Ebook, idumea

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Madison Rye Progress
2024-06-14 11:45:38 -07:00
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@ -170,7 +170,7 @@ And so they fell in love, each in their own way. They fell in love and, for the
There were, of course, the social implications to consider, the taboo around intraclade relationships, the implications of narcissism and other, far more crass terms. Suggestions were made from on high, such as it were, from across the clade.
True Name suggested. She suggested that, as pleased as she was for them—and she \emph{was} pleased!—their relationship remain something for behind closed doors. Something where they kept their I-love-yous and kisses for a shared bed rather than out on the town or at however many gatherings they might wish to go to. Politics was, as ever, politics, and here are the political reasons laid bare. Jonas had, after all, set the plan before her after he had already spun it into being, and even she was beholden to it, much as it rankled for her, too. Much as it was nearly the death of her.
True Name suggested. She suggested that, as pleased as she was for them—and she \emph{was} pleased!—their relationship remain something for behind closed doors. Something where they kept their I-love-yous and kisses for a shared bed rather than out on the town or at however many gatherings they might wish to go to. Politics was, as ever, politics, and here are the political reasons laid bare. Jonas had, after all, set the plan before her after he had already spun it into being, and even she was beholden to it, much as it rankled for her, too. Much as it would decades later nearly the death of her.
Hers were the kind suggestions. The comprehensible suggestions. The ones based in logic and explained clearly: maintaining a sense of taboo in what was quickly becoming a queer-normative society added to the desire for change by providing something to reach for. Comprehensible, yes; the logic was sound, internally consistent. Wrong, of course, but if such was to be the way of things in this plan-twisted world, if such were the optics to which they were all held to account, then so be it. Such were the optics to which they were all held to account.
@ -418,9 +418,31 @@ It was curling in the corner in a fetal position because to do aught else was to
She wished dearly that she could do so now.
\secdiv
The first time Motes called A Finger Pointing `mom', there had been a conversation, full of various confusions and hurts, inquiries and boundaries, tears and tears and tears. Both came to an agreement that this was not comfortable. Not now. Not yet.
These optics they must consider, this awful taboo, they spoke of intraclade relationships in terms of incest, and now here was her Motes reifying this abstract concept of family by calling her `mom'! Such language had ever been used as a weapon against her and her Beholden, and it was not yet time to reclaim that.
It built up a false equivalence within all three of them. It allowed them to consider this taboo as applying to all relationships within a clade beyond simple community, simple friendship; all those big-R Relationships like those of A Finger Pointing and Beholden, and like those of Motes with the two of them were of equal dire import. This desire for such family to be constrained to a private setting must apply to all types of family dynamics, yes?
A year later—for what is a year to a cladist?—Motes did it again, and this time she asked first, and permission was granted to see how it felt. It was still quite uncomfortable, but perhaps there was joy to be found. Perhaps there were expectations and standards and trust that could be built up, refinements to be made. Not mother, no, but perhaps `ma' was alright. Not daughter, no, but what of \emph{dóttir?} What of `Ma' and `Dot'?
``Beholden and I are still smarting because we must sequester our affection for one another in private. That is why I have been hesitant to take on the caregiver role that you have sought from me,'' A Finger Pointing had said during that quiet night's conversation, skunklet curled beside her on the couch, getting pets. ``But I do care for you, do I not? I do feel like a sort of matron amidst the fifth stanza, do I not? Perhaps it is time I reconsidered my aversion to such language. Perhaps it is time I considered reclamation. After all, everything I have done has been so that you can live in peace. Are you living in peace, Motes? Are you at peace when you must restrain your feelings for me for reasons neither of us particularly care for?''
And so, as it had been with each of Motes's tentative explorations and gentle testing of mutable boundaries, this became a thing that was okay at home, okay in limited doses, okay for a trial period. It was worthy of exploration, for if there was the potential for joy—and everyone deserved such—then perhaps there was some way Motes could be granted such a thing.
This private setting, this iterative context, this ongoing play allowed for growth and change.
There was still soreness, of course. There was soreness that A Finger Pointing and her Beholden still had to deal with the optics, that it was still not permissible for this reason or that for them to kiss in public, for them to share their I-love-yous where others might witness that joy. There was still soreness that such soreness affected Motes.
And so it remained largely at home, at home with the three of them and at home in the neighborhood that was slowly building up around them. It remained a secret, but, like A Finger Pointing and Beholden's relationship, it remained an open one. The quiet of the secret allowed them live to their fullest, and the openness allowed them to share joy where they felt safe doing so.
\secdiv
``I am tired, Beholden.''
``I know, love,'' the skunk said, sitting beside her on the couch and dreaming up a glass of water for her.\pagebreak
``I know, love,'' the skunk said, sitting beside her on the couch and dreaming up a glass of water for her.
She could still comprehend, at least, and could still see Beholden there beside her, a look of tired concern painted on her face.
@ -466,7 +488,7 @@ And thus it was an expectation one might fall short of. It was a standard one mi
At some point in the past—there were so many admonitions against joy that she could choose from!—A Finger Pointing's friendship with Hammered Silver came to an end. The most visible of these was perhaps when Sasha joined Au Lieu Du Rêve as stage manager in systime 231, five years after she had become Sasha. That was when Hammered Silver had moved beyond cutting off Sasha herself and the entirety of the eighth stanza for their politicking, the first for their spying, and part of the ninth for their mere association, and had included the entirety of the fifth stanza.
For the rest of the fifth stanza also bore this expectation, this standard, this trust that there was within all people something\pagebreak\ worth friendship, some kernel of joy, and none of them shunned Sasha, either.
For the rest of the fifth stanza also bore this expectation, this standard, this trust that there was within all people something worth friendship, some kernel of joy, and none of them shunned Sasha, either.
Cutting contact is one hell of a way to end a friendship, yes?
@ -482,24 +504,6 @@ For this was true of all of her up-trees, and for much of Au Lieu Du Rêve besid
She was their matron, in a way. She was their protector. She shielded them as best she could from the politics that so much of their cocladists were engaging in throughout the rest of the System. ``But that is my job,'' she reasoned aloud when she became\pagebreak\ more open about this protection. ``That is why we have an administrator for Au Lieu Du Rêve, yes? Someone has to deal with the politics of running a theatre, yes?''
The first time Motes called A Finger Pointing `mom', there had been a conversation, full of various confusions and hurts, inquiries and boundaries, tears and tears and tears. Both came to an agreement that this was not comfortable. Not now. Not yet.
These optics they must consider, this awful taboo, they spoke of intraclade relationships in terms of incest, and now here was her Motes reifying this abstract concept of family by calling her `mom'! Such language had ever been used as a weapon against her and her Beholden, and it was not yet time to reclaim that.
It built up a false equivalence within all three of them. It allowed them to consider this taboo as applying to all relationships within a clade beyond simple community, simple friendship; all those big-R Relationships like those of A Finger Pointing and Beholden, and like those of Motes with the two of them were of equal dire import. This desire for such family to be constrained to a private setting must apply to all types of family dynamics, yes?
A year later—for what is a year to a cladist?—Motes did it again, and this time she asked first, and permission was granted to see how it felt. It was still quite uncomfortable, but perhaps there was joy to be found. Perhaps there were expectations and standards and trust that could be built up, refinements to be made. Not mother, no, but perhaps `ma' was alright. Not daughter, no, but what of \emph{dóttir?} What of `Ma' and `Dot'?
``Beholden and I are still smarting because we must sequester our affection for one another in private. That is why I have been hesitant to take on the caregiver role that you have sought from me,'' A Finger Pointing had said during that quiet night's conversation, skunklet curled beside her on the couch, getting pets. ``But I do care for you, do I not? I do feel like a sort of matron amidst the fifth stanza, do I not? Perhaps it is time I reconsidered my aversion to such language. Perhaps it is time I considered reclamation. After all, everything I have done has been so that you can live in peace. Are you living in peace, Motes? Are you at peace when you must restrain your feelings for me for reasons neither of us particularly care for?''
And so, as it had been with each of Motes's tentative explorations and gentle testing of mutable boundaries, this became a thing that was okay at home, okay in limited doses, okay for a trial period. It was worthy of exploration, for if there was the potential for joy—and everyone deserved such—then perhaps there was some way Motes could be granted such a thing.
This private setting, this iterative context, this ongoing play allowed for growth and change.
There was still soreness, of course. There was soreness that A Finger Pointing and her Beholden still had to deal with the optics, that it was still not permissible for this reason or that for them to kiss in public, for them to share their I-love-yous where others might witness that joy. There was still soreness that such soreness affected Motes.
And so it remained largely at home, at home with the three of them and at home in the neighborhood that was slowly building up around them. It remained a secret, but, like A Finger Pointing and Beholden's relationship, it remained an open one. The quiet of the secret allowed them live to their fullest, and the openness allowed them to share joy where they felt safe doing so.
But then, some time back around systime 182, back around the time the clocks ticked over to 2306, back around the time Michelle/Sasha had summoned them all to her field to merge centuries of memory and then quit—perished—Hammered Silver sent one of her longest letters yet. It was in some ways a screed. It was beyond simply admonition, note, or missive. It was an epistle, some general letter intended to be a point of instruction not just to her but to the world as a whole.
The screed—well worth embodying as a physical letter if only to be torn up, ripped to shreds, burnt to ash, soaked with tears to douse the fire, ground into a paint, and used to spell out anger and despair—laid out in nigh-unintelligible detail all of the ways in which she and hers had fallen short.