Idumea
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@ -221,16 +221,6 @@ The writer, as ever, is a character in their own works, no matter the role they
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\noindent Cf. Echo:
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\begin{verse}
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My wileling is not the sort of woman you spend a diamond on —\\
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And I don't just mean to allude to her anti-capitalist streak —\\
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No, she is the sort you paint in gold and scarlet,\\
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The only colors befitting a minx such as she,\\
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A cat-eyed woman, the sort who speaks in tongues;\\
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That which men with pitchforks called the Devil's tongue\\
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As she burned at the stake.
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Blood and electrum for my wileling;\\
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Only the best for her.\\
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She is to me a cherished thing,\\
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A queen to a throne, with the wit to reign regent.\\
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So, to say that she is mine is indeed a crime.\\
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@ -284,7 +274,7 @@ And I am raw, far too raw, to tell it.
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\paragraph{Page \pageref{motes}}
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I have written extensively on these hyper-black shapes that The Child paints and more about her besides in \emph{Motes Played}. A little book for little skunks, yes? For she deserves her story told—and just so! Just like this! A tale written in a style befitting her—as much as does The Woman.
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\pagebreak
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%\pagebreak
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\paragraph{Page \pageref{keatsheight}}
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\emph{Miss Michelle Hadje, five foot four.}
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@ -321,13 +311,14 @@ The distinction between a thing that is \emph{loved} and a thing that is \emph{b
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One must never ask an author their desires on where their work ought lie on the loved-beloved scale.
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\vspace{-0.5em}
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\paragraph{Page \pageref{shakespeare}}
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[\ldots] \emph{all the world's a horror.}
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\vspace{1em}
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\vspace{0.2em}
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\noindent Cf. Shakespeare
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\vspace{-0.5em}
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\begin{verse}
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All the world's a stage,\\
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And all the men and women merely players;\\
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@ -368,7 +359,7 @@ And it is not without beauty, yes? For this passage is beautiful, and so too is
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\end{quote}
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\noindent Such bitterness! Words as a weapon! I write below of how we loathe our connections, and here was a moment of that loathing, for I remember well the pain that we all felt at that cruelty, but this is not that story, and so I will linger on the ideas of glasses darkly.
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\pagebreak
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%\pagebreak
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\paragraph{Page \pageref{winthrop}}
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\emph{The Sightwright suffered as I do, as The Oneirotect does, and perhaps even as The Woman did.}
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@ -482,7 +473,7 @@ and fell visions sidling up too close\\
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both woo me. Sweet caramel and soft cream\\
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sit cloying on their tongues, and I, Atropos\\
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to such dreams as these, find shears on golden thread.
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\pagebreak
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%\pagebreak
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I would not cut, nor even could, had I but wished\\
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to sever this golden thread — and every thread\\
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@ -495,6 +486,7 @@ such love as this cease. I yearn to say that she returned\\
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to me, became a part of me, but a tally notched\\
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among the lost was all that stayed when life was spurned\\
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by the call of death — supposedly ended.
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\pagebreak
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So, she is gone and now our lives are darker for it,\\
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and now this world is where the shadows lie,\\
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@ -515,7 +507,7 @@ Because I could not stop for Death —\\
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He kindly stopped for me —\\
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The Carriage held but just Ourselves —\\
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And Immortality.
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\pagebreak
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%\pagebreak
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We slowly drove — He knew no haste\\
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And I had put away\\
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@ -531,6 +523,7 @@ Or rather — He passed Us —\\
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The Dews drew quivering and Chill —\\
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For only Gossamer, my Gown —\\
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My Tippet — only Tulle —
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\pagebreak
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We paused before a House that seemed\\
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A Swelling of the Ground —\\
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@ -695,6 +688,7 @@ And I set my heart to know wisdom and to know revelry and folly, for this, too,
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\begin{quote}
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What gain is there for man in all his toil that he toils under the sun?
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\end{quote}
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\pagebreak
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\noindent From Qohelet 3:20:
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@ -714,7 +708,7 @@ wystarczy pozwolić człowiekowi\\
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wytruć swój rodzaj\\
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a nastąpią niewinne wschody słońca\\
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nad florą i fauną wyzwoloną
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\pagebreak
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%\pagebreak
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na pofabrycznych pustkowiach\\
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wyrosną dębowe lasy\\
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@ -743,7 +737,7 @@ upon a rabbit
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Evil will disappear from the world\\
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once consciousness does
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\end{verse}
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\pagebreak
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%\pagebreak
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\paragraph{Page \pageref{rilke-doyousee}}
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\emph{Do you see now the connection?}
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@ -891,6 +885,7 @@ zahlenlos aufgeht.
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\secdiv
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\vspace{-1em}
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And suddenly in this toilsome nowhere, suddenly\\
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the unutterable place where the merely too little\\
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inscrutably mutates—, swings round\\
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