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\begin{document}
  \frontmatter

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    \DisplayFont Idumea
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    {\Huge Idumea}
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    {\Huge ×}
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    {\Large A Post-Self story}
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    \vfill

    {\Large Madison Rye Progress}

    with contributions from

    {\Large Samantha Yule Fireheart

    Krzysztof “Tomash” Drewniak}
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  \noindent\textbf{Note:} this book touches on the plots of The Post-Self Cycle, as well as that of \emph{Marsh}. It is still a standalone novel, but might benefit from having read those works first. They may all be found \emph{post-self.ink} as paperbacks, ebooks, and free to read in the browser.
  
  \vspace{1cm}
  
  \noindent\textbf{Content notes:} brief description of sex, themes of self harm, suicide, and poor mental health.
  \vspace{1cm}
  
  \noindent The section with Warmth In Fire on page \pageref{warmth} is a collaboration with Samantha Yule Fireheart.
  \vspace{1em}

  \noindent The section with The Dog and The Rabbit Chaser on page \pageref{thedog1} is a collaboration with Krzysztof ``Tomash'' Drewniak.

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  {\Large \DisplayFont \underline{Dramatis Personae}}

  \vspace{0.7em}
  
  {\DisplayFont\underline{The Ode clade}}

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  {\DisplayFont\small Your Humble Narrator}

  Dear The Wheat And Rye Under The Stars

  \vspace{0.7em}

  {\DisplayFont\small The Woman}

  To Pray For The End Of Endings

  \vspace{0.7em}

  {\DisplayFont\small Her Friend}
  
  I Must Show No Hesitation When Speaking My Name

  \vspace{0.7em}

  {\DisplayFont\small Her Therapist}

  Where I May Ever Dream

  \vspace{0.7em}

  {\DisplayFont\small Her Cocladist}

  Should We Rejoice In The End Of Endings

  \vspace{0.7em}

  {\DisplayFont\small The Oneirotect}

  Which Offers Heat And Warmth In Fire

  \vspace{0.7em}

  {\DisplayFont\small The Instance Artist}

  Dear, Also, The Tree That Was Felled

  \vspace{0.7em}

  {\DisplayFont\small The Poet}

  Where It Watches the Slow Hours Progress

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  {\DisplayFont\small The Musician}

  Beholden To The Heat Of The Lamps

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  {\DisplayFont\small The Child}

  And We Are The Motes In The Stage-Lights

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  {\DisplayFont\small The Narrator's Friend}

  Time Is A Finger Pointing At Itself
  
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  {\DisplayFont\small The Blue Fairy}

  I Remember The Rattle Of Dry Grass

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  \phantom{\Large \DisplayFont \underline{Dramatis Personae}}

  \vspace{0.7em}

  {\DisplayFont\underline{Others}}

  \vspace{0.7em}

  {\DisplayFont\small Her Lover}

  Farai

  \vspace{0.7em}

  {\DisplayFont\small The Dog}

  Scout Among Weird Skunks With Good Kettlecorn

  \vspace{0.7em}

  {\DisplayFont\small His Elder}

  Tomash

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  {\DisplayFont\small The Rabbit-Chaser}

  \fbox{\rule{1in}{0pt}\rule[0.2ex]{0pt}{1.1ex}} (called ``Scout Chasing Rabbits'')

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  And, of course, you, my dear, \emph{dear} reader.
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  \mainmatter
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  \begin{quote}
People of Orphalese, beauty is life when life unveils her holy face.
But you are life and you are the veil. Beauty is eternity gazing at itself in a mirror.
But you are eternity and you are the mirror.

— Kahlil Gibran\label{prophet}
\end{quote}

%  And am I born to die?\\
%  To lay this body down!\\
%  And must my trembling spirit fly\\
%  into a world unknown?\\
%  A land of deepest shade;\\
%  Unpierced by human thought.\\
%  The dreary regions of the dead,\\
%  Where all things are forgot.
%
%  Soon as from earth I go,\\
%  What will become of me?
%  \end{verse}
%
%  — Charles Wesley

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  \Char{End Of Endings — 2403\par ×\par Rye — 2409}
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