License along with a term that is a further
|
||||
restriction, you may remove that term. If a license document contains
|
||||
a further restriction but permits relicensing or conveying under this
|
||||
License, you may add to a covered work material governed by the terms
|
||||
of that license document, provided that the further restriction does
|
||||
not survive such relicensing or conveying.
|
||||
|
||||
If you add terms to a covered work in accord with this section, you
|
||||
must place, in the relevant source files, a statement of the
|
||||
additional terms that apply to those files, or a notice indicating
|
||||
where to find the applicable terms.
|
||||
|
||||
Additional terms, permissive or non-permissive, may be stated in the
|
||||
form of a separately written license, or stated as exceptions;
|
||||
the above requirements apply either way.
|
||||
|
||||
8. Termination.
|
||||
|
||||
You may not propagate or modify a covered work except as expressly
|
||||
provided under this License. Any attempt otherwise to propagate or
|
||||
modify it is void, and will automatically terminate your rights under
|
||||
this License (including any patent licenses granted under the third
|
||||
paragraph of section 11).
|
||||
|
||||
However, if you cease all violation of this License, then your
|
||||
license from a particular copyright holder is reinstated (a)
|
||||
provisionally, unless and until the copyright holder explicitly and
|
||||
finally terminates your license, and (b) permanently, if the copyright
|
||||
holder fails to notify you of the violation by some reasonable means
|
||||
prior to 60 days after the cessation.
|
||||
|
||||
Moreover, your license from a particular copyright holder is
|
||||
reinstated permanently if the copyright holder notifies you of the
|
||||
violation by some reasonable means, this is the first time you have
|
||||
received notice of violation of this License (for any work) from that
|
||||
copyright holder, and you cure the violation prior to 30 days after
|
||||
your receipt of the notice.
|
||||
|
||||
Termination of your rights under this section does not terminate the
|
||||
licenses of parties who have received copies or rights from you under
|
||||
this License. If your rights have been terminated and not permanently
|
||||
reinstated, you do not qualify to receive new licenses for the same
|
||||
material under section 10.
|
||||
|
||||
9. Acceptance Not Required for Having Copies.
|
||||
|
||||
You are not required to accept this License in order to receive or
|
||||
run a copy of the Program. Ancillary propagation of a covered work
|
||||
occurring solely as a consequence of using peer-to-peer transmission
|
||||
to receive a copy likewise does not require acceptance. However,
|
||||
nothing other than this License grants you permission to propagate or
|
||||
modify any covered work. These actions infringe copyright if you do
|
||||
not accept this License. Therefore, by modifying or propagating a
|
||||
covered work, you indicate your acceptance of this License to do so.
|
||||
|
||||
10. Automatic Licensing of Downstream Recipients.
|
||||
|
||||
Each time you convey a covered work, the recipient automatically
|
||||
receives a license from the original licensors, to run, modify and
|
||||
propagate that work, subject to this License. You are not responsible
|
||||
for enforcing compliance by third parties with this License.
|
||||
|
||||
An "entity transaction" is a transaction transferring control of an
|
||||
organization, or substantially all assets of one, or subdividing an
|
||||
organization, or merging organizations. If propagation of a covered
|
||||
work results from an entity transaction, each party to that
|
||||
transaction who receives a copy of the work also receives whatever
|
||||
licenses to the work the party's predecessor in interest had or could
|
||||
give under the previous paragraph, plus a right to possession of the
|
||||
Corresponding Source of the work from the predecessor in interest, if
|
||||
the predecessor has it or can get it with reasonable efforts.
|
||||
|
||||
You may not impose any further restrictions on the exercise of the
|
||||
rights granted or affirmed under this License. For example, you may
|
||||
not impose a license fee, royalty, or other charge for exercise of
|
||||
rights granted under this License, and you may not initiate litigation
|
||||
(including a cross-claim or counterclaim in a lawsuit) alleging that
|
||||
any patent claim is infringed by making, using, selling, offering for
|
||||
sale, or importing the Program or any portion of it.
|
||||
|
||||
11. Patents.
|
||||
|
||||
A "contributor" is a copyright holder who authorizes use under this
|
||||
License of the Program or a work on which the Program is based. The
|
||||
work thus licensed is called the contributor's "contributor version".
|
||||
|
||||
A contributor's "essential patent claims" are all patent claims
|
||||
owned or controlled by the contributor, whether already acquired or
|
||||
hereafter acquired, that would be infringed by some manner, permitted
|
||||
by this License, of making, using, or selling its contributor version,
|
||||
but do not include claims that would be infringed only as a
|
||||
consequence of further modification of the contributor version. For
|
||||
purposes of this definition, "control" includes the right to grant
|
||||
patent sublicenses in a manner consistent with the requirements of
|
||||
this License.
|
||||
|
||||
Each contributor grants you a non-exclusive, worldwide, royalty-free
|
||||
patent license under the contributor's essential patent claims, to
|
||||
make, use, sell, offer for sale, import and otherwise run, modify and
|
||||
propagate the contents of its contributor version.
|
||||
|
||||
In the following three paragraphs, a "patent license" is any express
|
||||
agreement or commitment, however denominated, not to enforce a patent
|
||||
(such as an express permission to practice a patent or covenant not to
|
||||
sue for patent infringement). To "grant" such a patent license to a
|
||||
party means to make such an agreement or commitment not to enforce a
|
||||
patent against the party.
|
||||
|
||||
If you convey a covered work, knowingly relying on a patent license,
|
||||
and the Corresponding Source of the work is not available for anyone
|
||||
to copy, free of charge and under the terms of this License, through a
|
||||
publicly available network server or other readily accessible means,
|
||||
then you must either (1) cause the Corresponding Source to be so
|
||||
available, or (2) arrange to deprive yourself of the benefit of the
|
||||
patent license for this particular work, or (3) arrange, in a manner
|
||||
consistent with the requirements of this License, to extend the patent
|
||||
license to downstream recipients. "Knowingly relying" means you have
|
||||
actual knowledge that, but for the patent license, your conveying the
|
||||
covered work in a country, or your recipient's use of the covered work
|
||||
in a country, would infringe one or more identifiable patents in that
|
||||
country that you have reason to believe are valid.
|
||||
|
||||
If, pursuant to or in connection with a single transaction or
|
||||
arrangement, you convey, or propagate by procuring conveyance of, a
|
||||
covered work, and grant a patent license to some of the parties
|
||||
receiving the covered work authorizing them to use, propagate, modify
|
||||
or convey a specific copy of the covered work, then the patent license
|
||||
you grant is automatically extended to all recipients of the covered
|
||||
work and works based on it.
|
||||
|
||||
A patent license is "discriminatory" if it does not include within
|
||||
the scope of its coverage, prohibits the exercise of, or is
|
||||
conditioned on the non-exercise of one or more of the rights that are
|
||||
specifically granted under this License. You may not convey a covered
|
||||
work if you are a party to an arrangement with a third party that is
|
||||
in the business of distributing software, under which you make payment
|
||||
to the third party based on the extent of your activity of conveying
|
||||
the work, and under which the third party grants, to any of the
|
||||
parties who would receive the covered work from you, a discriminatory
|
||||
patent license (a) in connection with copies of the covered work
|
||||
conveyed by you (or copies made from those copies), or (b) primarily
|
||||
for and in connection with specific products or compilations that
|
||||
contain the covered work, unless you entered into that arrangement,
|
||||
or that patent license was granted, prior to 28 March 2007.
|
||||
|
||||
Nothing in this License shall be construed as excluding or limiting
|
||||
any implied license or other defenses to infringement that may
|
||||
otherwise be available to you under applicable patent law.
|
||||
|
||||
12. No Surrender of Others' Freedom.
|
||||
|
||||
If conditions are imposed on you (whether by court order, agreement or
|
||||
otherwise) that contradict the conditions of this License, they do not
|
||||
excuse you from the conditions of this License. If you cannot convey a
|
||||
covered work so as to satisfy simultaneously your obligations under this
|
||||
License and any other pertinent obligations, then as a consequence you may
|
||||
not convey it at all. For example, if you agree to terms that obligate you
|
||||
to collect a royalty for further conveying from those to whom you convey
|
||||
the Program, the only way you could satisfy both those terms and this
|
||||
License would be to refrain entirely from conveying the Program.
|
||||
|
||||
13. Use with the GNU Affero General Public License.
|
||||
|
||||
Notwithstanding any other provision of this License, you have
|
||||
permission to link or combine any covered work with a work licensed
|
||||
under version 3 of the GNU Affero General Public License into a single
|
||||
combined work, and to convey the resulting work. The terms of this
|
||||
License will continue to apply to the part which is the covered work,
|
||||
but the special requirements of the GNU Affero General Public License,
|
||||
section 13, concerning interaction through a network will apply to the
|
||||
combination as such.
|
||||
|
||||
14. Revised Versions of this License.
|
||||
|
||||
The Free Software Foundation may publish revised and/or new versions of
|
||||
the GNU General Public License from time to time. Such new versions will
|
||||
be similar in spirit to the present version, but may differ in detail to
|
||||
address new problems or concerns.
|
||||
|
||||
Each version is given a distinguishing version number. If the
|
||||
Program specifies that a certain numbered version of the GNU General
|
||||
Public License "or any later version" applies to it, you have the
|
||||
option of following the terms and conditions either of that numbered
|
||||
version or of any later version published by the Free Software
|
||||
Foundation. If the Program does not specify a version number of the
|
||||
GNU General Public License, you may choose any version ever published
|
||||
by the Free Software Foundation.
|
||||
|
||||
If the Program specifies that a proxy can decide which future
|
||||
versions of the GNU General Public License can be used, that proxy's
|
||||
public statement of acceptance of a version permanently authorizes you
|
||||
to choose that version for the Program.
|
||||
|
||||
Later license versions may give you additional or different
|
||||
permissions. However, no additional obligations are imposed on any
|
||||
author or copyright holder as a result of your choosing to follow a
|
||||
later version.
|
||||
|
||||
15. Disclaimer of Warranty.
|
||||
|
||||
THERE IS NO WARRANTY FOR THE PROGRAM, TO THE EXTENT PERMITTED BY
|
||||
APPLICABLE LAW. EXCEPT WHEN OTHERWISE STATED IN WRITING THE COPYRIGHT
|
||||
HOLDERS AND/OR OTHER PARTIES PROVIDE THE PROGRAM "AS IS" WITHOUT WARRANTY
|
||||
OF ANY KIND, EITHER EXPRESSED OR IMPLIED, INCLUDING, BUT NOT LIMITED TO,
|
||||
THE IMPLIED WARRANTIES OF MERCHANTABILITY AND FITNESS FOR A PARTICULAR
|
||||
PURPOSE. THE ENTIRE RISK AS TO THE QUALITY AND PERFORMANCE OF THE PROGRAM
|
||||
IS WITH YOU. SHOULD THE PROGRAM PROVE DEFECTIVE, YOU ASSUME THE COST OF
|
||||
ALL NECESSARY SERVICING, REPAIR OR CORRECTION.
|
||||
|
||||
16. Limitation of Liability.
|
||||
|
||||
IN NO EVENT UNLESS REQUIRED BY APPLICABLE LAW OR AGREED TO IN WRITING
|
||||
WILL ANY COPYRIGHT HOLDER, OR ANY OTHER PARTY WHO MODIFIES AND/OR CONVEYS
|
||||
THE PROGRAM AS PERMITTED ABOVE, BE LIABLE TO YOU FOR DAMAGES, INCLUDING ANY
|
||||
GENERAL, SPECIAL, INCIDENTAL OR CONSEQUENTIAL DAMAGES ARISING OUT OF THE
|
||||
USE OR INABILITY TO USE THE PROGRAM (INCLUDING BUT NOT LIMITED TO LOSS OF
|
||||
DATA OR DATA BEING RENDERED INACCURATE OR LOSSES SUSTAINED BY YOU OR THIRD
|
||||
PARTIES OR A FAILURE OF THE PROGRAM TO OPERATE WITH ANY OTHER PROGRAMS),
|
||||
EVEN IF SUCH HOLDER OR OTHER PARTY HAS BEEN ADVISED OF THE POSSIBILITY OF
|
||||
SUCH DAMAGES.
|
||||
|
||||
17. Interpretation of Sections 15 and 16.
|
||||
|
||||
If the disclaimer of warranty and limitation of liability provided
|
||||
above cannot be given local legal effect according to their terms,
|
||||
reviewing courts shall apply local law that most closely approximates
|
||||
an absolute waiver of all civil liability in connection with the
|
||||
Program, unless a warranty or assumption of liability accompanies a
|
||||
copy of the Program in return for a fee.
|
||||
|
||||
END OF TERMS AND CONDITIONS
|
||||
|
||||
How to Apply These Terms to Your New Programs
|
||||
|
||||
If you develop a new program, and you want it to be of the greatest
|
||||
possible use to the public, the best way to achieve this is to make it
|
||||
free software which everyone can redistribute and change under these terms.
|
||||
|
||||
To do so, attach the following notices to the program. It is safest
|
||||
to attach them to the start of each source file to most effectively
|
||||
state the exclusion of warranty; and each file should have at least
|
||||
the "copyright" line and a pointer to where the full notice is found.
|
||||
|
||||
{one line to give the program's name and a brief idea of what it does.}
|
||||
Copyright (C) {year} {name of author}
|
||||
|
||||
This program is free software: you can redistribute it and/or modify
|
||||
it under the terms of the GNU General Public License as published by
|
||||
the Free Software Foundation, either version 3 of the License, or
|
||||
(at your option) any later version.
|
||||
|
||||
This program is distributed in the hope that it will be useful,
|
||||
but WITHOUT ANY WARRANTY; without even the implied warranty of
|
||||
MERCHANTABILITY or FITNESS FOR A PARTICULAR PURPOSE. See the
|
||||
GNU General Public License for more details.
|
||||
|
||||
You should have received a copy of the GNU General Public License
|
||||
along with this program. If not, see <http://www.gnu.org/licenses/>.
|
||||
|
||||
Also add information on how to contact you by electronic and paper mail.
|
||||
|
||||
If the program does terminal interaction, make it output a short
|
||||
notice like this when it starts in an interactive mode:
|
||||
|
||||
{project} Copyright (C) {year} {fullname}
|
||||
This program comes with ABSOLUTELY NO WARRANTY; for details type `show w'.
|
||||
This is free software, and you are welcome to redistribute it
|
||||
under certain conditions; type `show c' for details.
|
||||
|
||||
The hypothetical commands `show w' and `show c' should show the appropriate
|
||||
parts of the General Public License. Of course, your program's commands
|
||||
might be different; for a GUI interface, you would use an "about box".
|
||||
|
||||
You should also get your employer (if you work as a programmer) or school,
|
||||
if any, to sign a "copyright disclaimer" for the program, if necessary.
|
||||
For more information on this, and how to apply and follow the GNU GPL, see
|
||||
<http://www.gnu.org/licenses/>.
|
||||
|
||||
The GNU General Public License does not permit incorporating your program
|
||||
into proprietary programs. If your program is a subroutine library, you
|
||||
may consider it more useful to permit linking proprietary applications with
|
||||
the library. If this is what you want to do, use the GNU Lesser General
|
||||
Public License instead of this License. But first, please read
|
||||
<http://www.gnu.org/philosophy/why-not-lgpl.html>.
|
||||
|
||||
57
_config.yml
57
_config.yml
@ -1,22 +1,47 @@
|
||||
title: Madison Scott-Clary
|
||||
email: makyo@drab-makyo.com
|
||||
description: >
|
||||
Writing projects by Madison Scott-Clary
|
||||
baseurl: ""
|
||||
title: The Writing of Madison Scott-Clary
|
||||
description: > # this means to ignore newlines until "baseurl:"
|
||||
Madison is an author of fiction, non-fiction, and poetry living in Loveland, Colorado. Her interests lie in the realms of furry fiction and non-fiction, collaborative fiction, and hypertextual writing. She is a member (and president) of the Furry Writers' Guild, and editor for several projects, fiction and non-fiction. This site collects several of her written works.
|
||||
permalink: ':title/'
|
||||
baseurl: "" # the subpath of your site, e.g. /blog
|
||||
url: "" # the base hostname & protocol for your site, e.g. http://example.com
|
||||
twitter_username: jekyllrb
|
||||
github_username: jekyll
|
||||
|
||||
# Author settings
|
||||
author: Madison Scott-Clary # add your name
|
||||
author-pic: headshot.jpg
|
||||
about-author: Madison Scott-Clary is a full-time software developer and part-time writer. She lives with her two dogs and her husband, who is also a dog.
|
||||
|
||||
# Contact links
|
||||
email: makyo@drab-makyo.com
|
||||
phone: # Add your Phone number
|
||||
website: drab-makyo.com
|
||||
linkedin: # Add your Linkedin handle
|
||||
github: makyo # Add your Github handle
|
||||
twitter: '@makyo_writes' # Add your Twitter handle
|
||||
facebook: # Add your Facebook handle
|
||||
instagram: # Add your Instagram handle
|
||||
pinterest: # Add your Pinterest handle
|
||||
|
||||
# Newsletter
|
||||
mailchimp: # Add your MailChimp form identifier.
|
||||
|
||||
# Disqus
|
||||
discus_identifier: writingdrabmakyo # Add your discus identifier
|
||||
|
||||
# Tracker
|
||||
analytics: # Google Analytics
|
||||
|
||||
# Paginate
|
||||
paginate: 6
|
||||
paginate_path: /page:num/
|
||||
|
||||
# Build settings
|
||||
sass:
|
||||
sass_dir: assets/css/sass
|
||||
markdown: kramdown
|
||||
theme: minima
|
||||
plugins:
|
||||
- jekyll-feed
|
||||
- jekyll-paginate
|
||||
- jekyll-feed
|
||||
- jekyll-sitemap
|
||||
|
||||
# Exclude from processing.
|
||||
# The following items will not be processed, by default. Create a custom list
|
||||
# to override the default setting.
|
||||
exclude:
|
||||
- Gemfile
|
||||
- Gemfile.lock
|
||||
- .bundle
|
||||
include: [_pages]
|
||||
exclude: ["node_modules", "gulpfile.js", "package.json", "yarn.lock"]
|
||||
|
||||
8
_includes/analytics.html
Normal file
8
_includes/analytics.html
Normal file
@ -0,0 +1,8 @@
|
||||
<script>
|
||||
(function(i,s,o,g,r,a,m){i['GoogleAnalyticsObject']=r;i[r]=i[r]||function(){
|
||||
(i[r].q=i[r].q||[]).push(arguments)},i[r].l=1*new Date();a=s.createElement(o),
|
||||
m=s.getElementsByTagName(o)[0];a.async=1;a.src=g;m.parentNode.insertBefore(a,m)
|
||||
})(window,document,'script','https://www.google-analytics.com/analytics.js','ga');
|
||||
ga('create', '{{ site.analytics }}', 'auto');
|
||||
ga('send', 'pageview');
|
||||
</script> <!-- End Analytics -->
|
||||
29
_includes/author-box.html
Normal file
29
_includes/author-box.html
Normal file
@ -0,0 +1,29 @@
|
||||
<section class="author-box">
|
||||
<img src="{{site.baseurl}}/assets/img/{% if site.author-pic %}{{site.author-pic}}{% endif %}" alt="{{site.author}}" class="author-img">
|
||||
<div class="author-desc">
|
||||
<h2>{{site.author}}</h2>
|
||||
<p>{{site.about-author}}</p>
|
||||
<ul>
|
||||
{% if site.email %}
|
||||
<li class="email"><a href="mailto:{{site.email}}"><i class="fa fa-envelope-o"></i></a></li>
|
||||
{% else %}
|
||||
<li class="email"><a href="mailto:example.adam@blog.com"><i class="fa fa-envelope-o" aria-hidden="true"></i></a></li>
|
||||
{% endif %}
|
||||
{% if site.phone %}
|
||||
<li class="phone"><a href="tel:{{site.phone}}"><i class="fa fa-phone"></i></a></li>
|
||||
{% else %}
|
||||
<li class="phone"><a href="tel:044 825 5523"><i class="fa fa-phone" aria-hidden="true"></i></a></li>
|
||||
{% endif %}
|
||||
{% if site.website %}
|
||||
<li class="website"><a href="http://{{site.website}}" target="_blank"><i class="fa fa-globe"></i></a></li>
|
||||
{% else %}
|
||||
<li class="website"><a href="https://artemsheludko.github.io" target="_blank"><i class="fa fa-globe" aria-hidden="true"></i></a></li>
|
||||
{% endif %}
|
||||
{% if site.twitter %}
|
||||
<li class="twitter"><a href="https://twitter.com/{{site.twitter}}" target="_blank"><i class="fa fa-twitter"></i></a></li>
|
||||
{% else %}
|
||||
<li class="twitter"><a href="https://twitter.com/artemsheludko_" target="_blank"><i class="fa fa-twitter" aria-hidden="true"></i></a></li>
|
||||
{% endif %}
|
||||
</ul>
|
||||
</div>
|
||||
</section>
|
||||
16
_includes/disqus.html
Normal file
16
_includes/disqus.html
Normal file
@ -0,0 +1,16 @@
|
||||
<section class="comment-area">
|
||||
<div class="comment-wrapper">
|
||||
{% if site.discus_identifier %}
|
||||
<div id="disqus_thread" class="article-comments"></div>
|
||||
<script>
|
||||
(function() {
|
||||
var d = document, s = d.createElement('script');
|
||||
s.src = '//{{ site.discus_identifier }}.disqus.com/embed.js';
|
||||
s.setAttribute('data-timestamp', +new Date());
|
||||
(d.head || d.body).appendChild(s);
|
||||
})();
|
||||
</script>
|
||||
<noscript>Please enable JavaScript to view the <a href="https://disqus.com/?ref_noscript">comments powered by Disqus.</a></noscript>
|
||||
{% endif %}
|
||||
</div>
|
||||
</section> <!-- End Comment Area -->
|
||||
5
_includes/footer.html
Normal file
5
_includes/footer.html
Normal file
@ -0,0 +1,5 @@
|
||||
<footer class="main-footer">
|
||||
<div class="copyright">
|
||||
<p>{{site.time | date: '%Y'}} © {{site.author}}</p>
|
||||
</div>
|
||||
</footer> <!-- End Footer -->
|
||||
25
_includes/head.html
Executable file
25
_includes/head.html
Executable file
@ -0,0 +1,25 @@
|
||||
<head>
|
||||
<meta charset="utf-8">
|
||||
<title>{% if page.title %}{{page.title}} - {{site.title}}{% else %}{{site.title}}{% endif %}</title>
|
||||
<meta name="description" content="{{ page.description }}">
|
||||
<meta http-equiv="X-UA-Compatible" content="IE=edge">
|
||||
<meta name="viewport" content="width=device-width, initial-scale=1, maximum-scale=1">
|
||||
<meta property="og:image" content="">
|
||||
<link rel="shortcut icon" href="{{ "/assets/img/favicon/favicon.ico" | prepend: site.baseurl }}" type="image/x-icon">
|
||||
<link rel="apple-touch-icon" href="{{ "/assets/img/favicon/apple-touch-icon.png" | prepend: site.baseurl }}">
|
||||
<link rel="apple-touch-icon" sizes="72x72" href="{{ "/assets/img/favicon/apple-touch-icon-72x72.png" | prepend: site.baseurl }}">
|
||||
<link rel="apple-touch-icon" sizes="114x114" href="{{ "/assets/img/favicon/apple-touch-icon-114x114.png" | prepend: site.baseurl }}">
|
||||
<!-- Chrome, Firefox OS and Opera -->
|
||||
<meta name="theme-color" content="#311e3e">
|
||||
<!-- Windows Phone -->
|
||||
<meta name="msapplication-navbutton-color" content="#311e3e">
|
||||
<!-- iOS Safari -->
|
||||
<meta name="apple-mobile-web-app-status-bar-style" content="#311e3e">
|
||||
<!-- Google Fonts -->
|
||||
<link href="https://fonts.googleapis.com/css?family=Montserrat:300,400,700" rel="stylesheet">
|
||||
<link href="https://fonts.googleapis.com/css?family=Lato:300,400,700" rel="stylesheet">
|
||||
<!-- Font Awesome -->
|
||||
<link rel="stylesheet" href="{{ "/assets/fonts/font-awesome/css/font-awesome.min.css" | prepend: site.baseurl }}">
|
||||
<!-- Styles -->
|
||||
<link rel="stylesheet" href="{{ "/assets/css/main.css" | prepend: site.baseurl }}">
|
||||
</head>
|
||||
20
_includes/header.html
Normal file
20
_includes/header.html
Normal file
@ -0,0 +1,20 @@
|
||||
<header class="main-header">
|
||||
<div class="wrapper">
|
||||
<div class="header-flex">
|
||||
<div class="menu-icon-container">
|
||||
<span class="menu-icon"><i class="fa fa-bars" aria-hidden="true"></i></span>
|
||||
</div>
|
||||
<nav class="main-nav">
|
||||
<span class="menu-icon-close"><i class="fa fa-times" aria-hidden="true"></i></span>
|
||||
<ul>
|
||||
<li><a href="{{site.baseurl}}/about">About</a></li>
|
||||
<li><a href="javascript:invert()">Invert colors</a></li>
|
||||
</ul>
|
||||
</nav>
|
||||
<p class="logo"><a href="{{site.baseurl}}/">{{ site.author }}</a></p>
|
||||
<div class="search-icon-container">
|
||||
<span class="search-icon"><a><i class="fa fa-search" aria-hidden="true"></i></a></span>
|
||||
</div>
|
||||
</div>
|
||||
</div>
|
||||
</header> <!-- End Header -->
|
||||
15
_includes/javascripts.html
Executable file
15
_includes/javascripts.html
Executable file
@ -0,0 +1,15 @@
|
||||
<!-- JS -->
|
||||
<script src="{{site.baseurl}}/assets/js/jquery-3.2.1.min.js"></script>
|
||||
<script src="{{site.baseurl}}/assets/js/jekyll-search.js"></script>
|
||||
<script>
|
||||
SimpleJekyllSearch({
|
||||
searchInput: document.getElementById('search-input'),
|
||||
resultsContainer: document.getElementById('results-container'),
|
||||
json: '{{site.baseurl}}/search.json',
|
||||
searchResultTemplate: '<li><a href="{url}" title="{desc}">{title}</a></li>',
|
||||
noResultsText: 'No results found',
|
||||
fuzzy: false,
|
||||
exclude: ['Welcome']
|
||||
});
|
||||
</script>
|
||||
<script src="{{site.baseurl}}/assets/js/main.js"></script>
|
||||
13
_includes/newsletter.html
Normal file
13
_includes/newsletter.html
Normal file
@ -0,0 +1,13 @@
|
||||
<div class="newsletter" id="mc_embed_signup">
|
||||
<h2 class="newsletter-title">Newsletter</h2>
|
||||
<div class="form-container">
|
||||
<p>Subscribe here to get our latest updates</p>
|
||||
<form action="//{{ site.mailchimp }}" method="post" id="mc-embedded-subscribe-form" name="mc-embedded-subscribe-form" class="validate" target="_blank" novalidate>
|
||||
<label class="screen-reader-text" for="mce-EMAIL">Email Address</label>
|
||||
<div class="newsletter-box" id="mc_embed_signup_scroll">
|
||||
<input type="email" name="EMAIL" placeholder="Email address" class="email-input" id="mce-EMAIL" required>
|
||||
<input type="submit" value="Subscribe" name="subscribe" class="subscribe-btn" id="mc-embedded-subscribe">
|
||||
</div>
|
||||
</form>
|
||||
</div>
|
||||
</div> <!-- End Newsletter -->
|
||||
8
_includes/pagination.html
Normal file
8
_includes/pagination.html
Normal file
@ -0,0 +1,8 @@
|
||||
<div class="pagination clearfix">
|
||||
{% if paginator.previous_page %}
|
||||
<a href="{{ paginator.previous_page_path }}" class="previous"><i class="fa fa-angle-left" aria-hidden="true"></i> Previous</a>
|
||||
{% endif %}
|
||||
{% if paginator.next_page %}
|
||||
<a href="{{ paginator.next_page_path }}" class="next">Next <i class="fa fa-angle-right" aria-hidden="true"></i></a>
|
||||
{% endif %}
|
||||
</div>
|
||||
10
_includes/recent-post.html
Normal file
10
_includes/recent-post.html
Normal file
@ -0,0 +1,10 @@
|
||||
<div class="recent-box">
|
||||
<h2 class="recent-title">Recent post</h2>
|
||||
<div class="recent-list">
|
||||
{% for post in site.posts offset:0 limit:4 %}
|
||||
{% if post.title %}
|
||||
<a href="{{ root_url }}{{ post.url }}" class="recent-item" style="background: url({{"/assets/img/" | prepend: site.baseurl | append : post.img}}) center no-repeat; background-size: cover;"><span>{{ post.title }}</span></a>
|
||||
{% endif %}
|
||||
{% endfor %}
|
||||
</div>
|
||||
</div> <!-- End Recent-Box -->
|
||||
15
_includes/search.html
Normal file
15
_includes/search.html
Normal file
@ -0,0 +1,15 @@
|
||||
<div class="search-box">
|
||||
<div class="wrapper">
|
||||
<div class="search-grid">
|
||||
<form class="search-form">
|
||||
<div id="search-container">
|
||||
<input type="text" id="search-input" class="search" placeholder="Search">
|
||||
</div>
|
||||
</form>
|
||||
<ul id="results-container" class="results-search"></ul>
|
||||
<div class="icon-close-container">
|
||||
<span class="search-icon-close"><i class="fa fa-times" aria-hidden="true"></i></span>
|
||||
</div>
|
||||
</div>
|
||||
</div>
|
||||
</div>
|
||||
9
_layouts/default.html
Executable file
9
_layouts/default.html
Executable file
@ -0,0 +1,9 @@
|
||||
<!DOCTYPE html>
|
||||
<html lang="en">
|
||||
{% include head.html %}
|
||||
<body>
|
||||
{{ content }}
|
||||
{% include javascripts.html %}
|
||||
{% include analytics.html %}
|
||||
</body>
|
||||
</html>
|
||||
12
_layouts/home-page.html
Normal file
12
_layouts/home-page.html
Normal file
@ -0,0 +1,12 @@
|
||||
---
|
||||
layout: default
|
||||
---
|
||||
<div class="flex-container">
|
||||
{% include header.html %}
|
||||
<div class="content wrapper">
|
||||
{{ content }}
|
||||
{% include search.html %}
|
||||
{% include pagination.html %}
|
||||
</div> <!-- End Wrapper -->
|
||||
{% include footer.html %}
|
||||
</div>
|
||||
42
_layouts/post.html
Executable file
42
_layouts/post.html
Executable file
@ -0,0 +1,42 @@
|
||||
---
|
||||
layout: default
|
||||
---
|
||||
<div class="flex-container">
|
||||
{% include header.html %}
|
||||
<article class="article-page">
|
||||
{% if page.img %}
|
||||
<div class="page-image">
|
||||
<div class="cover-image" style="background: url({{"/assets/img/" | prepend: site.baseurl | append : page.img}}) center no-repeat; background-size: cover;"></div>
|
||||
</div>
|
||||
{% endif %}
|
||||
<div class="wrapper{% if page.img %} with-image{% endif %}">
|
||||
<div class="page-content">
|
||||
<div class="header-page">
|
||||
<h1 class="page-title">{{page.title}}</h1>
|
||||
<div class="page-date"><time datetime="{{page.date}}">{{page.date | date: '%Y, %b %d'}}</time></div>
|
||||
</div>
|
||||
{{page.content | markdownify}}
|
||||
<div class="page-footer">
|
||||
<div class="page-tag">
|
||||
<span>Tags:</span>
|
||||
{% for tag in page.tags %}
|
||||
<a href="{{site.baseurl}}/tags#{{tag}}" class="tag">| {{ tag }}</a>
|
||||
{% endfor %}
|
||||
</div><!-- End Tags -->
|
||||
<div class="page-share">
|
||||
<span>Share:</span>
|
||||
<a href="https://twitter.com/intent/tweet?text={{ page.title }}&url={{ site.url }}{{ page.url }}" title="Share on Twitter" rel="nofollow" target="_blank"><i class="fa fa-twitter" aria-hidden="true"></i></a>
|
||||
<a href="https://facebook.com/sharer.php?u={{ site.url }}{{ page.url }}" title="Share on Facebook" rel="nofollow" target="_blank"><i class="fa fa-facebook" aria-hidden="true"></i></a>
|
||||
<a href="https://plus.google.com/share?url={{ site.url }}{{ page.url }}" title="Share on Google+" rel="nofollow" target="_blank"><i class="fa fa-google" aria-hidden="true"></i></a>
|
||||
</div><!-- End Share -->
|
||||
</div>
|
||||
{% include author-box.html %}
|
||||
{% include recent-post.html %}
|
||||
{% include newsletter.html %}
|
||||
{% include disqus.html %}
|
||||
</div>
|
||||
</div> <!-- End Wrapper -->
|
||||
</article>
|
||||
{% include search.html %}
|
||||
{% include footer.html %}
|
||||
</div>
|
||||
74
_pages/about.html
Normal file
74
_pages/about.html
Normal file
@ -0,0 +1,74 @@
|
||||
---
|
||||
layout: home-page
|
||||
title: About
|
||||
permalink: /about/
|
||||
---
|
||||
<div class="small-wrapper">
|
||||
<div class="about-container">
|
||||
<section class="about-header">
|
||||
<div class="author-image-container">
|
||||
<img src="{{site.baseurl}}/assets/img/{% if site.author-pic %}{{site.author-pic}}{% endif %}" alt="{{site.author}}">
|
||||
</div>
|
||||
<p class="subtitle">{{site.about-author}}</p>
|
||||
<hr />
|
||||
<p class="subtitle">{{site.description}}</p>
|
||||
</section>
|
||||
<section class="about-body">
|
||||
<ul class="contact-list">
|
||||
{% if site.email %}
|
||||
<li class="email"><a href="mailto:{{site.email}}"><i class="fa fa-envelope-o"></i></a></li>
|
||||
{% else %}
|
||||
<li class="email"><a href="mailto:example.adam@blog.com"><i class="fa fa-envelope-o" aria-hidden="true"></i></a></li>
|
||||
{% endif %}
|
||||
|
||||
{% if site.phone %}
|
||||
<li class="phone"><a href="tel:{{site.phone}}"><i class="fa fa-phone"></i></a></li>
|
||||
{% else %}
|
||||
<li class="phone"><a href="tel:044 825 5523"><i class="fa fa-phone" aria-hidden="true"></i></a></li>
|
||||
{% endif %}
|
||||
|
||||
{% if site.website %}
|
||||
<li class="website"><a href="http://{{site.website}}" target="_blank"><i class="fa fa-globe"></i></a></li>
|
||||
{% else %}
|
||||
<li class="website"><a href="https://artemsheludko.github.io" target="_blank"><i class="fa fa-globe" aria-hidden="true"></i></a></li>
|
||||
{% endif %}
|
||||
|
||||
{% if site.linkedin %}
|
||||
<li class="linkedin"><a href="https://in.linkedin.com/in/{{site.linkedin}}" target="_blank"><i class="fa fa-linkedin"></i></a></li>
|
||||
{% else %}
|
||||
<li class="linkedin"><a href="https://in.linkedin.com/" target="_blank"><i class="fa fa-linkedin" aria-hidden="true"></i></a></li>
|
||||
{% endif %}
|
||||
|
||||
{% if site.github %}
|
||||
<li class="github"><a href="http://github.com/{{site.github}}" target="_blank"><i class="fa fa-github"></i></a></li>
|
||||
{% else %}
|
||||
<li class="github"><a href="http://github.com/artemsheludko" target="_blank"><i class="fa fa-github" aria-hidden="true"></i></a></li>
|
||||
{% endif %}
|
||||
|
||||
{% if site.twitter %}
|
||||
<li class="twitter"><a href="https://twitter.com/{{site.twitter}}" target="_blank"><i class="fa fa-twitter"></i></a></li>
|
||||
{% else %}
|
||||
<li class="twitter"><a href="https://twitter.com/artemsheludko_" target="_blank"><i class="fa fa-twitter" aria-hidden="true"></i></a></li>
|
||||
{% endif %}
|
||||
|
||||
{% if site.facebook %}
|
||||
<li class="facebook"><a href="https://facebook.com/{{site.facebook}}" target="_blank"><i class="fa fa-facebook"></i></a></li>
|
||||
{% else %}
|
||||
<li class="facebook"><a href="https://facebook.com/" target="_blank"><i class="fa fa-facebook" aria-hidden="true"></i></a></li>
|
||||
{% endif %}
|
||||
|
||||
{% if site.instagram %}
|
||||
<li class="instagram"><a href="https://instagram.com/{{site.instagram}}" target="_blank"><i class="fa fa-instagram"></i></a></li>
|
||||
{% else %}
|
||||
<li class="instagram"><a href="https://instagram.com/" target="_blank"><i class="fa fa-instagram" aria-hidden="true"></i></a></li>
|
||||
{% endif %}
|
||||
|
||||
{% if site.pinterest %}
|
||||
<li class="pinterest"><a href="https://pinterest.com/{{site.pinterest}}" target="_blank"><i class="fa fa-pinterest"></i></a></li>
|
||||
{% else %}
|
||||
<li class="pinterest"><a href="https://pinterest.com/" target="_blank"><i class="fa fa-pinterest" aria-hidden="true"></i></a></li>
|
||||
{% endif %}
|
||||
</ul>
|
||||
</section> <!-- End About Body-->
|
||||
</div> <!-- End About Container -->
|
||||
</div> <!-- End Small Wrapper -->
|
||||
30
_pages/tags.html
Normal file
30
_pages/tags.html
Normal file
@ -0,0 +1,30 @@
|
||||
---
|
||||
layout: home-page
|
||||
title: Tags
|
||||
permalink: /tags/
|
||||
---
|
||||
{% capture site_tags %}{% for tag in site.tags %}{{ tag | first }}{% unless forloop.last %},{% endunless %}{% endfor %}{% endcapture %}
|
||||
{% assign tag_words = site_tags | split:',' | sort %}
|
||||
|
||||
<section class="blog-tags">
|
||||
<h1>Tags</h1>
|
||||
<ul class="tags">
|
||||
<!-- cycles through tag list and creates header row of all tags used in site with accompanying per-tag counts...-->
|
||||
{% for item in (0..site.tags.size) %}{% unless forloop.last %}
|
||||
{% capture this_word %}{{ tag_words[item] | strip_newlines }}{% endcapture %}
|
||||
<li ><a href="#{{ this_word | cgi_escape }}" class="tag">{{ this_word }} <span>({{ site.tags[this_word].size }})</span></a></li>
|
||||
{% endunless %}{% endfor %}
|
||||
</ul>
|
||||
<!--cycles through tag list and creates subheader for each tag name...-->
|
||||
{% for item in (0..site.tags.size) %}{% unless forloop.last %}
|
||||
{% capture this_word %}{{ tag_words[item] | strip_newlines }}{% endcapture %}
|
||||
<h2 id="{{ this_word | cgi_escape }}">{{ this_word }}</h2>
|
||||
<!-- lists all posts corresponding to specific tag...-->
|
||||
{% for post in site.tags[this_word] %}{% if post.title != null %}
|
||||
<div class="tag-list">
|
||||
<span><a href="{{ post.url }}">{{ post.title }}</a></span>
|
||||
<small><span>| {{ post.date | date_to_string }}</span></small>
|
||||
</div>
|
||||
{% endif %}{% endfor %}
|
||||
{% endunless %}{% endfor %}
|
||||
</section>
|
||||
1144
_posts/2016-01-26-qoheleth.md
Normal file
1144
_posts/2016-01-26-qoheleth.md
Normal file
File diff suppressed because it is too large
Load Diff
120
_posts/2016-12-26-assignment.md
Normal file
120
_posts/2016-12-26-assignment.md
Normal file
@ -0,0 +1,120 @@
|
||||
---
|
||||
layout: post
|
||||
title: "Assignment"
|
||||
description: Ioan Balan is a historian and blogger assigned to research a flash-cult. Things go sideways, and he's left with more story than expected.
|
||||
img: # Add image post (optional)
|
||||
tags: [Post-Self, Short Story, Rated G]
|
||||
author: # Add name author (optional)
|
||||
---
|
||||
|
||||
The feeling of an instance merging state back with the tracker would never NOT make Ioan Balan#tracker uneasy. It wasn't the differences in experiences, those could be anticipated, so much as the tiny changes in identity that resulted. Having to internalize a slightly different version of yourself was too close to experiencing a doppelgänger. Or perhaps hanging with a sib, fresh home from a semester abroad.
|
||||
|
||||
Ioan#tracker had never been abroad, had no siblings. Just new memories.
|
||||
|
||||
Ey set aside eir work --- a simple bit of nothing for a blogging organization that really didn't matter but nonetheless offered some reputation --- and sat back to deal with the squirming, greasy feeling of the merger.
|
||||
|
||||
-----
|
||||
|
||||
Ioan Balan#{{ page.instance }} was forked on suggestion of one of Ioan#tracker's friends as a way to inspect and experience life among a flashcult. Although the lifespan of the group was likely to be measured in months, or even weeks, Ioan figured it was a worthwhile investigation. Ey had an investigative journalism gig that could use a story like this.
|
||||
|
||||
The forking had gone quite according to plan. Ioan#tracker had no reason to expect otherwise, of course, and when the instance was rendered in front of em, the two shared a perfunctory handshake and went over notes one last time before the instance headed out to catch transit to as close to the flashcult as ey could get.
|
||||
|
||||
\#{{ page.instance }} took little time to settle into life among the cultists. Ioan was affable, likable. It was part of why ey had found the work of an investigative journalist easy, and why ey had quickly gone from low to high reputation in the field. The problem ey kept running into was boredom, rather than burning out.
|
||||
|
||||
-----
|
||||
|
||||
Ioan#tracker was left feeling let down, as ey perused what ey had been left of #{{ page.instance }}'s state. Ey used a fairly standard, off-the-shelf algorithm to cut down on the sheer amount of state ey would have to sift through to gain something from the instance's brief --- ey checked the date --- three weeks, two days of existance. It was enough to gain most of the knowledge and a good portion of the emotional and intellectual slices from the state, which was all ey needed for eir work. A full merge would've taken too long, and may have even been counterproductive: ey needed an amanuensis, not a recording device, for eir reporting.
|
||||
|
||||
The 'assignment', such as it was, had been fairly straightforward, and Ioan#tracker had expected little of interest from the state dump. The flashcult was strange, but not too out of the ordinary, so ey sped up eir perusal, skimming.
|
||||
|
||||
A sharp jolt of fear.
|
||||
|
||||
A pain that stretched from physical to existential.
|
||||
|
||||
EOF.
|
||||
|
||||
Ioan#tracker sat up straighter, brow furrowed. Ey skipped back through a few chunks of state to where ey had started to get bored.
|
||||
|
||||
-----
|
||||
|
||||
The flashcult was strange, but not too out of the ordinary. Ioan#{{ page.instance }}, with no journalistic duties, found eirself getting into the swing of things with ease.
|
||||
|
||||
It was a sort of weird vacation, performing weird rituals that slowly began to make a weird sort of sense, knowing that at some weird moment, ey would either get too bored and quit or receive a SIGTERM. When ey caught the signal, ey would either have have to acquiesce and quit right then, find a place to step aside and quit, or risk crashing. But mostly lots of loafing around.
|
||||
|
||||
As work, being an amanuensis was merely inoffensive. Not super interesting, kind of relaxing, and maybe something interesting would happen that eir tracker could turn into a story.
|
||||
|
||||
It was during one of the rituals --- a call-and-response prayer wherein the members seemed to be working on memorizing progressively longer digits of numbers --- when the co-cultist beside em let out a soft sigh that turned into a quiet giggle.
|
||||
|
||||
Then she turned to em, grinned beatifically, and winked. Winked!
|
||||
|
||||
Ioan#{{ page.instance }} watched her raise her hand and call the ceremony to a halt, saying almost dreamily, "I found them."
|
||||
|
||||
Faced turned toward em, all smiling that same, kind, peaceful smile. Ey sat dumbly, looking from face to face. "I...yes?" ey managed.
|
||||
|
||||
"You're the one," a voice chimed in.
|
||||
|
||||
Another added, "The reporter. You're the reporter."
|
||||
|
||||
There was a thrill of fear that ran up #{{ page.instance }}'s spine. It had never been a strictly undercover operation, but neither had ey been forthcoming about why ey were there in the first place.
|
||||
|
||||
Ioan#{{ page.instance }} lifted eir hands from eir lap, palms up in a placating fashion. "Well," ey began. "I am a reporter, no denying, but I'm not here on offic-*urk!*"
|
||||
|
||||
There was a sharp blow to the back of eir neck, knocking em flat to the ground, then a weight settling solidly onto eir back. One of the other members had sat on em.
|
||||
|
||||
"Congrats, Ana," said the cultist on eir back.
|
||||
|
||||
"Three weeks and a day, getting better," another grinned, and others soon chimed in, reaching in to shake hands with the young woman who had originally pointed em out.
|
||||
|
||||
Ioan#{{ page.instance }} picked out the face of the lector in the crowd, an older person of indeterminate sex who had always struck em as rather vacuous. It was a difficult task, from eir viewpoint on the ground, and since all the adherents wore identical clothing, there were few clues.
|
||||
|
||||
"This is the tenth iteration. As we discussed before you arrived, we'll tell you, now."
|
||||
|
||||
The fear continued to well within #{{ page.instance }}, growing in intensity.
|
||||
|
||||
-----
|
||||
|
||||
Ioan#tracker set eir usual algorithm aside for the merger, requesting that the entirety of the instance's state, from that last ritual on, be merged with em. It wasn't the first time ey had done such a thing, but it was still rare enough for em to do so that ey had to look up how. Despite eir career depending on it, ey had never been all that good at the whole dissolution thing. Ey never even figured out how to name eir instances, relying instead on the random string of digits that the system generated for em.
|
||||
|
||||
Once that had been organized, ey moved out onto the wrap-around deck and settled into one of the Adirondack chairs out there. Such things, ey suspected, were built primarily for thinking.
|
||||
|
||||
Ey closed eir eyes, and let memories wash over em.
|
||||
|
||||
-----
|
||||
|
||||
The fear continued to well within #{{ page.instance }}, growing in intensity.
|
||||
|
||||
"We're practicing, you see." The lector paced a slow circle around Ioan#{{ page.instance }} as they went on. "We start something interesting, wait for a reporter, and find them out. That's what we're practicing. Finding out who's watching, who's the reporter."
|
||||
|
||||
Ana giggled once more, "It's a class, get it? An experiment, a dissection. You're the subject."
|
||||
|
||||
The lector nodded and, having completed their circuit, leaned down to meet #{{ page.instance }}'s wide-eyed gaze. "And now we've got it reliably under a month. Time to make it known. What's your branch name?"
|
||||
|
||||
"Ioan Balan#{{ page.instance }}," ey stuttered. "Bu-but why are you...what are...why are you doing this?"
|
||||
|
||||
"We're looking for reliable ways to find out the reporters because," they paused, withdrawing a syringe from the billowy sleeve of their tunic. "Because some day we may not want to be seen."
|
||||
|
||||
That wellspring of fear turned to a geyser.
|
||||
|
||||
In the system, there was no real need for an actual syringe, so they had taken on a new, codified meaning of something that would modify an instance in some core fashion. Intent was thick in the air, so Ioan#{{ page.instance }} had no doubt that this was some sort of destructive virus.
|
||||
|
||||
"Wait," ey gasped, finding eir breath coming in ragged, erratic bursts.
|
||||
|
||||
There was no time to continue with mere words, only a hoarse shout. Eir fear spiked beyond what it felt ey were capable of containing as ey watched the hand bearing the syringe slide calmly toward them to efficiently slip the needle behind eir ear.
|
||||
|
||||
Eir final thought before eir instance crashed was surprise at just how much it hurt to die. It was a pain that spread from eir head through eir body, from the physical reality of the sim to some existential plane.
|
||||
|
||||
-----
|
||||
|
||||
Ioan#tracker found eirself clutching at the arms of the deck chair, eir own breathing shallow and fast. Ey felt some of the same fear that eir instance had felt.
|
||||
|
||||
What should ey do?
|
||||
|
||||
A quick search showed ey couldn't turn over the instance. Little was actually 'recorded' in a useful fashion that any sort of authorities (such as there were) could use. The instances were eirs and eirs only. Ey certainly didn't want to confront the cultists, either as emself or through an instance. Ey didn't know how to change eir instances like some others did, so ey would just look like Ioan#{{ page.instance }} back from the dead.
|
||||
|
||||
Ey realized that all ey could really do was what ey knew how to do best.
|
||||
|
||||
Be a reporter.
|
||||
|
||||
It was what the cult wanted, but ey felt the words and experiences stirring within em already. Hell, it's what *ey* wanted, too.
|
||||
|
||||
Finally, an interesting assignment.
|
||||
192
_posts/2017-01-23-apres-un-reve.md
Normal file
192
_posts/2017-01-23-apres-un-reve.md
Normal file
@ -0,0 +1,192 @@
|
||||
---
|
||||
layout: post
|
||||
title: "Apr\xE8s un r\xEAve"
|
||||
description: A young woman reluctantly goes through with the uploading procedure, risky though it is, to reconnect with her lover.
|
||||
img: # Add image post (optional)
|
||||
tags: [Post-Self, Short Story, Rated G]
|
||||
author: # Add name author (optional)
|
||||
---
|
||||
|
||||
> *Dans un sommeil que charmait ton image
|
||||
> Je rêvais le bonheur, ardent mirage,
|
||||
> Tes yeux étaient plus doux, ta voix pure et sonore,
|
||||
> Tu rayonnais comme un ciel éclairé par l'aurore;*
|
||||
|
||||
Echoes of Grace singing, memories and emotions, clashed with the doctor's words. "I know you've signed the waivers, but I need a verbal confirmation. Do you understand this?"
|
||||
|
||||
Sylvie nodded. It was strange not to feel her hair, always so frizzy and buoyant, not following the motion a scant second too late.
|
||||
|
||||
"The uploading process will be fatal and irreversible. There is some risk, about one and a half percent, that it won't work." The doctor paused and picked up a pen. She added, "Won't work after the point where your body will have died, that is. Do you understand?"
|
||||
|
||||
A swallow, dry, and another nod. "What will happen in that case?"
|
||||
|
||||
"Your family will receive a payout of ten million francs CFA. Your body will not be available for a burial, unfortunately." The doctor looked abashed. "The results of the process are --- ah, not pretty."
|
||||
|
||||
"I understand."
|
||||
|
||||
"One last bit, then. After the uploading process, successful or not, your blood, organs and tissue will be donated --- or, well, sold --- to a tissue bank in central Africa. Your family will receive ten percent of this, and the Centre the other ninety. This is to help defray the cost of the process."
|
||||
|
||||
Sylvie thought for a moment, rubbed her hand over her smooth-shaven head. "About how much will that be?"
|
||||
|
||||
"The cut to your family?" The doctor fiddled with her pen, twirling it across delicate dark fingers. "Lately, we've been getting about a hundred million francs, so again, about ten million. Not a bad payout, hmm?"
|
||||
|
||||
Not bad indeed. Sylvie had little love for her family, minus her brother, so the payout wasn't a huge incentive, as it was for others. She just hoped Moussa wound up with a chunk of it.
|
||||
|
||||
Unlikely, given her mother.
|
||||
|
||||
She nodded her assent.
|
||||
|
||||
"So then. Your surgery is scheduled in one hour. You have fifteen minutes before prep, which means fifteen more minutes to back out if you should choose. I'm going to head back to the team and leave you be to think this over." The doctor gestured to her right, "Dial zero on the phone on the desk if you wish to cancel."
|
||||
|
||||
The doctor stood and leaned forward, offering her hand. Sylvie lifted herself out of her chair and accepted the handshake, feeling as though she needed to be careful of those delicate fingers. The grip was strong, though.
|
||||
|
||||
As the doctor slipped out of the room, Sylvie settled back into the chair. She closed her eyes against the sight of all the posters advertising the procedure. "Upload today!" they said. "Experience a life beyond need!" they promised. "Work without pressure! Fork at will!" they hollered. Everything was so loud, so loud.
|
||||
|
||||
She had them all memorized, anyway. Right now, she just wanted quiet. She just wanted to think of Grace.
|
||||
|
||||
Grace with her silvering hair.
|
||||
|
||||
Grace with her fair and smooth skin.
|
||||
|
||||
Grace with her liquid laughter and lovely singing.
|
||||
|
||||
They’d fallen in love within months, and shared only a scant few years together before being separated again. An impenetrable boundary of distance, of emulated sensorium and embodied flesh.
|
||||
|
||||
Grace's decision hadn't been Sylvie's. Uploading, the thought of uploading, made Sylvie's skin itch and eyes ache. To be removed from this world and sent to another, to the System, didn't appeal to her.
|
||||
|
||||
It did appeal to Grace.
|
||||
|
||||
Grace with her failing voice.
|
||||
|
||||
Grace with her deteriorating coordination.
|
||||
|
||||
Grace with her pain, her depression.
|
||||
|
||||
For Grace, it was a way to escape her body. That body that Sylvie loved so much, and was a prison to Grace. A voluntary procedure --- "Help combat overpopulation!" the posters howled --- but also a way to neatly sidestep the MS slowly claiming her body and mind.
|
||||
|
||||
After the upload, Grace had communicated with Sylvie through text, through mails sent to her terminal which she'd pour over at work. She begged Sylvie. *Come join, come upload,* she said. *The posters, they're all true, they're all right.*
|
||||
|
||||
The thought *still* made her skin itch and her eyes ache, but all the same, she kept dreaming of Grace. Dreaming of softer eyes, of a voice more sonorous. Her Grace shining like the dawn.
|
||||
|
||||
So she'd relented.
|
||||
|
||||
> *Tu m'appelais et je quittais la terre
|
||||
> Pour m'enfuir avec toi vers la lumière,
|
||||
> Les cieux pour nous entr'ouvraient leurs nues,
|
||||
> Splendeurs inconnues, lueurs divines entrevues,*
|
||||
|
||||
Sylvie's mind was filled with Fauré, with that rolling, lilting theme. With Grace's voice.
|
||||
|
||||
"We're going to keep you awake, okay? We need to, in order to tell when the upload is complete, but you'll under local anesthesia. It'll make you feel a little dreamy, may have visual disturbances." The doctor's smile was kind. "Some report it to be enjoyable."
|
||||
|
||||
"Okay. How long will the upload take?"
|
||||
|
||||
"The procedure will be about forty five minutes to prep you for upload, and then the upload will happen in two stages," the doctor said. "You'll be uploaded to a local node at our center, which will give you access to a waiting room of sorts for the System proper. The upload to the System will take several hours --- it's a lot of data, you understand --- so the waiting room will usually have you fork and the copy will be uploaded."
|
||||
|
||||
"Create a copy of myself and let that be uploaded while I watch," she murmured. Sylvie thought for a moment, "What about the copy that remains?"
|
||||
|
||||
"It's free to quit, like a program on your terminal quitting. But they --- the, ah, sysadmins --- usually request that it stay around in case the upload to the System gets interrupted for some reason."
|
||||
|
||||
"And what will I feel if things go wrong?"
|
||||
|
||||
The doctor hesitated, looked to her team. It was another team member, a man with a thick French accent, who responded. "We don't really know. The local node will pick up on it and alert us. Death just looks like death to us."
|
||||
|
||||
Sylvie nodded. Tried to nod, at least. She was firmly strapped down. "Alright."
|
||||
|
||||
There was a pinprick at the crook of her elbow. A feeling of coolness spread up her arm, into her chest. A tightness, there, and then a tightness along her neck. A brief moment of panic as she tried to flex her fingers.
|
||||
|
||||
"Starting the neuromuscular blocker. This will paralyze your voluntary muscles, so don't panic about the feeling," the anesthesiologist mumbled, distracted. He tapped her forearm, sending a pins-and-needles flash through the right half of her body. "But it doesn't numb you. That will be the next one, the anesthetic."
|
||||
|
||||
Sylvie attempted to speak, but only managed a grunt of assent.
|
||||
|
||||
The anesthesiologist nodded, "Good. Here it comes, then."
|
||||
|
||||
The coolness was replaced with a comfortable warmth.
|
||||
|
||||
Not warmth, she realized. Nothingness. Floatingness. Leaving-the-earth-ness. Gone-ness.
|
||||
|
||||
"Sylvie, can you hear me? You won't be able to speak or blink or nod, but can you try and take two quick breaths? It may be difficult. We'll intubate if necessary."
|
||||
|
||||
Sylvie obeyed. Or thought she did, at least. She couldn't tell if the breaths were actually happening. It seemed to be enough for the anesthesiologist, whose shadow across her vision bowed and stepped out of sight.
|
||||
|
||||
Time wandered.
|
||||
|
||||
Voices rang with the tenor of bells, though she could still understand them. Surgeons talking to technicians.
|
||||
|
||||
A dull, basso organ note of something grinding, her vision vibrating, blurring the sight of the light above the bed.
|
||||
|
||||
The light took the form of Grace, and Sylvie more readily gave in to the effects of the drug.
|
||||
|
||||
Grace with her angelic smile. Grace lifting her up, away from the earth. Grace running, running into the ring of that surgeon's lamp. Clouds, clouds parting.
|
||||
|
||||
The organ note screamed up through several octaves.
|
||||
|
||||
Calm, ringing voices.
|
||||
|
||||
That yearning song tinkling through her mind. She was unable to tell whether it came from herself, or from one of the techs. Or maybe from Grace. *Dans un sommeil que charmait ton image...* Tinkling and flowing. Rocking. Drunken. Drunken on dreams.
|
||||
|
||||
Minutes fled by. Hours. Days, perhaps. Always, in front of her, her angel. Pure white skin that contrasted beautifully against her own, cream spilled in coffee. Always lifting her up. How far did they have to go?
|
||||
|
||||
Grace was drifting away from her, receding.
|
||||
|
||||
The light flared in intensity. Somehow became black. A shining blackness amid a field of more blackness.
|
||||
|
||||
Tugging, pulling.
|
||||
|
||||
Prying.
|
||||
|
||||
A snap.
|
||||
|
||||
A sense of wrongness, of gravity.
|
||||
|
||||
Falling away. Layers of self peeling back, each successive shedding revealing something more raw, more primal. Molting. The boundary between her Self and the blackness complicating, fraying, fading.
|
||||
|
||||
Grace was gone, too, faded to nothing.
|
||||
|
||||
*Come back!* Sylvie shouted into the nothingness. Her fists, raw and exposed to their very core, to the concept of Fist sans physical representation, pounded at the blackness. Pounded at herself.
|
||||
|
||||
*Come back! Come back! Grace!* She wailed. Screamed. Sobbed.
|
||||
|
||||
*Grace...*
|
||||
|
||||
A whisper against building chords, Grace's sweet voice.
|
||||
|
||||
> *Hélas! Hélas! triste réveil des songes
|
||||
> Je t'appelle, ô nuit, rends moi tes mensonges,
|
||||
> Reviens, reviens radieuse,
|
||||
> Reviens ô nuit mystérieuse!*
|
||||
|
||||
The team stood still. There was no written protocol as to what one should do while the local node processed the upload, but they always remained silent. The doctor held her breath every time.
|
||||
|
||||
A small pinging noise. The local readout flashed red.
|
||||
|
||||
Shoulders sagged around the room.
|
||||
|
||||
"Error in processing upload." The tinny speaker sounded impersonal. Perhaps it was designed that way to play down the loss. "Irrecoverable data corruption. Please check all contacts before continuing or contact System support for a technician for a full rig inspection."
|
||||
|
||||
"Well." The anesthesiologist's voice, so human, contrasted with the words from the speaker. "That's that, then."
|
||||
|
||||
"That's that," the doctor echoed. She sighed and backed away from Sylvie's body. It was empty, now. A husk. "I'll start the paperwork and call her family and the insurance company. Get the payout processed as soon as possible."
|
||||
|
||||
The other team members nodded. None of them looked happy.
|
||||
|
||||
"Go on, get her cleaned up and sent to the handlers." She trudged out of the room slowly, her feet dragging. Pulling off her gloves, one by one, she added, "At least someone will get something out of this. Alas."
|
||||
|
||||
Prayers began around the corpse.
|
||||
|
||||
<!--
|
||||
In a sleep which held your charmed image
|
||||
I dreamed of happiness, passion-filled mirage,
|
||||
Your eyes were softer, your voice pure and sonorous,
|
||||
You shone like a sky lit by the dawn;
|
||||
|
||||
You called me and I left the earth
|
||||
To flee with you to the light,
|
||||
The heavens for us were opening their clouds,
|
||||
Splendors unknown, glimmering glimpses of the divine
|
||||
|
||||
Alas! Alas! Sad awakening of dreams
|
||||
I call you, O night, bring back your lies,
|
||||
Come back, come back radiant,
|
||||
Come back, O mysterious night!
|
||||
-->
|
||||
344
_posts/2017-05-08-the-fool.md
Normal file
344
_posts/2017-05-08-the-fool.md
Normal file
@ -0,0 +1,344 @@
|
||||
---
|
||||
layout: post
|
||||
title: The Fool
|
||||
description: A student and a motherly badger explore questions of identity through a tarot reading.
|
||||
img: # Add image post (optional)
|
||||
tags: [Sawtooth, Short Story, Furry, Rated G]
|
||||
author: # Add name author (optional)
|
||||
---
|
||||
|
||||
The badger looms over a small table, the short sleeve of her smock tugged down toward the table by a glass candy thermometer. A deck of colorful cards rest neatly stacked on its surface.
|
||||
|
||||
Contrary to expectations, the room is bright and spacious. No hint of incense or dark velour drapes, just a simple living room in a simple home, a simple badger and some simple cards. She can't be older than fifty, and she's of a more motherly bent than a mystical one.
|
||||
|
||||
*More motherly than my mother, at least*, I think. *More earthy and far less mystical.*
|
||||
|
||||
"Tell me about your day, Avery," she begins, and as I speak, she shuffles a worn deck of cards, nodding along with me. She draws cards yan tan tethera, and lays them face up on the table with a casual slowness that does little to distract from my words. Still, my language is stilted, and I find myself tracing the edges of the table with my gaze or watching her paws rather than making eye contact.
|
||||
|
||||
"Now," she says when I trail off to an uneasy silence. The badger, the table and cards, a bright room with motes in afternoon sunbeams; an image more meaningful than I anticipated. And me --- dingy clothes draped over a broad frame I never wanted --- out of place. "Here are three cards. Look, and tell me the first thing you notice."
|
||||
|
||||
"Notice?" I ask. I sound dubious even to myself.
|
||||
|
||||
"Notice," she confirms. "What do you see? When you look at the cards, what jumps out at you? Colors, motions, angles and lines. What do you see?"
|
||||
|
||||
I stare at the badger. She stares back, then lets out a kindly laugh and gestures down at the cards.
|
||||
|
||||
Three cards, laid out in a line. I move my stare to those, more bewildered than anything, trying to pick out singular things. "From each of them? One at a time?"
|
||||
|
||||
She shrugs, smiling not unkindly.
|
||||
|
||||
*Odd,* I think. *How such a small task could feel overwhelming.*
|
||||
|
||||
I puff out a breath of air, whiskers bristling, and tap at the first card. "Well, this one's upside down, for starters. The, uh...Page of Wands." Digging through memories, I try, "A page is like a squire or something, right? Someone who helps a knight?"
|
||||
|
||||
"Yes, a young person, someone in training." She grins and nods down to the remaining stack of cards. "There are knights in the deck, too, but that's for another time."
|
||||
|
||||
Whiskers still canted forward, I nod and hesitate for a moment. "So, what does it being upside down mean?"
|
||||
|
||||
"You tell me."
|
||||
|
||||
I roll my eyes. Still, she sounds kind rather than petulant or snide, so I think about upside-down cards. Upside-down figures, upside-down and tipped over, upset in the literal sense of the word. Upside-down meanings. Meanings inverted, reversed, turned over.
|
||||
|
||||
"I think I see." I intend it as the beginning of a sentence, but seeing the badger's smile widen, I leave it at that. I shut out the other cards, focus on the Page. "In training, hmm? They looks like they're investigating or contemplating. The, uh...I guess the wand. The wand is the only thing growing, the only thing with green in the entire scene."
|
||||
|
||||
"Learning about life. Investigating growth." The badger nods, but neither confirming nor sage. Simply agreeing. "But reversed."
|
||||
|
||||
"Not learning?" At this, I sense her expression close down. It's not a visible thing; it's a sensation of her movement of thought being put on hold. "Not...not doing anything with learning, perhaps?"
|
||||
|
||||
The badger nods. I can see the clip on her thermometer holding it to the over-washed fabric, see beads of sugar still clinging to glass, bobbing with her movements. "Wands are for beginnings, for doing. Or perhaps activating is better." She sets a paw next to the card. "This Page --- a bear, maybe? I've never figured that out --- is learning, but not moving, not beginning. There is knowledge, but no decision."
|
||||
|
||||
"Activation energy!" I blurt, and, seeing questions in her eyes, continue. "Like in chemistry. It's dorky, but there has to be enough energy for an electron to jump from one sphere to the next; it just sits there otherwise. It needs the proper amount of activation energy to get going."
|
||||
|
||||
Questions turn to understanding, but her gaze stays locked on mine, waiting.
|
||||
|
||||
"I don't have the energy."
|
||||
|
||||
"Perhaps not. Or perhaps you do, but you're --- you or something within you --- is not letting it reach the activation. The energy may be there, but blocked."
|
||||
|
||||
I have to restrain myself from a snide smile. A reaction to my mom's mysticism, maybe. To crystals and blocked energy. In the badger, though, I sense only earnestness. "Energy as in will? Purpose?"
|
||||
|
||||
She shrugs. My choice, apparently.
|
||||
|
||||
"Everything's yellow in the card--"
|
||||
|
||||
"Energetic color, yellow."
|
||||
|
||||
"--yellow except for the black of the salamanders on their coat-thing."
|
||||
|
||||
She nods, murmurs down to the card, "His creations, perhaps. How many full ones do you see?"
|
||||
|
||||
I lean closer, nudging glasses further up my blunt snout. "Two, maybe three out of a dozen or so."
|
||||
|
||||
"If the card were upright, those other ones would be creations yet to happen." Her voice carries knowledge, and more authority than she's shown yet. "Reversed, that becomes flipped around. It could be creations abandoned, or it could be things you're afraid to start.
|
||||
|
||||
"These cards named after people or titles --- the page, the knight, the king, the queen --- they're sometimes about people. Maybe this card's about you. Or they all could be. Maybe--"
|
||||
|
||||
I smirk, nod my head toward the second card. "So I'm the fool?"
|
||||
|
||||
"Maybe they're just facets of yourself." She finishes, returning my smirk.
|
||||
|
||||
Thus chastened, I look at the second card. "Okay, well, there's a dog, one of those breeds with short fur, though it doesn't look like any of the dogs I've met. He's--" I catch myself, seeing androgyny in the dog's features and tamping down the yearning for my own. "They're stepping toward the edge of a cliff, with a little spirit thing dancing at their feet. They have one of those sticks with a bag tied to the end, but their tunic thing is what has me thinking. It's all growing things." I lean in closer and add, "And little splashes of water. Green and blue with flowers on navy."
|
||||
|
||||
We sit in silence for a moment while I think about the card more.
|
||||
|
||||
"There's a good balance of colors, come to think of it. More than the Page, at least. Blue and green and red and yellow." I hesitate, staring at the lean canine muzzle: the balance continues there, masculine and feminine, hard and soft, focused and uncaring. I say nothing, and wonder why.
|
||||
|
||||
The older woman nods slowly. "It's a fancy shirt, no denying. It'd look good on you."
|
||||
|
||||
I laugh, to which she looks up, smiling. "Seriously. It's a good mix. You're a good mix, too. But you wear all drab colors. Why's that?"
|
||||
|
||||
There's a sudden flush to my cheeks, at my appearance being so deliberately addressed. I lay my ears back. A blush along with the first hints of annoyance. These are soon replaced with simple embarrassment. "I don't want to-- I mean, I don't think I'd look good in bright colors or fancy clothes."
|
||||
|
||||
"I think you would." She hastens to continue, speaking over my mounting disagreements, "I think you'd look good, if you dressed how you wanted. Don't you?"
|
||||
|
||||
I frown at her. She continues, "You didn't say you don't want to dress in bright colors and fancy clothes. You started to say you didn't want to do something else."
|
||||
|
||||
I held my breath. Anger is the wrong word for what I feel. Frustration? Humiliation, perhaps. Am I so transparent?
|
||||
|
||||
"I don't want to," I begin in a rush of pent-up breath, feeling that struggle blown out with it. My shoulders sag, and I complete the statement more slowly. "I don't want to be seen like that."
|
||||
|
||||
"The fool, here, they're everything. They're the beginning of all things, and they've already got all of the endings inside themselves. At the beginning of all journeys, there's the fool: taking that first step is a fool's gamble, after all." She pauses, looking at me earnestly, intently. "You caught yourself earlier, you said 'he' and then switched to 'they'."
|
||||
|
||||
I hunch down into my slouched shoulders, muzzle dipping as I struggle for words. "They looked-- I mean, It's on my mind, I guess."
|
||||
|
||||
"I'll come clean," she admits after a pause, dark paws fiddling with the remainder of the deck, straightening cards. "Your mom told me you were coming, so I know that much. Even if she hadn't, though, it's written on your face. I mean this in the best possible way, Avery, but you don't make a very good man."
|
||||
|
||||
I close my eyes. I shut out the cards, the motherly badger. Motherly in the sense of speaking truths, in the sense of knowing children, in having seen them grow up. Motherly in lived experience. Experience lived in the moment, not in some dream world of crystals and chakras. *More motherly than my mom,* I think.
|
||||
|
||||
When I open my eyes, her gaze has softened.
|
||||
|
||||
"Why three cards?" I ask, deflecting.
|
||||
|
||||
"Past, present, and future." She laughs.
|
||||
|
||||
I nod, then sit up a little straighter, murmuring, "So it's more that past me that didn't have the activation energy?"
|
||||
|
||||
"Or didn't want to use it, yes."
|
||||
|
||||
"That makes more sense, then."
|
||||
|
||||
"How so?"
|
||||
|
||||
I shrug, continuing, "If I'm at the beginning of something now, it's because of how much time I spent fretting --- and not starting --- before."
|
||||
|
||||
She nods. "And are you at the beginning of something now?"
|
||||
|
||||
"I think so." I sound dubious, even to myself.
|
||||
|
||||
"Why now?"
|
||||
|
||||
"College," I say.
|
||||
|
||||
"Away from home?"
|
||||
|
||||
"Mmhm."
|
||||
|
||||
She nods again. "It's a little freeing, isn't it? Being away from parents. So you, like the Page of Wands, have been investigating, leaving all that energy pent up inside. And now you're ready to...to what? Take that step?"
|
||||
|
||||
I catch myself fiddling with the hem of my shirt. It's an olive color, faded further into drabness by countless washings, no fancy tunic; even her washed-out smock is brighter than my shirt. It doesn't go with my fur. Nor do the well-worn khakis. A darker animal dressed in those would look rough and tumble, ready for a hike. A mountain lion looks like a mess of dirty laundry.
|
||||
|
||||
I look up from my dull self to the table once more, speaking to the cards. "I have an appointment to start talking about it --- talking about gender --- with a counselor."
|
||||
|
||||
"Congratulations," the badger says, smiling. And I realize she doesn't need to say anymore. I realize *that's* what I needed from my mom. I realize that's probably why my mom sent me here. I realize that there's probably more to my mom than I gave her credit for.
|
||||
|
||||
I realize I've stopped thinking of this --- the tarot card reading --- as something mystical.
|
||||
|
||||
I speak up, "The third card, then."
|
||||
|
||||
The badger returns her gaze to the table.
|
||||
|
||||
"It feels impenetrable to me."
|
||||
|
||||
She laughs and shakes her head. "It's not a book. You're not writing a report on its deeper meanings. You're picking up on some of those meanings, but you don't have to do it right away or all the time. Or at all, for that matter." Still grinning, guides my attention back down to the card with a gesture, badger and cougar looming over the table. "Just tell me what you see."
|
||||
|
||||
Abashed, I return her smile as best I can. "Alright. It's a...well, I want to say a woman and a child being ferried across a lake or something, but the boat they're in has six swords in it. They're upright, like they've been stabbed through the bottom of the boat."
|
||||
|
||||
"Stabbed? Like they're going through the wood?"
|
||||
|
||||
"Yeah."
|
||||
|
||||
"Is water coming up around them?"
|
||||
|
||||
I look harder. The bottom of the boat is pitch dark. "I can't tell, but no one seems in a rush to get them out, anyway."
|
||||
|
||||
This gets a chuckle. "No, no they don't. Maybe they're plugging the holes in the boat. Maybe it's best to leave them in."
|
||||
|
||||
Nodding, I keep looking at the card. There are lines to draw the attention. The swords, the boat, the pole of the oarsman, the horizon, the water...the water. "The front of the boat, where the swords are, isn't sinking. The people still weigh something, though. Look, the back of the boat's low in the water."
|
||||
|
||||
She nods, "Maybe they--"
|
||||
|
||||
"Like they don't weigh anything," I add hastily, cutting her short.
|
||||
|
||||
"--don't weigh anything, yes."
|
||||
|
||||
I lay my ears back and grin, "Sorry, didn't mean to trample."
|
||||
|
||||
She returns my grin, pats my tan paw in her black one. "You're excited. It's really nice to see."
|
||||
|
||||
"So why swords?"
|
||||
|
||||
"I don't know. What do swords do?"
|
||||
|
||||
I laugh. "Cut and stab. Kill people. Stuff like that."
|
||||
|
||||
"Fair enough," she chuckles. "Why would one do that?"
|
||||
|
||||
Her words stop me short. "To...to kill," I begin. "But that's what I just said. Are you asking me why people kill each other?"
|
||||
|
||||
She nods.
|
||||
|
||||
"To get something," I murmur, fumbling for words. "To gain something. To get what one wants, or needs."
|
||||
|
||||
"So, since this is the Tarot and there's bound to be a lot going on here, can we just say the swords are a tool?"
|
||||
|
||||
"Well, I'm not about to hack and slash my way to get what I want."
|
||||
|
||||
She leans in close to me, stage-whispering, "I'll let you in on a secret. None of the cards in the swords suit --- in any suits --- show blood. Death, yes. Change, definitely. But no blood. It's hardly hacking and slashing."
|
||||
|
||||
"But they're still--"
|
||||
|
||||
She holds up a paw, "They're still swords, but they're tools. Swords show work. Strife, sometimes, sure; striving toward a goal. But what they is show work. These swords aren't working right now, they're just standing there. So where is the striving?"
|
||||
|
||||
"Behind them?" I ask. "They figures are all facing away from something."
|
||||
|
||||
"Or toward something."
|
||||
|
||||
"So," I say hesitantly. "I'm going to go on a journey?"
|
||||
|
||||
She laughs, "Can you guess what my next question would be?"
|
||||
|
||||
I shake my head.
|
||||
|
||||
"My next question would be: are you? And then you sit and think about it for a moment."
|
||||
|
||||
"I sit and think a moment, then say: no, of course not, it's about the work of going through something. The journey is the work." I hesitate, then nod and continue, more sure of myself. "Because I'm here at the beginning. I'm the fool, ready to take the step, and then I just have to take the next and keep going."
|
||||
|
||||
She smiles and urges me on with a little gesture of her paw.
|
||||
|
||||
"So if I was stalling by investigating every possibility, never starting," I say, nodding back to the first card, the Page of Wands. "Then I guess what I'm focused on is taking that first step, and after that, taking the next."
|
||||
|
||||
"You're doing my job for me," the badger laughs.
|
||||
|
||||
My smile falters. "Fair enough, but what do I do?"
|
||||
|
||||
"That's advice, kid." That soft smile, again. She flips the cards over, one by one, and continues, "Advice comes from people, not from cards. And if I'm going to give you advice, you're going to need to tell me what's actually going on."
|
||||
|
||||
She leans forward, folding her arms on the table, and looks past the cards and to me.
|
||||
|
||||
So I tell her. I tell her all that stuff from childhood, all those stupid things --- the dress-up, the questions, the uncomfortable guidance, the frustration at forced roles. I tell her all those things that meant nothing, may still mean nothing, and yet add up to a picture of a different me than who I am now. A different shape, a different body, different face and voice and name.
|
||||
|
||||
I speak more freely than at the beginning of the session.
|
||||
|
||||
I tell her about my mom, about telling her bits and pieces of my feelings, and her insistence at first that it was just a blockage of energies, and then her reluctant acceptance. I tell her about my dad, and how terrified I am of him and his iron grip on masculinity. I tell her about leaving for school and deciding that becoming my own self mattered more than their financial assistance and what belongingness they could offer.
|
||||
|
||||
"Your mom sent you to me," she states again, after a comfortable silence. "Did you tell her any of this?"
|
||||
|
||||
I shake my head. "She knows just that I'm, er--"
|
||||
|
||||
"That you're transgender?" she finishes for me. "Would that be fair to say?"
|
||||
|
||||
"I...yes, that's fair."
|
||||
|
||||
"But you don't want to say it?" she asks, kind eyes on my own. "You don't have to, can just say yes or no."
|
||||
|
||||
"No. I mean, I don't want to say it, but I should. Maybe that's part of the first step." I hesitate for a second, ears flat and eyes averted, before murmuring, "She just knows that I'm trans."
|
||||
|
||||
The badger nods, unclipping the thermometer from her smock and turning it over in her fingers. "Alright. And she sent you to me for advice? She told me to talk to you, mentioned vague facts."
|
||||
|
||||
"Yeah, she told me to go to you to work on things." I give a wry smile and add, "Her words, not mine."
|
||||
|
||||
She laughs and sits back in her chair, slouching and twirling that thermometer. "Your mom is nuts," she says. "I mean that in the kindest way, of course: I love her dearly. Have since school. I suspect she wishes the world worked differently for her. And for you, for that matter."
|
||||
|
||||
The unabashed laugh and words of affection are contagious and have me grinning. "Yeah, she's nuts," I echo. "Still, can't say I'm upset with what I got out of this."
|
||||
|
||||
"The cards, you mean?"
|
||||
|
||||
"Yeah. I was expecting fortunes, I got--"
|
||||
|
||||
"You got what you had when you came in the door," she asserts. "And a chance to talk it through. Now, you want my advice?"
|
||||
|
||||
"Yeah. I want to know what you think I should do next."
|
||||
|
||||
"About which bit?"
|
||||
|
||||
"Coming out, I suppose." I scuff at the back of my neck, paw feeling clumsy. "Maybe starting transition."
|
||||
|
||||
"Well, it sounds like you're on your way to both, right?" She clips the thermometer back to her smock and straightens the remainder of the tarot deck in deft paws. "You've told your mom, and you have that appointment, right?"
|
||||
|
||||
I nod, brushing fingertips over the overturned cards left on the table. It felt like we were both acknowledging their presence in our own ways. "But I still haven't told dad, and I'm still freaked out what the counselor will say."
|
||||
|
||||
"Anxiety, then?" she offers, waving a paw above the cards. "A bit of the Page of Wands still left over?"
|
||||
|
||||
I nod again, silent.
|
||||
|
||||
"Do you want to dig at that?"
|
||||
|
||||
"Mmhm. Do you have any thoughts on how to get past that?" She shuffles the cards and opens her mouth to speak, but I interrupt, "Wait, don't tell me. Now you'll ask if *I* have any thoughts on how to get past that."
|
||||
|
||||
Her laugh is kind and her fingers sure as she slips another card from the top of the deck, laying it flat on top of the first three.
|
||||
|
||||
The image shocks me enough to get me to sit up straight, as if by gaining some distance from the card itself I could escape it. "What the hell?"
|
||||
|
||||
"The ten of swords," she says, voice level, conversational.
|
||||
|
||||
I count the swords sticking out of the anonymous figure's back. Ten. A feline laid flat on his front, a dark sky, a calm shore, and ten swords buried in his back, each as high as the cat himself.
|
||||
|
||||
I clear my throat and manage, "I thought you said there wasn't any bloodshed in the swords."
|
||||
|
||||
"Do you see blood?"
|
||||
|
||||
Despite everything urging me not to do so, I lean in close and inspect the figure. "No," I admit. "Though his cloak is red."
|
||||
|
||||
"The color of passion. And yellow, the color of action."
|
||||
|
||||
"The dawn's yellow, too," I offer. I sound dubious, even to myself.
|
||||
|
||||
"Dawn, then?" The older woman looks down at the card curiously. "Dawn or sunset?"
|
||||
|
||||
I frown and shake my head. "Dawn, I think. It always feels like dawn chases the night, but sunset gives in to it."
|
||||
|
||||
"Poetic," she says, and her smile is earnest.
|
||||
|
||||
I count the swords again. "One in his ear, one in his neck. Three or four in his back." I stifle a giggle and murmur, "That's a lot of swords."
|
||||
|
||||
Her eyes brighten. "Isn't it? Overkill, in the truest sense of the word. Like an overreaction."
|
||||
|
||||
A thought occurs to me, and I lean in over the table. "Staring at the dawn, killed ten times over. Look, the water's even clear, like the--" I lift the last card up to peek, and continue, "Like the six. Like me staring at coming out and poking a billion holes in the idea without ever taking the step."
|
||||
|
||||
Her eyes stay bright. "Maybe it's an alternative to the six, then. Too much emotion, not enough action. Passion and action pinned down, rather than the work of the six. You could keep taking those steps, or you could keep killing yourself with indecision."
|
||||
|
||||
I nod eagerly and ask on a whim, "What's it like reversed?"
|
||||
|
||||
She gives a little shrug and turns the card over for me to see. "The swords fall out --- that's a relief --- but he's still dead, isn't he? Resigned to his place on the shore."
|
||||
|
||||
"Sure enough," I laugh. "Wait, 'he'?"
|
||||
|
||||
"You said it first," she says playfully. "Seriously, though, most of the figures are ambiguous. Or androgynous, I think. What you read into them can mean something if you let it."
|
||||
|
||||
"It could be nothing," I mumble. "Or it could be the old me. The 'he'."
|
||||
|
||||
She shrugs. My choice, apparently.
|
||||
|
||||
A chime interrupts us, me staring at the card and her smiling at me. A clock tolling slow hours. I check my watch to confirm it. Five.
|
||||
|
||||
"Oh jeez, I'm sorry. It's way later than I thought."
|
||||
|
||||
She laughs, "Conversations go where they will. There's no rush. I can pull together dinner for two if you want to stay." She taps at the thermometer with a grin, "I even made marshmallows, though they'll be sticky still."
|
||||
|
||||
"No, it's alright. Thank you. I'm getting pretty tired, as it is." I shrug, realizing just how true that statement is. "This took a lot out of me."
|
||||
|
||||
"It does that. It's a wonder we need exercise at all, when just thinking about things wears us out."
|
||||
|
||||
I laugh with her, nodding.
|
||||
|
||||
"Still," she continues. "You're in town, now. Don't be afraid to stop by, say hi. There's lots more we can talk about, cards or no. Don't wait for your mom to push you my way."
|
||||
|
||||
I lever myself up from the chair, swishing ropy tail once or twice to make sure it hasn't fallen asleep, and offer my paw to the badger. "I won't. I know she thinks we'll work on things, but I just want to talk. This was more than I expected. I didn't know I needed--"
|
||||
|
||||
She bypasses my offered hand and gives me a firm hug around the middle. Startled, I hold still. She smells of sweets. Sweets and baking.
|
||||
|
||||
I feel unfortunately tall. A rectangle. A lummox. A big, dumb cat.
|
||||
|
||||
I also feel understood, appreciated. Welcomed. I return the hug carefully. Then, with her farewell in my ears, take that first step out into the evening air.
|
||||
|
||||
And then the next.
|
||||
@ -1,25 +0,0 @@
|
||||
---
|
||||
layout: post
|
||||
title: "Welcome to Jekyll!"
|
||||
date: 2017-08-09 21:04:35 -0600
|
||||
categories: jekyll update
|
||||
---
|
||||
You’ll find this post in your `_posts` directory. Go ahead and edit it and re-build the site to see your changes. You can rebuild the site in many different ways, but the most common way is to run `jekyll serve`, which launches a web server and auto-regenerates your site when a file is updated.
|
||||
|
||||
To add new posts, simply add a file in the `_posts` directory that follows the convention `YYYY-MM-DD-name-of-post.ext` and includes the necessary front matter. Take a look at the source for this post to get an idea about how it works.
|
||||
|
||||
Jekyll also offers powerful support for code snippets:
|
||||
|
||||
{% highlight ruby %}
|
||||
def print_hi(name)
|
||||
puts "Hi, #{name}"
|
||||
end
|
||||
print_hi('Tom')
|
||||
#=> prints 'Hi, Tom' to STDOUT.
|
||||
{% endhighlight %}
|
||||
|
||||
Check out the [Jekyll docs][jekyll-docs] for more info on how to get the most out of Jekyll. File all bugs/feature requests at [Jekyll’s GitHub repo][jekyll-gh]. If you have questions, you can ask them on [Jekyll Talk][jekyll-talk].
|
||||
|
||||
[jekyll-docs]: https://jekyllrb.com/docs/home
|
||||
[jekyll-gh]: https://github.com/jekyll/jekyll
|
||||
[jekyll-talk]: https://talk.jekyllrb.com/
|
||||
1036
_posts/2017-09-03-overclassification.md
Normal file
1036
_posts/2017-09-03-overclassification.md
Normal file
File diff suppressed because it is too large
Load Diff
18
about.md
18
about.md
@ -1,18 +0,0 @@
|
||||
---
|
||||
layout: page
|
||||
title: About
|
||||
permalink: /about/
|
||||
---
|
||||
|
||||
This is the base Jekyll theme. You can find out more info about customizing your Jekyll theme, as well as basic Jekyll usage documentation at [jekyllrb.com](https://jekyllrb.com/)
|
||||
|
||||
You can find the source code for Minima at GitHub:
|
||||
[jekyll][jekyll-organization] /
|
||||
[minima](https://github.com/jekyll/minima)
|
||||
|
||||
You can find the source code for Jekyll at GitHub:
|
||||
[jekyll][jekyll-organization] /
|
||||
[jekyll](https://github.com/jekyll/jekyll)
|
||||
|
||||
|
||||
[jekyll-organization]: https://github.com/jekyll
|
||||
175
assets/css/main.scss
Executable file
175
assets/css/main.scss
Executable file
@ -0,0 +1,175 @@
|
||||
---
|
||||
---
|
||||
|
||||
@import "variables";
|
||||
@import "syntax";
|
||||
@import "tools/normalize";
|
||||
|
||||
|
||||
/* = = = = = = = = = = Main Styles = = = = = = = = = = */
|
||||
|
||||
*, *::after, *::before {
|
||||
box-sizing: border-box;
|
||||
}
|
||||
|
||||
html, body {
|
||||
height: 100%;
|
||||
overflow-x: hidden;
|
||||
}
|
||||
|
||||
html {
|
||||
line-height: 1.5;
|
||||
}
|
||||
|
||||
body {
|
||||
font-family: 'Montserrat', sans-serif;
|
||||
color: $dark-gray;
|
||||
margin: 0;
|
||||
background-color: $white;
|
||||
-webkit-font-smoothing: antialiased;
|
||||
-moz-osx-font-smoothing: grayscale;
|
||||
|
||||
&.invert {
|
||||
background-color: $light-gray;
|
||||
}
|
||||
}
|
||||
|
||||
h1, h2, h3, h4, h5, h6 {
|
||||
font-family: 'Lato', sans-serif;
|
||||
color: $dark-purple;
|
||||
font-weight: 400;
|
||||
|
||||
.invert & {
|
||||
color: $light-purple;
|
||||
}
|
||||
}
|
||||
|
||||
hr {
|
||||
border: none;
|
||||
width: 3em;
|
||||
margin: 1em auto;
|
||||
|
||||
&::before {
|
||||
content: '§';
|
||||
display: block;
|
||||
}
|
||||
}
|
||||
|
||||
img {
|
||||
height: auto;
|
||||
max-width: 100%;
|
||||
}
|
||||
|
||||
a {
|
||||
color: $dark-pink;
|
||||
}
|
||||
|
||||
blockquote {
|
||||
border-left: 3px solid $dark-purple;
|
||||
padding-left: 18px;
|
||||
margin-left: 21px;
|
||||
font-style: italic;
|
||||
color: $dark-purple;
|
||||
|
||||
.invert & {
|
||||
border-left-color: $light-purple;
|
||||
color: $light-purple;
|
||||
}
|
||||
}
|
||||
|
||||
pre {
|
||||
padding: 16px 32px;
|
||||
overflow-x: auto;
|
||||
|
||||
code {
|
||||
border: 0;
|
||||
padding-right: 0;
|
||||
padding-left: 0;
|
||||
}
|
||||
}
|
||||
|
||||
.flex-container {
|
||||
display: flex;
|
||||
flex-direction: column;
|
||||
min-height: 100vh;
|
||||
transition: transform .4s cubic-bezier(0.16, 0.68, 0.43, 0.99);
|
||||
}
|
||||
|
||||
.flex-container.active {
|
||||
transform: translate3d(300px, 0, 0);
|
||||
&::after {
|
||||
content: "";
|
||||
position: fixed;
|
||||
top: 0;
|
||||
right: 0;
|
||||
bottom: 0;
|
||||
left: 0;
|
||||
z-index: 2;
|
||||
background-color: rgba(0,0,0,0.5);
|
||||
}
|
||||
}
|
||||
|
||||
.content {
|
||||
flex-grow: 1;
|
||||
}
|
||||
|
||||
.wrapper {
|
||||
width: 960px;
|
||||
max-width: 90%;
|
||||
margin: 0 auto;
|
||||
position: relative;
|
||||
}
|
||||
|
||||
::-moz-selection {
|
||||
background: rgba(49, 30, 62, 0.7);
|
||||
color: #ffffff;
|
||||
}
|
||||
|
||||
::selection {
|
||||
background: rgba(49, 30, 62, 0.7);
|
||||
color: #ffffff;
|
||||
}
|
||||
|
||||
.clearfix::before, .clearfix::after {
|
||||
content: "";
|
||||
display: table;
|
||||
clear: both;
|
||||
}
|
||||
|
||||
.clearfix::before {
|
||||
clear: both;
|
||||
}
|
||||
|
||||
/* = = = = = = = = = = Header Styles = = = = = = = = = = */
|
||||
@import "parts/header";
|
||||
|
||||
/* = = = = = = = = = = Search Styles = = = = = = = = = = */
|
||||
@import "parts/search";
|
||||
|
||||
/* = = = = = = = = = = Post-Card Styles = = = = = = = = = = */
|
||||
@import "parts/post-card";
|
||||
|
||||
/* = = = = = = = = = = Pagination Styles = = = = = = = = = = */
|
||||
@import "parts/pagination";
|
||||
|
||||
|
||||
/* = = = = = = = = = = Footer Styles = = = = = = = = = = */
|
||||
@import "parts/footer";
|
||||
|
||||
/* = = = = = = = = = = Post-Page Styles = = = = = = = = = = */
|
||||
@import "parts/post-page";
|
||||
|
||||
/* = = = = = = = = = = Author Box Styles = = = = = = = = = = */
|
||||
@import "parts/author-box";
|
||||
|
||||
/* = = = = = = = = = = About Page Styles = = = = = = = = = = */
|
||||
@import "parts/about";
|
||||
|
||||
/* = = = = = = = = = = Tags Styles = = = = = = = = = = */
|
||||
@import "parts/tags";
|
||||
|
||||
/* = = = = = = = = = = Animate Styles = = = = = = = = = = */
|
||||
@import "parts/animate";
|
||||
|
||||
/* = = = = = = = = = = Media = = = = = = = = = = */
|
||||
@import "media"
|
||||
156
assets/css/sass/_media.scss
Normal file
156
assets/css/sass/_media.scss
Normal file
@ -0,0 +1,156 @@
|
||||
/* Small Devices, Tablets */
|
||||
@media only screen and (max-width: 768px) {
|
||||
.main-header {
|
||||
.logo {
|
||||
a {
|
||||
font-size: 24px;
|
||||
}
|
||||
}
|
||||
}
|
||||
|
||||
.post-card-box {
|
||||
li {
|
||||
width: 100%;
|
||||
margin-bottom: 20px;
|
||||
&:last-child {
|
||||
margin-bottom: 0;
|
||||
}
|
||||
}
|
||||
}
|
||||
|
||||
.recent-box {
|
||||
.recent-list {
|
||||
.recent-item {
|
||||
position: relative;
|
||||
display: inline-block;
|
||||
width: 49%;
|
||||
height: 150px;
|
||||
margin-left: 0.5%;
|
||||
margin-bottom: 0.5%;
|
||||
span {
|
||||
position: absolute;
|
||||
font-size: 12px;
|
||||
left: 2.5%;
|
||||
bottom: 10%;
|
||||
color: $white;
|
||||
}
|
||||
}
|
||||
}
|
||||
}
|
||||
|
||||
}
|
||||
|
||||
@media only screen and (max-width: 480px) {
|
||||
.wrapper {
|
||||
max-width: 95%;
|
||||
}
|
||||
|
||||
.page-content {
|
||||
margin-top: -50px;
|
||||
padding: 15px;
|
||||
}
|
||||
|
||||
.header-page {
|
||||
margin-bottom: 20px;
|
||||
h1 {
|
||||
font-size: 27px;
|
||||
margin: 0 0 10px;
|
||||
}
|
||||
.page-date {
|
||||
font-size: 14px;
|
||||
}
|
||||
}
|
||||
|
||||
.main-header {
|
||||
.logo {
|
||||
a {
|
||||
font-size: 21px;
|
||||
}
|
||||
}
|
||||
}
|
||||
.menu-icon,
|
||||
.menu-icon-close,
|
||||
.search-icon,
|
||||
.search-icon-close {
|
||||
font-size: 16px;
|
||||
}
|
||||
|
||||
.page-image {
|
||||
height: 380px;
|
||||
}
|
||||
|
||||
.recent-box {
|
||||
.recent-list {
|
||||
.recent-item {
|
||||
position: relative;
|
||||
display: inline-block;
|
||||
width: 99%;
|
||||
height: 150px;
|
||||
margin-left: 0.5%;
|
||||
margin-bottom: 0.5%;
|
||||
span {
|
||||
position: absolute;
|
||||
font-size: 12px;
|
||||
left: 2.5%;
|
||||
bottom: 10%;
|
||||
color: $white;
|
||||
}
|
||||
}
|
||||
}
|
||||
}
|
||||
|
||||
.newsletter {
|
||||
.newsletter-box {
|
||||
.subscribe-btn {
|
||||
width: 80px;
|
||||
height: 40px;
|
||||
font-size: 12px;
|
||||
}
|
||||
}
|
||||
}
|
||||
|
||||
.about-body {
|
||||
.contact-list {
|
||||
li {
|
||||
display: inline-block;
|
||||
margin-left: 5px;
|
||||
&:first-child {
|
||||
margin-left: 0;
|
||||
}
|
||||
a {
|
||||
display: block;
|
||||
color: $light-gray;
|
||||
font-size: 16px;
|
||||
text-decoration: none;
|
||||
padding: 5px;
|
||||
transition: all 350ms cubic-bezier(0.13, 0.43, 0.54, 1.82);
|
||||
&:hover {
|
||||
color: $dark-pink;
|
||||
transform: scale(1.3);
|
||||
}
|
||||
}
|
||||
}
|
||||
}
|
||||
}
|
||||
|
||||
.author-box {
|
||||
display: flex;
|
||||
flex-direction: column;
|
||||
align-items: center;
|
||||
text-align: center;
|
||||
.author-img {
|
||||
height: 100px;
|
||||
width: 100px;
|
||||
margin: 0 0 10px;
|
||||
}
|
||||
.author-desc {
|
||||
h2 {
|
||||
margin: 0 0 10px;
|
||||
}
|
||||
p {
|
||||
margin: 0 0 15px;
|
||||
}
|
||||
}
|
||||
}
|
||||
|
||||
}
|
||||
67
assets/css/sass/_syntax.scss
Executable file
67
assets/css/sass/_syntax.scss
Executable file
@ -0,0 +1,67 @@
|
||||
.highlight {background-color: #faf9f9; border-radius: 3px; margin: 0;}
|
||||
.highlighter-rouge {color: $dark-pink; font-weight: 400; border: 1px solid #607D8B; border-radius: 3px; padding: 0.1rem 0.5rem;}
|
||||
.highlight .hll { background-color: #ffc; }
|
||||
.highlight .c { color: #999; } /* Comment */
|
||||
.highlight .err { color: #a00; background-color: #faa; } /* Error */
|
||||
.highlight .k { color: #069; } /* Keyword */
|
||||
.highlight .o { color: #555; } /* Operator */
|
||||
.highlight .cm { color: #09f; font-style: italic; } /* Comment.Multiline */
|
||||
.highlight .cp { color: #099; } /* Comment.Preproc */
|
||||
.highlight .c1 { color: #999; } /* Comment.Single */
|
||||
.highlight .cs { color: #999; } /* Comment.Special */
|
||||
.highlight .gd { background-color: #fcc; border: 1px solid #c00; } /* Generic.Deleted */
|
||||
.highlight .ge { font-style: italic; } /* Generic.Emph */
|
||||
.highlight .gr { color: #f00; } /* Generic.Error */
|
||||
.highlight .gh { color: #030; } /* Generic.Heading */
|
||||
.highlight .gi { background-color: #cfc; border: 1px solid #0c0; } /* Generic.Inserted */
|
||||
.highlight .go { color: #aaa; } /* Generic.Output */
|
||||
.highlight .gp { color: #009; } /* Generic.Prompt */
|
||||
.highlight .gs { } /* Generic.Strong */
|
||||
.highlight .gu { color: #030; } /* Generic.Subheading */
|
||||
.highlight .gt { color: #9c6; } /* Generic.Traceback */
|
||||
.highlight .kc { color: #069; } /* Keyword.Constant */
|
||||
.highlight .kd { color: #069; } /* Keyword.Declaration */
|
||||
.highlight .kn { color: #069; } /* Keyword.Namespace */
|
||||
.highlight .kp { color: #069; } /* Keyword.Pseudo */
|
||||
.highlight .kr { color: #069; } /* Keyword.Reserved */
|
||||
.highlight .kt { color: #078; } /* Keyword.Type */
|
||||
.highlight .m { color: #f60; } /* Literal.Number */
|
||||
.highlight .s { color: #d44950; } /* Literal.String */
|
||||
.highlight .na { color: #4f9fcf; } /* Name.Attribute */
|
||||
.highlight .nb { color: #366; } /* Name.Builtin */
|
||||
.highlight .nc { color: #0a8; } /* Name.Class */
|
||||
.highlight .no { color: #360; } /* Name.Constant */
|
||||
.highlight .nd { color: #99f; } /* Name.Decorator */
|
||||
.highlight .ni { color: #999; } /* Name.Entity */
|
||||
.highlight .ne { color: #c00; } /* Name.Exception */
|
||||
.highlight .nf { color: #c0f; } /* Name.Function */
|
||||
.highlight .nl { color: #99f; } /* Name.Label */
|
||||
.highlight .nn { color: #0cf; } /* Name.Namespace */
|
||||
.highlight .nt { color: #2f6f9f; } /* Name.Tag */
|
||||
.highlight .nv { color: #033; } /* Name.Variable */
|
||||
.highlight .ow { color: #000; } /* Operator.Word */
|
||||
.highlight .w { color: #bbb; } /* Text.Whitespace */
|
||||
.highlight .mf { color: #f60; } /* Literal.Number.Float */
|
||||
.highlight .mh { color: #f60; } /* Literal.Number.Hex */
|
||||
.highlight .mi { color: #f60; } /* Literal.Number.Integer */
|
||||
.highlight .mo { color: #f60; } /* Literal.Number.Oct */
|
||||
.highlight .sb { color: #c30; } /* Literal.String.Backtick */
|
||||
.highlight .sc { color: #c30; } /* Literal.String.Char */
|
||||
.highlight .sd { color: #c30; font-style: italic; } /* Literal.String.Doc */
|
||||
.highlight .s2 { color: #c30; } /* Literal.String.Double */
|
||||
.highlight .se { color: #c30; } /* Literal.String.Escape */
|
||||
.highlight .sh { color: #c30; } /* Literal.String.Heredoc */
|
||||
.highlight .si { color: #a00; } /* Literal.String.Interpol */
|
||||
.highlight .sx { color: #c30; } /* Literal.String.Other */
|
||||
.highlight .sr { color: #3aa; } /* Literal.String.Regex */
|
||||
.highlight .s1 { color: #c30; } /* Literal.String.Single */
|
||||
.highlight .ss { color: #fc3; } /* Literal.String.Symbol */
|
||||
.highlight .bp { color: #366; } /* Name.Builtin.Pseudo */
|
||||
.highlight .vc { color: #033; } /* Name.Variable.Class */
|
||||
.highlight .vg { color: #033; } /* Name.Variable.Global */
|
||||
.highlight .vi { color: #033; } /* Name.Variable.Instance */
|
||||
.highlight .il { color: #f60; } /* Literal.Number.Integer.Long */
|
||||
|
||||
.css .o,
|
||||
.css .o + .nt,
|
||||
.css .nt + .nt { color: #999; }
|
||||
11
assets/css/sass/_variables.scss
Normal file
11
assets/css/sass/_variables.scss
Normal file
@ -0,0 +1,11 @@
|
||||
$black: #000;
|
||||
$white: #fff;
|
||||
$blue: #2d89ec;
|
||||
$dark-purple: #311e3e;
|
||||
$light-purple: lighten($dark-purple, 60%);
|
||||
$dark-pink: #87314e;
|
||||
$gray: #efefef;
|
||||
$light-gray: #999999;
|
||||
$lighten-gray: #d9d9d9;
|
||||
$dark-gray: #3e3e40;
|
||||
$darken-gray: darken($dark-gray, 10%);
|
||||
67
assets/css/sass/parts/_about.scss
Normal file
67
assets/css/sass/parts/_about.scss
Normal file
@ -0,0 +1,67 @@
|
||||
.small-wrapper {
|
||||
width: 700px;
|
||||
max-width: 90%;
|
||||
margin: 0 auto;
|
||||
}
|
||||
|
||||
.about-container {
|
||||
margin: 100px 0 100px;
|
||||
}
|
||||
|
||||
.about-header {
|
||||
position: relative;
|
||||
text-align: center;
|
||||
padding-bottom: 30px;
|
||||
margin-bottom: 30px;
|
||||
&:after {
|
||||
content: "";
|
||||
position: absolute;
|
||||
bottom: 0;
|
||||
left: 50%;
|
||||
transform: translateX(-50%);
|
||||
display: block;
|
||||
height: 1px;
|
||||
width: 80px;
|
||||
background-color: $dark-purple;
|
||||
}
|
||||
.author-image-container {
|
||||
width: 100px;
|
||||
height: 100px;
|
||||
border-radius: 100%;
|
||||
overflow: hidden;
|
||||
margin: 0 auto 30px;
|
||||
}
|
||||
.subtitle {
|
||||
color: $dark-purple;
|
||||
font-weight: 300;
|
||||
margin: 0;
|
||||
}
|
||||
}
|
||||
|
||||
.about-body {
|
||||
.contact-list {
|
||||
margin: 0;
|
||||
padding: 0;
|
||||
list-style: none;
|
||||
text-align: center;
|
||||
li {
|
||||
display: inline-block;
|
||||
margin-left: 10px;
|
||||
&:first-child {
|
||||
margin-left: 0;
|
||||
}
|
||||
a {
|
||||
display: block;
|
||||
color: $light-gray;
|
||||
font-size: 21px;
|
||||
text-decoration: none;
|
||||
padding: 5px;
|
||||
transition: all 350ms cubic-bezier(0.13, 0.43, 0.54, 1.82);
|
||||
&:hover {
|
||||
color: $dark-pink;
|
||||
transform: scale(1.3);
|
||||
}
|
||||
}
|
||||
}
|
||||
}
|
||||
}
|
||||
42
assets/css/sass/parts/_animate.scss
Normal file
42
assets/css/sass/parts/_animate.scss
Normal file
@ -0,0 +1,42 @@
|
||||
.main-header,
|
||||
.page-image,
|
||||
.page-content,
|
||||
.about-container,
|
||||
.post-card-box {
|
||||
animation-duration: 0.7s;
|
||||
animation-fill-mode: both;
|
||||
animation-name: fadeInDown;
|
||||
}
|
||||
|
||||
.main-header,
|
||||
.page-image {
|
||||
animation-delay: 0.5s;
|
||||
}
|
||||
|
||||
.page-content,
|
||||
.about-container,
|
||||
.post-card-box {
|
||||
animation-delay: 0.75s;
|
||||
}
|
||||
|
||||
@-webkit-keyframes fadeInDown {
|
||||
from {
|
||||
opacity: 0;
|
||||
transform: translateY(-20px);
|
||||
}
|
||||
to {
|
||||
opacity: 1;
|
||||
transform: translateY(0);
|
||||
}
|
||||
}
|
||||
|
||||
@keyframes fadeInDown {
|
||||
from {
|
||||
opacity: 0;
|
||||
transform: translateY(-20px);
|
||||
}
|
||||
to {
|
||||
opacity: 1;
|
||||
transform: translateY(0);
|
||||
}
|
||||
}
|
||||
41
assets/css/sass/parts/_author-box.scss
Normal file
41
assets/css/sass/parts/_author-box.scss
Normal file
@ -0,0 +1,41 @@
|
||||
.author-box {
|
||||
display: flex;
|
||||
justify-content: center;
|
||||
align-items: center;
|
||||
margin-top: 30px;
|
||||
padding-bottom: 30px;
|
||||
border-bottom: 1px solid $lighten-gray;
|
||||
.author-img {
|
||||
width: 120px;
|
||||
height: 120px;
|
||||
margin-right: 30px;
|
||||
border-radius: 100%;
|
||||
}
|
||||
.author-desc {
|
||||
h2 {
|
||||
margin: 0 0 10px;
|
||||
}
|
||||
p {
|
||||
margin: 0 0 10px;
|
||||
}
|
||||
ul {
|
||||
list-style: none;
|
||||
margin: 0;
|
||||
padding: 0;
|
||||
}
|
||||
li {
|
||||
display: inline-block;
|
||||
margin-left: 10px;
|
||||
&:first-child {
|
||||
margin-left: 0;
|
||||
}
|
||||
a {
|
||||
font-size: 18px;
|
||||
color: $dark-gray;
|
||||
&:hover {
|
||||
opacity: .8;
|
||||
}
|
||||
}
|
||||
}
|
||||
}
|
||||
}
|
||||
10
assets/css/sass/parts/_footer.scss
Normal file
10
assets/css/sass/parts/_footer.scss
Normal file
@ -0,0 +1,10 @@
|
||||
.main-footer {
|
||||
padding: 15px 0;
|
||||
background-color: #efefef;
|
||||
|
||||
.copyright {
|
||||
text-align: center;
|
||||
color: $dark-purple;
|
||||
font-size: 16px;
|
||||
}
|
||||
}
|
||||
80
assets/css/sass/parts/_header.scss
Normal file
80
assets/css/sass/parts/_header.scss
Normal file
@ -0,0 +1,80 @@
|
||||
.main-header {
|
||||
font-family: 'Lato', sans-serif;
|
||||
padding: 15px 0;
|
||||
background-color: $white;
|
||||
box-shadow: 0px -5px 15px rgba(0,0,0,.3);
|
||||
|
||||
.header-flex {
|
||||
display: flex;
|
||||
justify-content: space-between;
|
||||
align-items: center;
|
||||
}
|
||||
.logo {
|
||||
width: 50%;
|
||||
text-align: center;
|
||||
a {
|
||||
text-decoration: none;
|
||||
text-transform: uppercase;
|
||||
font-size: 27px;
|
||||
font-weight: 300;
|
||||
color: $dark-purple;
|
||||
}
|
||||
}
|
||||
}
|
||||
|
||||
.main-nav {
|
||||
position: fixed;
|
||||
top: 0;
|
||||
left: 0;
|
||||
z-index: 10;
|
||||
width: 300px;
|
||||
height: 100%;
|
||||
background-color: $white;
|
||||
padding: 25px 30px;
|
||||
transform: translate3d(-300px, 0, 0);
|
||||
ul {
|
||||
padding: 15px 0 0;
|
||||
margin: 0;
|
||||
list-style: none;
|
||||
|
||||
li {
|
||||
border-bottom: 1px solid $lighten-gray;
|
||||
a {
|
||||
display: block;
|
||||
padding: 15px 0;
|
||||
text-decoration: none;
|
||||
text-transform: uppercase;
|
||||
font-weight: 400;
|
||||
font-size: 16px;
|
||||
color: $dark-purple;
|
||||
&:hover {
|
||||
opacity: .8;
|
||||
color: $dark-pink;
|
||||
}
|
||||
}
|
||||
}
|
||||
}
|
||||
}
|
||||
|
||||
.menu-icon-container {
|
||||
width: 25%;
|
||||
text-align: left;
|
||||
}
|
||||
|
||||
.search-icon-container {
|
||||
width: 25%;
|
||||
text-align: right;
|
||||
}
|
||||
|
||||
.menu-icon,
|
||||
.menu-icon-close,
|
||||
.search-icon a,
|
||||
.search-icon-close {
|
||||
cursor: pointer;
|
||||
font-size: 18px;
|
||||
color: $dark-purple;
|
||||
transition: all .4s;
|
||||
&:hover {
|
||||
opacity: .8;
|
||||
}
|
||||
}
|
||||
19
assets/css/sass/parts/_pagination.scss
Normal file
19
assets/css/sass/parts/_pagination.scss
Normal file
@ -0,0 +1,19 @@
|
||||
.pagination {
|
||||
margin-bottom: 30px;
|
||||
.previous {
|
||||
float: left;
|
||||
}
|
||||
.next {
|
||||
float: right;
|
||||
}
|
||||
.previous, .next {
|
||||
text-decoration: none;
|
||||
text-transform: uppercase;
|
||||
font-size: 14px;
|
||||
color: $dark-gray;
|
||||
&:hover {
|
||||
opacity: .8;
|
||||
color: $dark-pink;
|
||||
}
|
||||
}
|
||||
}
|
||||
77
assets/css/sass/parts/_post-card.scss
Normal file
77
assets/css/sass/parts/_post-card.scss
Normal file
@ -0,0 +1,77 @@
|
||||
.post-card-box {
|
||||
margin: 100px 0 100px;
|
||||
padding: 0;
|
||||
|
||||
li {
|
||||
position: relative;
|
||||
list-style: none;
|
||||
float: left;
|
||||
width: 50%;
|
||||
transition: all .3s;
|
||||
&:hover {
|
||||
opacity: 0.9;
|
||||
}
|
||||
& .light-gray {
|
||||
background-color: $light-gray;
|
||||
}
|
||||
& .light-purple {
|
||||
background-color: $light-purple;
|
||||
}
|
||||
}
|
||||
}
|
||||
|
||||
.post-card {
|
||||
position: relative;
|
||||
|
||||
.post-card-image {
|
||||
display: block;
|
||||
width: 100%;
|
||||
min-height: 150px;
|
||||
background-size: cover;
|
||||
background-position: center;
|
||||
background-repeat: no-repeat;
|
||||
&::after {
|
||||
content: "";
|
||||
display: block;
|
||||
position: absolute;
|
||||
top: 0;
|
||||
left: 0;
|
||||
right: 0;
|
||||
bottom: 0;
|
||||
background: rgba(0,0,0,.3);
|
||||
}
|
||||
}
|
||||
|
||||
.post-card-body {
|
||||
position: absolute;
|
||||
left: 5%;
|
||||
bottom: 5%;
|
||||
|
||||
.post-card-link {
|
||||
text-decoration: none;
|
||||
display: block;
|
||||
}
|
||||
|
||||
.post-card-title {
|
||||
font-family: 'Lato', sans-serif;
|
||||
font-weight: 700;
|
||||
text-transform: uppercase;
|
||||
font-size: 18px;
|
||||
color: $white;
|
||||
margin: 0 0 10px;
|
||||
&:hover {
|
||||
opacity: .8;
|
||||
}
|
||||
}
|
||||
|
||||
.tag {
|
||||
text-decoration: none;
|
||||
font-size: 10px;
|
||||
text-transform: uppercase;
|
||||
color: $white;
|
||||
&:hover {
|
||||
text-decoration: underline;
|
||||
}
|
||||
}
|
||||
}
|
||||
}
|
||||
62
assets/css/sass/parts/_search.scss
Normal file
62
assets/css/sass/parts/_search.scss
Normal file
@ -0,0 +1,62 @@
|
||||
.search-box {
|
||||
padding-top: 40px;
|
||||
position: fixed;
|
||||
top: 0;
|
||||
right: 0;
|
||||
bottom: 0;
|
||||
left: 0;
|
||||
z-index: 100;
|
||||
background: #fff;
|
||||
transition: all .4s ease-in-out;
|
||||
transform: translate(0, -100%) scale(0, 0);
|
||||
}
|
||||
|
||||
.search-grid {
|
||||
width: 60%;
|
||||
margin: 0 auto;
|
||||
}
|
||||
|
||||
.search-form {
|
||||
margin-bottom: 15px;
|
||||
.search {
|
||||
width: 100%;
|
||||
padding: 15px;
|
||||
border: none;
|
||||
border-bottom: 1px solid $lighten-gray;
|
||||
outline: none;
|
||||
font-size: 21px;
|
||||
color: $dark-gray;
|
||||
}
|
||||
}
|
||||
|
||||
.results-search {
|
||||
list-style: none;
|
||||
overflow: auto;
|
||||
height: 90vh;
|
||||
margin: 0;
|
||||
padding: 0;
|
||||
li {
|
||||
padding-bottom: 15px;
|
||||
margin-bottom: 15px;
|
||||
border-bottom: 1px solid $lighten-gray;
|
||||
|
||||
a {
|
||||
text-decoration: none;
|
||||
color: $dark-gray;
|
||||
&:hover {
|
||||
color: $dark-pink;
|
||||
opacity: .8;
|
||||
}
|
||||
}
|
||||
}
|
||||
}
|
||||
|
||||
.search-box.search-active {
|
||||
transform: translate(0, 0) scale(1, 1);
|
||||
}
|
||||
|
||||
.icon-close-container {
|
||||
position: absolute;
|
||||
top: 0;
|
||||
right: 0;
|
||||
}
|
||||
45
assets/css/sass/parts/_tags.scss
Normal file
45
assets/css/sass/parts/_tags.scss
Normal file
@ -0,0 +1,45 @@
|
||||
.blog-tags {
|
||||
margin: 100px 0 100px;
|
||||
h1 {
|
||||
text-align: center;
|
||||
font-family: 'Lato', sans-serif;
|
||||
font-weight: 400;
|
||||
font-size: 36px;
|
||||
text-align: center;
|
||||
margin: 0 0 30px;
|
||||
color: $dark-purple;
|
||||
}
|
||||
.tags {
|
||||
margin: 0;
|
||||
padding: 0;
|
||||
list-style: none;
|
||||
li {
|
||||
a {
|
||||
display: inline-block;
|
||||
color: $dark-purple;
|
||||
&:hover {
|
||||
opacity: .8;
|
||||
}
|
||||
}
|
||||
}
|
||||
}
|
||||
.tag-list {
|
||||
span {
|
||||
a {
|
||||
display: inline-block;
|
||||
color: $dark-pink;
|
||||
text-decoration: none;
|
||||
text-transform: uppercase;
|
||||
font-size: 12px;
|
||||
margin-bottom: 10px;
|
||||
&:hover {
|
||||
text-decoration: underline;
|
||||
opacity: .8;
|
||||
}
|
||||
}
|
||||
}
|
||||
small {
|
||||
color: $dark-purple;
|
||||
}
|
||||
}
|
||||
}
|
||||
201
assets/css/sass/parts/post-page.scss
Normal file
201
assets/css/sass/parts/post-page.scss
Normal file
@ -0,0 +1,201 @@
|
||||
@import url('https://fonts.googleapis.com/css?family=Gentium+Book+Basic');
|
||||
|
||||
.page-image {
|
||||
position: relative;
|
||||
padding: 0;
|
||||
margin: 0;
|
||||
height: 500px;
|
||||
background-color: $white;
|
||||
overflow: hidden;
|
||||
|
||||
.cover-image {
|
||||
height: 100%;
|
||||
width: 100%;
|
||||
}
|
||||
}
|
||||
|
||||
.page-content {
|
||||
font-family: "Gentium Book Basic", serif;
|
||||
font-size: 14pt;
|
||||
line-height: 1.75;
|
||||
margin-top: -5px;
|
||||
margin-bottom: 100px;
|
||||
background-color: $white;
|
||||
padding: 20px;
|
||||
box-shadow: 0px 1px 1px rgba(0, 0, 0, 0.3);
|
||||
|
||||
.invert & {
|
||||
background-color: $darken-gray;
|
||||
color: $white;
|
||||
}
|
||||
|
||||
&.with-image {
|
||||
margin-top: -80px;
|
||||
border-top-left-radius: 20px;
|
||||
border-top-right-radius: 20px;
|
||||
}
|
||||
|
||||
& > p {
|
||||
margin: 0;
|
||||
&:not(first-of-type) {
|
||||
text-indent: 2em;
|
||||
}
|
||||
}
|
||||
}
|
||||
|
||||
.header-page {
|
||||
position: relative;
|
||||
margin-bottom: 30px;
|
||||
h1 {
|
||||
font-family: 'Lato', sans-serif;
|
||||
font-weight: 400;
|
||||
font-size: 36px;
|
||||
text-align: center;
|
||||
margin: 0 0 20px;
|
||||
color: $dark-purple;
|
||||
|
||||
.invert & {
|
||||
color: $light-purple;
|
||||
}
|
||||
}
|
||||
.page-date {
|
||||
text-align: center;
|
||||
font-size: 14px;
|
||||
text-transform: uppercase;
|
||||
font-weight: 300;
|
||||
}
|
||||
}
|
||||
|
||||
.page-footer {
|
||||
margin-top: 30px;
|
||||
padding-bottom: 30px;
|
||||
padding-bottom: 30px;
|
||||
border-bottom: 1px solid $lighten-gray;
|
||||
.page-tag,
|
||||
.page-share {
|
||||
text-transform: uppercase;
|
||||
font-size: 12px;
|
||||
color: $dark-purple;
|
||||
}
|
||||
.page-tag {
|
||||
margin-bottom: 10px;
|
||||
a {
|
||||
text-decoration: none;
|
||||
color: $dark-pink;
|
||||
&:hover {
|
||||
opacity: .8;
|
||||
}
|
||||
}
|
||||
}
|
||||
.page-share {
|
||||
a {
|
||||
text-decoration: none;
|
||||
color: $light-gray;
|
||||
margin-left: 10px;
|
||||
font-size: 18px;
|
||||
&:hover {
|
||||
opacity: .8;
|
||||
}
|
||||
}
|
||||
}
|
||||
}
|
||||
|
||||
.recent-box {
|
||||
margin-top: 30px;
|
||||
padding-bottom: 30px;
|
||||
border-bottom: 1px solid $lighten-gray;
|
||||
.recent-title {
|
||||
font-family: 'Lato', sans-serif;
|
||||
font-weight: 400;
|
||||
color: $dark-purple;
|
||||
text-align: center;
|
||||
margin: 0 0 30px;
|
||||
}
|
||||
.recent-list {
|
||||
.recent-item {
|
||||
position: relative;
|
||||
display: inline-block;
|
||||
width: 24%;
|
||||
height: 150px;
|
||||
margin-left: 0.5%;
|
||||
margin-bottom: 0.5%;
|
||||
transition: all .3s;
|
||||
span {
|
||||
position: absolute;
|
||||
font-size: 12px;
|
||||
left: 2.5%;
|
||||
bottom: 10%;
|
||||
color: $white;
|
||||
}
|
||||
&:hover {
|
||||
opacity: 0.8;
|
||||
}
|
||||
}
|
||||
}
|
||||
}
|
||||
|
||||
.newsletter {
|
||||
text-align: center;
|
||||
margin-top: 30px;
|
||||
padding-bottom: 60px;
|
||||
margin-bottom: 30px;
|
||||
border-bottom: 1px solid $gray;
|
||||
.newsletter-title {
|
||||
font-weight: 400;
|
||||
}
|
||||
.form-container {
|
||||
padding: 30px;
|
||||
background-color: $gray;
|
||||
width: 720px;
|
||||
max-width: 100%;
|
||||
margin: 0 auto;
|
||||
p {
|
||||
margin: 0;
|
||||
}
|
||||
}
|
||||
.screen-reader-text {
|
||||
clip: rect(1px, 1px, 1px, 1px);
|
||||
height: 1px;
|
||||
overflow: hidden;
|
||||
position: absolute !important;
|
||||
width: 1px;
|
||||
word-wrap: normal !important;
|
||||
}
|
||||
.newsletter-box {
|
||||
position: relative;
|
||||
max-width: 100%;
|
||||
margin: 25px 0;
|
||||
display: flex;
|
||||
align-items: stretch;
|
||||
.email-input {
|
||||
flex-grow: 1;
|
||||
height: 40px;
|
||||
padding: 8px 10px;
|
||||
width: 100%;
|
||||
max-width: 100%;
|
||||
color: $dark-gray;
|
||||
border: none;
|
||||
border-radius: 2px;
|
||||
font-size: 14px;
|
||||
outline: none;
|
||||
}
|
||||
.subscribe-btn {
|
||||
flex-shrink: 0;
|
||||
width: 100px;
|
||||
height: 40px;
|
||||
font-size: 14px;
|
||||
text-align: center;
|
||||
color: $white;
|
||||
background-color: $dark-purple;
|
||||
vertical-align: baseline;
|
||||
cursor: pointer;
|
||||
border: none;
|
||||
border-radius: 2px;
|
||||
outline: none;
|
||||
transition: all .3s;
|
||||
&:hover {
|
||||
background-color: $dark-pink;
|
||||
}
|
||||
}
|
||||
}
|
||||
}
|
||||
436
assets/css/sass/tools/_normalize.scss
Normal file
436
assets/css/sass/tools/_normalize.scss
Normal file
@ -0,0 +1,436 @@
|
||||
/*! normalize.css v7.0.0 | MIT License | github.com/necolas/normalize.css */
|
||||
|
||||
/* Document
|
||||
========================================================================== */
|
||||
|
||||
/**
|
||||
* 1. Correct the line height in all browsers.
|
||||
* 2. Prevent adjustments of font size after orientation changes in
|
||||
* IE on Windows Phone and in iOS.
|
||||
*/
|
||||
|
||||
html {
|
||||
line-height: 1.15; /* 1 */
|
||||
-ms-text-size-adjust: 100%; /* 2 */
|
||||
-webkit-text-size-adjust: 100%; /* 2 */
|
||||
}
|
||||
|
||||
/* Sections
|
||||
========================================================================== */
|
||||
|
||||
/**
|
||||
* Remove the margin in all browsers (opinionated).
|
||||
*/
|
||||
|
||||
body {
|
||||
margin: 0;
|
||||
}
|
||||
|
||||
/**
|
||||
* Add the correct display in IE 9-.
|
||||
*/
|
||||
|
||||
article,
|
||||
aside,
|
||||
footer,
|
||||
header,
|
||||
nav,
|
||||
section {
|
||||
display: block;
|
||||
}
|
||||
|
||||
/**
|
||||
* Correct the font size and margin on `h1` elements within `section` and
|
||||
* `article` contexts in Chrome, Firefox, and Safari.
|
||||
*/
|
||||
|
||||
h1 {
|
||||
font-size: 2em;
|
||||
margin: 0.67em 0;
|
||||
}
|
||||
|
||||
/* Grouping content
|
||||
========================================================================== */
|
||||
|
||||
/**
|
||||
* Add the correct display in IE 9-.
|
||||
* 1. Add the correct display in IE.
|
||||
*/
|
||||
|
||||
figcaption,
|
||||
figure,
|
||||
main { /* 1 */
|
||||
display: block;
|
||||
}
|
||||
|
||||
/**
|
||||
* Add the correct margin in IE 8.
|
||||
*/
|
||||
|
||||
figure {
|
||||
margin: 1em 40px;
|
||||
}
|
||||
|
||||
/**
|
||||
* 1. Correct the inheritance and scaling of font size in all browsers.
|
||||
* 2. Correct the odd `em` font sizing in all browsers.
|
||||
*/
|
||||
|
||||
pre {
|
||||
font-family: monospace, monospace; /* 1 */
|
||||
font-size: 1em; /* 2 */
|
||||
}
|
||||
|
||||
/* Text-level semantics
|
||||
========================================================================== */
|
||||
|
||||
/**
|
||||
* 1. Remove the gray background on active links in IE 10.
|
||||
* 2. Remove gaps in links underline in iOS 8+ and Safari 8+.
|
||||
*/
|
||||
|
||||
a {
|
||||
background-color: transparent; /* 1 */
|
||||
-webkit-text-decoration-skip: objects; /* 2 */
|
||||
}
|
||||
|
||||
/**
|
||||
* 1. Remove the bottom border in Chrome 57- and Firefox 39-.
|
||||
* 2. Add the correct text decoration in Chrome, Edge, IE, Opera, and Safari.
|
||||
*/
|
||||
|
||||
abbr[title] {
|
||||
border-bottom: none; /* 1 */
|
||||
text-decoration: underline; /* 2 */
|
||||
text-decoration: underline dotted; /* 2 */
|
||||
}
|
||||
|
||||
/**
|
||||
* Prevent the duplicate application of `bolder` by the next rule in Safari 6.
|
||||
*/
|
||||
|
||||
b,
|
||||
strong {
|
||||
font-weight: inherit;
|
||||
}
|
||||
|
||||
/**
|
||||
* Add the correct font weight in Chrome, Edge, and Safari.
|
||||
*/
|
||||
|
||||
b,
|
||||
strong {
|
||||
font-weight: bolder;
|
||||
}
|
||||
|
||||
/**
|
||||
* 1. Correct the inheritance and scaling of font size in all browsers.
|
||||
* 2. Correct the odd `em` font sizing in all browsers.
|
||||
*/
|
||||
|
||||
code,
|
||||
kbd,
|
||||
samp {
|
||||
font-family: monospace, monospace; /* 1 */
|
||||
font-size: 1em; /* 2 */
|
||||
}
|
||||
|
||||
/**
|
||||
* Add the correct font style in Android 4.3-.
|
||||
*/
|
||||
|
||||
dfn {
|
||||
font-style: italic;
|
||||
}
|
||||
|
||||
/**
|
||||
* Add the correct background and color in IE 9-.
|
||||
*/
|
||||
|
||||
mark {
|
||||
background-color: #ff0;
|
||||
color: #000;
|
||||
}
|
||||
|
||||
/**
|
||||
* Add the correct font size in all browsers.
|
||||
*/
|
||||
|
||||
small {
|
||||
font-size: 80%;
|
||||
}
|
||||
|
||||
/**
|
||||
* Prevent `sub` and `sup` elements from affecting the line height in
|
||||
* all browsers.
|
||||
*/
|
||||
|
||||
sub,
|
||||
sup {
|
||||
font-size: 75%;
|
||||
line-height: 0;
|
||||
position: relative;
|
||||
vertical-align: baseline;
|
||||
}
|
||||
|
||||
sub {
|
||||
bottom: -0.25em;
|
||||
}
|
||||
|
||||
sup {
|
||||
top: -0.5em;
|
||||
}
|
||||
|
||||
/* Embedded content
|
||||
========================================================================== */
|
||||
|
||||
/**
|
||||
* Add the correct display in IE 9-.
|
||||
*/
|
||||
|
||||
audio,
|
||||
video {
|
||||
display: inline-block;
|
||||
}
|
||||
|
||||
/**
|
||||
* Add the correct display in iOS 4-7.
|
||||
*/
|
||||
|
||||
audio:not([controls]) {
|
||||
display: none;
|
||||
height: 0;
|
||||
}
|
||||
|
||||
/**
|
||||
* Remove the border on images inside links in IE 10-.
|
||||
*/
|
||||
|
||||
img {
|
||||
border-style: none;
|
||||
}
|
||||
|
||||
/**
|
||||
* Hide the overflow in IE.
|
||||
*/
|
||||
|
||||
svg:not(:root) {
|
||||
overflow: hidden;
|
||||
}
|
||||
|
||||
/* Forms
|
||||
========================================================================== */
|
||||
|
||||
/**
|
||||
* 1. Change the font styles in all browsers (opinionated).
|
||||
* 2. Remove the margin in Firefox and Safari.
|
||||
*/
|
||||
|
||||
button,
|
||||
input,
|
||||
optgroup,
|
||||
select,
|
||||
textarea {
|
||||
font-family: sans-serif; /* 1 */
|
||||
font-size: 100%; /* 1 */
|
||||
line-height: 1.15; /* 1 */
|
||||
margin: 0; /* 2 */
|
||||
}
|
||||
|
||||
/**
|
||||
* Show the overflow in IE.
|
||||
* 1. Show the overflow in Edge.
|
||||
*/
|
||||
|
||||
button,
|
||||
input { /* 1 */
|
||||
overflow: visible;
|
||||
}
|
||||
|
||||
/**
|
||||
* Remove the inheritance of text transform in Edge, Firefox, and IE.
|
||||
* 1. Remove the inheritance of text transform in Firefox.
|
||||
*/
|
||||
|
||||
button,
|
||||
select { /* 1 */
|
||||
text-transform: none;
|
||||
}
|
||||
|
||||
/**
|
||||
* 1. Prevent a WebKit bug where (2) destroys native `audio` and `video`
|
||||
* controls in Android 4.
|
||||
* 2. Correct the inability to style clickable types in iOS and Safari.
|
||||
*/
|
||||
|
||||
button,
|
||||
html [type="button"], /* 1 */
|
||||
[type="reset"],
|
||||
[type="submit"] {
|
||||
-webkit-appearance: button; /* 2 */
|
||||
}
|
||||
|
||||
/**
|
||||
* Remove the inner border and padding in Firefox.
|
||||
*/
|
||||
|
||||
button::-moz-focus-inner,
|
||||
[type="button"]::-moz-focus-inner,
|
||||
[type="reset"]::-moz-focus-inner,
|
||||
[type="submit"]::-moz-focus-inner {
|
||||
border-style: none;
|
||||
padding: 0;
|
||||
}
|
||||
|
||||
/**
|
||||
* Restore the focus styles unset by the previous rule.
|
||||
*/
|
||||
|
||||
button:-moz-focusring,
|
||||
[type="button"]:-moz-focusring,
|
||||
[type="reset"]:-moz-focusring,
|
||||
[type="submit"]:-moz-focusring {
|
||||
outline: 1px dotted ButtonText;
|
||||
}
|
||||
|
||||
/**
|
||||
* Correct the padding in Firefox.
|
||||
*/
|
||||
|
||||
fieldset {
|
||||
padding: 0.35em 0.75em 0.625em;
|
||||
}
|
||||
|
||||
/**
|
||||
* 1. Correct the text wrapping in Edge and IE.
|
||||
* 2. Correct the color inheritance from `fieldset` elements in IE.
|
||||
* 3. Remove the padding so developers are not caught out when they zero out
|
||||
* `fieldset` elements in all browsers.
|
||||
*/
|
||||
|
||||
legend {
|
||||
box-sizing: border-box; /* 1 */
|
||||
color: inherit; /* 2 */
|
||||
display: table; /* 1 */
|
||||
max-width: 100%; /* 1 */
|
||||
padding: 0; /* 3 */
|
||||
white-space: normal; /* 1 */
|
||||
}
|
||||
|
||||
/**
|
||||
* 1. Add the correct display in IE 9-.
|
||||
* 2. Add the correct vertical alignment in Chrome, Firefox, and Opera.
|
||||
*/
|
||||
|
||||
progress {
|
||||
display: inline-block; /* 1 */
|
||||
vertical-align: baseline; /* 2 */
|
||||
}
|
||||
|
||||
/**
|
||||
* Remove the default vertical scrollbar in IE.
|
||||
*/
|
||||
|
||||
textarea {
|
||||
overflow: auto;
|
||||
}
|
||||
|
||||
/**
|
||||
* 1. Add the correct box sizing in IE 10-.
|
||||
* 2. Remove the padding in IE 10-.
|
||||
*/
|
||||
|
||||
[type="checkbox"],
|
||||
[type="radio"] {
|
||||
box-sizing: border-box; /* 1 */
|
||||
padding: 0; /* 2 */
|
||||
}
|
||||
|
||||
/**
|
||||
* Correct the cursor style of increment and decrement buttons in Chrome.
|
||||
*/
|
||||
|
||||
[type="number"]::-webkit-inner-spin-button,
|
||||
[type="number"]::-webkit-outer-spin-button {
|
||||
height: auto;
|
||||
}
|
||||
|
||||
/**
|
||||
* 1. Correct the odd appearance in Chrome and Safari.
|
||||
* 2. Correct the outline style in Safari.
|
||||
*/
|
||||
|
||||
[type="search"] {
|
||||
-webkit-appearance: textfield; /* 1 */
|
||||
outline-offset: -2px; /* 2 */
|
||||
}
|
||||
|
||||
/**
|
||||
* Remove the inner padding and cancel buttons in Chrome and Safari on macOS.
|
||||
*/
|
||||
|
||||
[type="search"]::-webkit-search-cancel-button,
|
||||
[type="search"]::-webkit-search-decoration {
|
||||
-webkit-appearance: none;
|
||||
}
|
||||
|
||||
/**
|
||||
* 1. Correct the inability to style clickable types in iOS and Safari.
|
||||
* 2. Change font properties to `inherit` in Safari.
|
||||
*/
|
||||
|
||||
::-webkit-file-upload-button {
|
||||
-webkit-appearance: button; /* 1 */
|
||||
font: inherit; /* 2 */
|
||||
}
|
||||
|
||||
/* Interactive
|
||||
========================================================================== */
|
||||
|
||||
/*
|
||||
* Add the correct display in IE 9-.
|
||||
* 1. Add the correct display in Edge, IE, and Firefox.
|
||||
*/
|
||||
|
||||
details, /* 1 */
|
||||
menu {
|
||||
display: block;
|
||||
}
|
||||
|
||||
/*
|
||||
* Add the correct display in all browsers.
|
||||
*/
|
||||
|
||||
summary {
|
||||
display: list-item;
|
||||
}
|
||||
|
||||
/* Scripting
|
||||
========================================================================== */
|
||||
|
||||
/**
|
||||
* Add the correct display in IE 9-.
|
||||
*/
|
||||
|
||||
canvas {
|
||||
display: inline-block;
|
||||
}
|
||||
|
||||
/**
|
||||
* Add the correct display in IE.
|
||||
*/
|
||||
|
||||
template {
|
||||
display: none;
|
||||
}
|
||||
|
||||
/* Hidden
|
||||
========================================================================== */
|
||||
|
||||
/**
|
||||
* Add the correct display in IE 10-.
|
||||
*/
|
||||
|
||||
[hidden] {
|
||||
display: none;
|
||||
}
|
||||
4
assets/fonts/font-awesome/css/font-awesome.min.css
vendored
Normal file
4
assets/fonts/font-awesome/css/font-awesome.min.css
vendored
Normal file
File diff suppressed because one or more lines are too long
BIN
assets/fonts/font-awesome/fonts/FontAwesome.otf
Normal file
BIN
assets/fonts/font-awesome/fonts/FontAwesome.otf
Normal file
Binary file not shown.
BIN
assets/fonts/font-awesome/fonts/fontawesome-webfont.eot
Normal file
BIN
assets/fonts/font-awesome/fonts/fontawesome-webfont.eot
Normal file
Binary file not shown.
2671
assets/fonts/font-awesome/fonts/fontawesome-webfont.svg
Normal file
2671
assets/fonts/font-awesome/fonts/fontawesome-webfont.svg
Normal file
File diff suppressed because it is too large
Load Diff
|
After Width: | Height: | Size: 434 KiB |
BIN
assets/fonts/font-awesome/fonts/fontawesome-webfont.ttf
Normal file
BIN
assets/fonts/font-awesome/fonts/fontawesome-webfont.ttf
Normal file
Binary file not shown.
BIN
assets/fonts/font-awesome/fonts/fontawesome-webfont.woff
Normal file
BIN
assets/fonts/font-awesome/fonts/fontawesome-webfont.woff
Normal file
Binary file not shown.
BIN
assets/fonts/font-awesome/fonts/fontawesome-webfont.woff2
Normal file
BIN
assets/fonts/font-awesome/fonts/fontawesome-webfont.woff2
Normal file
Binary file not shown.
BIN
assets/img/headshot.jpg
Normal file
BIN
assets/img/headshot.jpg
Normal file
Binary file not shown.
|
After Width: | Height: | Size: 76 KiB |
371
assets/js/jekyll-search.js
Normal file
371
assets/js/jekyll-search.js
Normal file
File diff suppressed because one or more lines are too long
4
assets/js/jquery-3.2.1.min.js
vendored
Normal file
4
assets/js/jquery-3.2.1.min.js
vendored
Normal file
File diff suppressed because one or more lines are too long
37
assets/js/main.js
Normal file
37
assets/js/main.js
Normal file
@ -0,0 +1,37 @@
|
||||
function invert() {
|
||||
if (document.body.classList.contains('invert')) {
|
||||
document.body.classList.remove('invert');
|
||||
document.cookie = "inverse=false;path=/";
|
||||
} else {
|
||||
document.body.classList.add('invert');
|
||||
document.cookie = "inverse=true;path=/";
|
||||
}
|
||||
}
|
||||
|
||||
$(document).ready(function() {
|
||||
|
||||
// Menu Settings
|
||||
$('.menu-icon, .menu-icon-close').click(function(e) {
|
||||
e.preventDefault();
|
||||
$('.flex-container').toggleClass('active');
|
||||
});
|
||||
|
||||
// Search Settings
|
||||
$('.search-icon').on('click', function(e){
|
||||
e.preventDefault();
|
||||
$('.search-box').toggleClass('search-active');
|
||||
|
||||
if ($('.search-box').hasClass('search-active')) {
|
||||
$('.search-icon-close').on('click', function(e){
|
||||
e.preventDefault();
|
||||
$('.search-box').removeClass('search-active');
|
||||
});
|
||||
}
|
||||
});
|
||||
|
||||
|
||||
|
||||
if (document.cookie.indexOf('inverse=true') >= 0) {
|
||||
invert();
|
||||
}
|
||||
});
|
||||
21
index.html
Executable file
21
index.html
Executable file
@ -0,0 +1,21 @@
|
||||
---
|
||||
layout: home-page
|
||||
---
|
||||
<ol class="post-card-box clearfix">
|
||||
{% for post in paginator.posts %}
|
||||
<li>
|
||||
<div class="post-card{% cycle ' light-purple', ' light-gray', '', ' light-purple' %}">
|
||||
<a href="{{post.url | prepend: site.baseurl}}" class="post-card-image"{% if post.img %} style="background-image: url( {{ "/assets/img/" | prepend: site.baseurl | append : post.img}} )"{% endif %}>
|
||||
</a>
|
||||
|
||||
<div class="post-card-body">
|
||||
{% for tag in post.tags %}
|
||||
<a href="{{site.baseurl}}/tags#{{tag}}" class="tag">| {{ tag }}</a>
|
||||
{% endfor %}
|
||||
<a href="{{post.url | prepend: site.baseurl}}" class="post-card-link"><h3 class="post-card-title">{{post.title}}</h3></a>
|
||||
</div>
|
||||
|
||||
</div>
|
||||
</li>
|
||||
{% endfor %}
|
||||
</ol>
|
||||
27
index.md
27
index.md
@ -1,27 +0,0 @@
|
||||
---
|
||||
# You don't need to edit this file, it's empty on purpose.
|
||||
# Edit theme's home layout instead if you wanna make some changes
|
||||
# See: https://jekyllrb.com/docs/themes/#overriding-theme-defaults
|
||||
layout: home
|
||||
---
|
||||
|
||||
<style>
|
||||
.links line {
|
||||
stroke: #aaa;
|
||||
}
|
||||
|
||||
.nodes circle {
|
||||
pointer-events: all;
|
||||
stroke: none;
|
||||
stroke-width: 40px;
|
||||
fill: #aaa;
|
||||
}
|
||||
|
||||
.nodes text {
|
||||
dominant-baseline: middle;
|
||||
text-anchor: middle;
|
||||
}
|
||||
</style>
|
||||
<svg class="projects" width="600" height="600"></svg>
|
||||
<script src="https://d3js.org/d3.v4.min.js"></script>
|
||||
<script src="/projects.js"></script>
|
||||
19
package.json
Executable file
19
package.json
Executable file
@ -0,0 +1,19 @@
|
||||
{
|
||||
"name": "Jekyll-Gulp-Sass-Autoprefixer-Imagemin-BrowserSync",
|
||||
"version": "1.0.0",
|
||||
"description": "A starter project for Jekyll",
|
||||
"main": "index.js",
|
||||
"repository": "https://github.com/artemsheludko/Jekyll-Gulp-Sass-Autoprefixer-Imagemin-BrowserSync",
|
||||
"author": "Artem Sheludko",
|
||||
"license": "MIT",
|
||||
"dependencies": {
|
||||
"browser-sync": "^2.18.8",
|
||||
"child_process": "^1.0.2",
|
||||
"gulp": "^3.9.1",
|
||||
"gulp-autoprefixer": "^3.1.1",
|
||||
"gulp-cache": "^0.4.6",
|
||||
"gulp-imagemin": "^3.2.0",
|
||||
"gulp-sass": "^3.1.0",
|
||||
"imagemin-pngquant": "^5.0.0"
|
||||
}
|
||||
}
|
||||
84
projects.js
84
projects.js
@ -1,84 +0,0 @@
|
||||
const projects = [
|
||||
{id: 'Madison Scott-Clary', url: '/'},
|
||||
|
||||
{id: 'Sawtooth', group: 'projects', url: '/sawtooth'},
|
||||
{id: 'The Fool', group: 'sawtooth', url: '/sawtooth/the-fool'},
|
||||
{id: 'Disappearance', group: 'sawtooth', url: '/sawtooth/disappearance'},
|
||||
{id: 'Party', group: 'sawtooth', url: '/sawtooth/party'},
|
||||
{id: 'Run Ragged', group: 'sawtooth', url: '/sawtooth/run-ragged'},
|
||||
{id: 'What Remains of Yourself', group: 'sawtooth', url: '/sawtooth/what-remains-of-yourself'},
|
||||
|
||||
{id: '[adjective][species]', group: 'projects', url: '/adjspecies'},
|
||||
{id: 'Gender: Furry', group: 'adjspecies', url: '/adjspecies/gender-furry'},
|
||||
|
||||
{id: 'Rum and Coke', group: 'projects', url: '/rum-and-coke'},
|
||||
{id: 'What I Expected', group: 'rum-and-coke', url: '/rum-and-coke/what-i-expected'},
|
||||
{id: 'How Many', group: 'rum-and-coke', url: '/rum-and-coke/how-many'},
|
||||
{id: 'Again', group: 'rum-and-coke', url: '/rum-and-coke/again'},
|
||||
]
|
||||
|
||||
const links = [
|
||||
{source: 'Madison Scott-Clary', target: 'Sawtooth'},
|
||||
{source: 'Sawtooth', target: 'The Fool'},
|
||||
{source: 'Sawtooth', target: 'Disappearance'},
|
||||
{source: 'Sawtooth', target: 'Party'},
|
||||
{source: 'Sawtooth', target: 'Run Ragged'},
|
||||
{source: 'Sawtooth', target: 'What Remains of Yourself'},
|
||||
|
||||
{source: 'Madison Scott-Clary', target: '[adjective][species]'},
|
||||
{source: '[adjective][species]', target: 'Gender: Furry'},
|
||||
|
||||
{source: 'Madison Scott-Clary', target: 'Rum and Coke'},
|
||||
{source: 'Rum and Coke', target: 'What I Expected'},
|
||||
{source: 'Rum and Coke', target: 'How Many'},
|
||||
{source: 'Rum and Coke', target: 'Again'},
|
||||
]
|
||||
|
||||
let svg = d3.select("svg.projects")
|
||||
let width = +svg.attr("width")
|
||||
let height = +svg.attr("height")
|
||||
|
||||
let simulation = d3.forceSimulation()
|
||||
.force("link", d3.forceLink().id(d => d.id))
|
||||
.force("charge", d3.forceManyBody().strength(-500))
|
||||
.force("center", d3.forceCenter(width / 2, height / 2))
|
||||
|
||||
let link = svg.append("g")
|
||||
.attr("class", "links")
|
||||
.selectAll("line")
|
||||
.data(links)
|
||||
.enter().append("line")
|
||||
|
||||
let node = svg.append("g")
|
||||
.attr("class", "nodes")
|
||||
.selectAll(".node")
|
||||
.data(projects)
|
||||
.enter().append("g")
|
||||
|
||||
node.append('circle')
|
||||
.attr('r', 10)
|
||||
.append("title")
|
||||
.text(d => d.id)
|
||||
|
||||
node.append('a')
|
||||
.attr('href', d => d.url)
|
||||
.append('text')
|
||||
.text(d => d.id)
|
||||
|
||||
simulation
|
||||
.nodes(projects)
|
||||
.on("tick", ticked)
|
||||
|
||||
simulation.force("link")
|
||||
.links(links);
|
||||
|
||||
function ticked() {
|
||||
link
|
||||
.attr("x1", d => d.source.x)
|
||||
.attr("y1", d => d.source.y)
|
||||
.attr("x2", d => d.target.x)
|
||||
.attr("y2", d => d.target.y)
|
||||
|
||||
node
|
||||
.attr("transform", d => `translate(${d.x}, ${d.y})`)
|
||||
}
|
||||
2
projects.min.js
vendored
2
projects.min.js
vendored
@ -1,2 +0,0 @@
|
||||
'use strict';var projects=[{id:'Madison Scott-Clary',url:'/'},{id:'Sawtooth',group:'projects',url:'/sawtooth'},{id:'The Fool',group:'sawtooth',url:'/sawtooth/the-fool'},{id:'Disappearance',group:'sawtooth',url:'/sawtooth/disappearance'},{id:'Party',group:'sawtooth',url:'/sawtooth/party'},{id:'Run Ragged',group:'sawtooth',url:'/sawtooth/run-ragged'},{id:'What Remains of Yourself',group:'sawtooth',url:'/sawtooth/what-remains-of-yourself'},{id:'[adjective][species]',group:'projects',url:'/adjspecies'},{id:'Gender: Furry',group:'adjspecies',url:'/adjspecies/gender-furry'},{id:'Rum and Coke',group:'projects',url:'/rum-and-coke'},{id:'What I Expected',group:'rum-and-coke',url:'/rum-and-coke/what-i-expected'},{id:'How Many',group:'rum-and-coke',url:'/rum-and-coke/how-many'},{id:'Again',group:'rum-and-coke',url:'/rum-and-coke/again'}];var links=[{source:'Madison Scott-Clary',target:'Sawtooth'},{source:'Sawtooth',target:'The Fool'},{source:'Sawtooth',target:'Disappearance'},{source:'Sawtooth',target:'Party'},{source:'Sawtooth',target:'Run Ragged'},{source:'Sawtooth',target:'What Remains of Yourself'},{source:'Madison Scott-Clary',target:'[adjective][species]'},{source:'[adjective][species]',target:'Gender: Furry'},{source:'Madison Scott-Clary',target:'Rum and Coke'},{source:'Rum and Coke',target:'What I Expected'},{source:'Rum and Coke',target:'How Many'},{source:'Rum and Coke',target:'Again'}];var svg=d3.select('svg.projects');var width=+svg.attr('width');var height=+svg.attr('height');var simulation=d3.forceSimulation().force('link',d3.forceLink().id(function(d){return d.id})).force('charge',d3.forceManyBody().strength(-500)).force('center',d3.forceCenter(width/2,height/2));var link=svg.append('g').attr('class','links').selectAll('line').data(links).enter().append('line');var node=svg.append('g').attr('class','nodes').selectAll('.node').data(projects).enter().append('g');node.append('circle').attr('r',10).append('title').text(function(d){return d.id});node.append('a').attr('href',function(d){return d.url}).append('text').text(function(d){return d.id});simulation.nodes(projects).on('tick',ticked);simulation.force('link').links(links);function ticked(){link.attr('x1',function(d){return d.source.x}).attr('y1',function(d){return d.source.y}).attr('x2',function(d){return d.target.x}).attr('y2',function(d){return d.target.y});node.attr('transform',function(d){return'translate('+d.x+', '+d.y+')'})}
|
||||
|
||||
14
search.json
Normal file
14
search.json
Normal file
@ -0,0 +1,14 @@
|
||||
---
|
||||
layout: null
|
||||
---
|
||||
[
|
||||
{% for post in site.posts %}
|
||||
{
|
||||
"title" : "{{ post.title | escape }}",
|
||||
"category" : "{{ post.category }}",
|
||||
"tags" : "{{ post.tags | join: ', ' }}",
|
||||
"url" : "{{ site.baseurl }}{{ post.url }}",
|
||||
"date" : "{{ post.date }}"
|
||||
} {% unless forloop.last %},{% endunless %}
|
||||
{% endfor %}
|
||||
]
|
||||
Reference in New Issue
Block a user