\documentclass[11pt]{memoir}

\def\watermarkloaded{0}

\input{includes/variables}
\input{includes/draft}
\input{includes/frame}
\input{includes/packages}
\input{includes/pagelayout}
\input{includes/geometry}
\input{includes/toc}
\input{includes/font}
\input{includes/title}
\input{includes/secdiv}
\input{includes/hyphenation}

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\begin{document}
  \frontmatter

  \thispagestyle{empty}
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  \begin{flushright}
    \DisplayFont Kaddish
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  \begin{center}\DisplayFont
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    {\Huge Kaddish}
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    {\HebFont\Huge ✡}
    \vspace{1ex}

    {\Large A Post-Self story}
    \vspace{2em}

    \vfill

    {\Large Madison Rye Progress}
  \end{center}
  \thispagestyle{empty}

  \newpage

  \input{includes/copyright}

  \newpage
  \null
  \cleardoublepage

  \onehalfspacing
  %\doublespacing

  \null
  \vfill
  \noindent\textbf{Note:} this book takes place in the Post-Self setting and touches on the plot of \emph{Marsh}. It is still a standalone novel, but might benefit from having read that work first, as well as other Post-Self stories. They are available as paperbacks, ebooks, and free to read in the browser, and you may find them and much more at \emph{post-self.ink}.
  
  \vspace{1cm}
  
  \noindent\textbf{Content notes:} TBD.
  \vspace{1cm}

  \cleardoublepage
  \thispagestyle{empty}
  \mainmatter
  \onehalfspacing

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  \null
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  \begin{quote}
Every reading of every poem, regardless of language, is an act of translation: translation into the reader’s intellectual and emotional life. As no individual reader remains the same, each reading becomes a different — not merely another — reading. The same poem cannot be read twice.

The poem continues in a state of restless change.

— Eliot Weinberger
\end{quote}

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  \markboth{Kaddish}{Madison Rye Progress}
  
  \chapter*{Prologue}
  \input{content/prologue}

  \Char{What Right Have I — 2403}
  \input{content/001}
  \input{content/002}
  \input{content/003}
  \input{content/004}
  \input{content/005}
  
  \backmatter
  \pagestyle{plain}

  %\singlespacing

\end{document}
