\documentclass[11pt]{memoir} \def\watermarkloaded{0} \input{includes/variables} \input{includes/draft} \input{includes/frame} \input{includes/packages} \input{includes/pagelayout} \input{includes/geometry} \input{includes/toc} \input{includes/font} \input{includes/title} \input{includes/secdiv} \input{includes/hyphenation} \renewcommand{\arraystretch}{1.3} \begin{document} \frontmatter \thispagestyle{empty} \null \vfill \begin{flushright} \DisplayFont Marsh \end{flushright} \vfill \cleardoublepage \pagestyle{empty} \doublespacing \begin{flushright} \null \vfill {\Huge\DisplayFont Marsh} {\Large\DisplayFont and Stories From After} \vspace{2ex} {\DisplayFont A Post-Self anthology} \vfill {\large\DisplayFont Edited by} {\Large\DisplayFont Madison Rye Progress} %With contributions from Samantha Yule Fireheart, Andréa C Mason, Caela Argent, J.S. Hawthorne, Krzysztof ``Tomash'' Drewniak \end{flushright} \newpage \input{includes/copyright} \thispagestyle{empty} \tableofcontents* \null \thispagestyle{empty} %\onehalfspacing %\doublespacing % \input{content/preface} \mainmatter \null \thispagestyle{empty} \pagestyle{ourbook} \vfill \part*{Marsh} \cftaddtitleline{toc}{part}{\hspace{0.5\textwidth-2em}\TitleFont\huge Marsh}{} \addcontentsline{toc}{chapter}{Marsh — A Novel} \cftaddtitleline{toc}{section}{\itshape Madison Rye Progress}{} \cftaddtitleline{toc}{section}{\itshape with contributions from Samantha Yule Fireheart}{} \begin{center} \TitleFont\huge{Madison Rye Progress} \end{center} \vfill \cleardoublepage \null \thispagestyle{empty} \vfill \begin{comment} \begin{flushright} \begin{tabular}{m{3cm} m{7cm}} \CK 少年不識愁滋味 & In youth I'd never tasted much of sorrow \\ \CK 愛上層樓。 & I liked to climb up high \\ \CK 愛上層樓。 & I liked to climb up high \\ \CK 為賦新詞強說愁。& To conjure up a bit of sorrow to \\ & \vin sing a brand new song. \\ \vspace{1em} \\ \CK 而今識盡愁滋味 & Now I know too well the taste of sorrow. \\ \CK 欲說還休。 & I start to sing then pause \\ \CK 欲說還休。 & I start to sing then pause \\ \CK 卻道天涼好個秋。& And sigh instead, “What a cool \\ & \vin and lovely autumn day.” \end{tabular}% \vspace{2em} --- Xin Qiji (1140--1207), after Eileen Cheng-Yin Chao % https://www.instagram.com/p/BPbY4f-jFRK/ \end{flushright} \end{comment} \begin{quote} \emph{Fourmillante cité, cité pleine de rêves,\\ Où le spectre en plein jour raccroche le passant.} Unreal city, city full of dreams,\\ Where ghosts in broad daylight cling to passsers-by. \end{quote} — Charles Baudelaire, via T.S. Eliot \vfill \null \cleardoublepage \chapter*{Reed — 2399} \markboth{Marsh}{Madison Rye Progress} \input{content/001} \input{content/002} \input{content/003} \input{content/004} \interlude{Feeds}{Various Authors} \markboth{Feeds}{Various Authors} \chapter*{Lagrange Central Feed — 2401} \input{content/005} % Feeds \newpage \null \thispagestyle{empty} \cleardoublepage \chapter*{Reed — 2401} \markboth{Marsh}{Madison Rye Progress} \input{content/006} \input{content/007} \input{content/008} \input{content/010} \input{content/011} \interlude{Nasturtiums}{Madison Rye Progress} \markboth{Nasturtiums}{Madison Rye Progress} \chapter*{Beholden — 2401} \input{content/nasturtiums} \newpage \null \thispagestyle{empty} \cleardoublepage \chapter*{Reed — 2401} \markboth{Marsh}{Madison Rye Progress} \input{content/012} \input{content/013} \input{content/014} \input{content/015} \input{content/016} \interlude{Columbines}{Samantha Yule Fireheart} \markboth{Columbines}{Samantha Yule Fireherat} \chapter*{A Finger Pointing — 2401} \input{content/columbines} \newpage \null \thispagestyle{empty} \cleardoublepage \chapter*{Reed — 2401} \markboth{Marsh}{Madison Rye Progress} \input{content/017} \cleartoverso \chapter*{Epilogue} \input{content/018} \cleartoverso \addtocontents{toc}{\protect\newpage} \cftaddtitleline{toc}{part}{\hspace{0.5\textwidth-6em}\TitleFont\huge Stories From After}{} \thispagestyle{empty} \story{Game Night}{Michael Miele} \markboth{Game Night}{Michael Miele} \chapter*{Joanna — 2401} \input{stories/game-night} \cleartoverso \thispagestyle{empty} \story{Home From the Game}{Caela Argent} \markboth{Home From the Game}{Caela Argent} \chapter*{Sadie Amara — 2401} \input{stories/home-from-the-game} \cleartoverso \thispagestyle{empty} \story{The Party at the End of the World}{Krzysztof “Tomash” Drewniak} \markboth{The Party at the End of the World}{Krzysztof “Tomash” Drewniak} \chapter*{Scout at The Party V — 2401} \input{stories/party} \cleartoverso \thispagestyle{empty} \story{A Well-Trained Eye}{Andréa C Mason} \markboth{A Well-Trained Eye}{Andréa C Mason} \chapter*{Lucia Marchetti — 2401} \input{stories/a-well-trained-eye} \cleartoverso \thispagestyle{empty} \story{Toward Eternity}{Thomas “Faux” Steele} \markboth{Toward Eternity}{Thomas “Faux” Steele} \chapter*{Aurélien Delacroix — 2401} \input{stories/toward-eternity} \cleartoverso \thispagestyle{empty} \story{Prophecies}{Madison Rye Progress, with Samantha Yule Fireheart} \markboth{Prophecies}{Madison Rye Progress / Samantha Yule Fireheart} \chapter*{Slow Hours — 2401} \input{stories/prophecies} \cleartoverso \thispagestyle{empty} \story{Journal of Diago Pereira}{Nat Mcardle-Mott-Merrifield and Sarah Bloden} \markboth{Journal of Diago Pereira}{Nat Mcardle-Mott-Merrifield / Sarah Bloden} \chapter*{Henrique Pereira — 2400–2401} \input{stories/journal} % \cleartoverso % \thispagestyle{empty} % \story{New Year's Eve}{Various} % \markboth{New Year's Eve}{Various} % \chapter*{Various Cladists — 2401} % \input{stories/nye} \cleartoverso \thispagestyle{empty} \story{Millwright}{Andréa C Mason} \markboth{Millwright}{Andréa C Mason} \chapter*{Andréa C Mason\#Millwright — 2403} \input{stories/millwright} \cleartoverso \thispagestyle{empty} \story{Sentences}{Krzysztof “Tomash” Drewniak} \markboth{Sentences}{Krzysztof “Tomash” Drewniak} \chapter*{In All Ways — 2405–2406} \input{stories/sentences} \backmatter \story{Afterword}{} \input{content/afterword} \end{document}