MP edits

motes-played/content/006.tex

@@ -6,7 +6,7 @@ And so, there was a time at which she did not play, did not surround herself wit
 
 And yet, even before that, before Motes, before the System, before getting lost, Michelle had played, had she not? She had been a kid, yes? Michelle, even before getting her implants and becoming Sasha, had been five, had been six and seven and eight.
 
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 Michelle played as well. She painted, too, back then.
 
@@ -81,8 +81,10 @@ She owned playfulness because life is play. She owned it because it was so easy
 It changed the way that her cocladists and friends treated her. They started ruffling her hair as That It Might Give had, trying to get her excited. They started playing with her in the auditorium, hiding to jump out and startle her or running up to tap her on the shoulder and shout ``You are it!'' before running off to the dressing rooms to change for their role. They started doing all of the good things that one does with kids and none of the bad things. After all, if they needed Serious Motes, they could still talk to her like the fifty year old woman that she was, right?
 
 She liked that.
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 Slow Hours, Motes's big sister, had once had it said about her by Deny All Beginnings, town crier to her town scryer, ``It seems so often to me that you have the criss-cross pattern of a schoolyard tool imprinted on your face, no doubt hurled at at you by a god.'' She explained this to Motes that there was some contemporary interpretation of the Greek god Apollo hurling a dodgeball at the unwitting to bless them with the gift of prophecy.
 
@@ -215,7 +217,6 @@ But even as she tested those boundaries and always respected them when they were
 It was a bit, and she was committed to it. She was an actress, yes? She had a part to play, yes? The kid? The child? The daughter and sister, yes? It was method acting over the course of a lifetime. She committed to the bit and convinced herself as best she could to forget how to uncommit, and that, in itself was lovely.
 
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 Motes dreamed.