edits, publication of Motes Played
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@ -304,6 +304,8 @@ She nodded and pushed herself slowly to her feet through a wave of unreality, of
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\secdiv
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\AddToHookNext{shipout/after}{\noindent\includegraphics[width=\textwidth]{assets/mp_07.png}}
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Letter after letter, topic after topic. They became rote. They became routine. They became a signature of Hammered Silver after every little decision that A Finger Pointing made which did not meet her standards. Every little decision that \emph{anyone} made, if what True Name and Praiseworthy had to say was true.
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And it was not just her, after all, was it?
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@ -404,7 +406,7 @@ And so, A Finger Pointing accepted her up-tree's merge just as blithely.
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The effects were both subtle and dramatic.
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They were subtle because there was was no sudden incapacitation, no torturous existence that left her craving non-existence. They were subtle because they left her with a life so much like the one she had, but for the fact that her\pagebreak\ sensorium and sense of self had been severed, separated. \emph{That} was the drama.
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They were subtle because there was was no sudden incapacitation, no torturous existence that left her craving non-existence. They were subtle because they left her with a life so much like the one she had, but for the fact that her sensorium and sense of self had been severed, separated. \emph{That} was the drama.
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This was the dissociation. This was the derealization. This was the world around her ceasing to make sense, as though in a dream. As though in a dream because she \emph{did} live in a dream, did she not? She lived in the consensual dream that was the System, yes? It was hyper-dreaming, then, it was understanding a dream within a dream.
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@ -504,7 +506,7 @@ And at some point back in the late 2200s, Motes had begun exploring the concept
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For this was true of all of her up-trees, and for much of Au Lieu Du Rêve besides. Going years back, back even to the late 2100s, this reveling in play that Motes brought to the fifth stanza had built in A Finger Pointing a sense of her place in the order: her role was a maternal one. A reveling in care, in the type of friendship that flowered in a particular dynamic.
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She was their matron, in a way. She was their protector. She shielded them as best she could from the politics that so much of their cocladists were engaging in throughout the rest of the System. ``But that is my job,'' she reasoned aloud when she became\pagebreak\ more open about this protection. ``That is why we have an administrator for Au Lieu Du Rêve, yes? Someone has to deal with the politics of running a theatre, yes?''
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She was their matron, in a way. She was their protector. She shielded them as best she could from the politics that so much of their cocladists were engaging in throughout the rest of the System. ``But that is my job,'' she reasoned aloud when she became more open about this protection. ``That is why we have an administrator for Au Lieu Du Rêve, yes? Someone has to deal with the politics of running a theatre, yes?''
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But then, some time back around systime 182, back around the time the clocks ticked over to 2306, back around the time Michelle/Sasha had summoned them all to her field to merge centuries of memory and then quit—perished—Hammered Silver sent one of her longest letters yet. It was in some ways a screed. It was beyond simply admonition, note, or missive. It was an epistle, some general letter intended to be a point of instruction not just to her but to the world as a whole.
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