272 lines
6.6 KiB
TeX
272 lines
6.6 KiB
TeX
\documentclass[11pt]{memoir}
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\def\watermarkloaded{0}
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\input{includes/variables}
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\input{includes/draft}
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\input{includes/frame}
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\input{includes/packages}
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\input{includes/pagelayout}
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\input{includes/geometry}
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\input{includes/toc}
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\input{includes/font}
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\input{includes/title}
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\input{includes/secdiv}
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\input{includes/hyphenation}
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\renewcommand{\arraystretch}{1.3}
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\begin{document}
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\frontmatter
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\thispagestyle{empty}
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\null
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\vfill
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\begin{flushright}
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\DisplayFont Marsh
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\end{flushright}
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\vfill
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\cleardoublepage
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\pagestyle{empty}
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\doublespacing
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\begin{flushright}
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\null
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\vfill
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{\Huge\DisplayFont Marsh}
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{\Large\DisplayFont and Stories From After}
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\vspace{2ex}
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{\DisplayFont A Post-Self anthology}
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\vfill
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{\large\DisplayFont Edited by}
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{\Large\DisplayFont Madison Rye Progress}
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%With contributions from Samantha Yule Fireheart, Andréa C. Mason, Caela Argent, J.S. Hawthorne, Krzysztof ``Tomash'' Drewniak
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\end{flushright}
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\newpage
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\input{includes/copyright}
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\thispagestyle{empty}
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\tableofcontents*
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\null
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\thispagestyle{empty}
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%\onehalfspacing
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%\doublespacing
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% \input{content/preface}
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\mainmatter
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\null
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\thispagestyle{empty}
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\pagestyle{ourbook}
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\vfill
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\part*{Marsh}
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\cftaddtitleline{toc}{part}{\hspace{0.5\textwidth-2em}\TitleFont\huge Marsh}{}
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\addcontentsline{toc}{chapter}{Marsh — A Novel}
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\cftaddtitleline{toc}{section}{\itshape Madison Rye Progress}{}
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\cftaddtitleline{toc}{section}{\itshape with contributions from Samantha Yule Fireheart}{}
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\begin{center}
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\TitleFont\huge{Madison Rye Progress}
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\end{center}
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\vfill
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\cleardoublepage
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\null
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\thispagestyle{empty}
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\vfill
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\begin{comment}
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\begin{flushright}
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\begin{tabular}{m{3cm} m{7cm}}
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\CK 少年不識愁滋味 & In youth I'd never tasted much of sorrow \\
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\CK 愛上層樓。 & I liked to climb up high \\
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\CK 愛上層樓。 & I liked to climb up high \\
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\CK 為賦新詞強說愁。& To conjure up a bit of sorrow to \\
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& \vin sing a brand new song. \\
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\vspace{1em} \\
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\CK 而今識盡愁滋味 & Now I know too well the taste of sorrow. \\
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\CK 欲說還休。 & I start to sing then pause \\
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\CK 欲說還休。 & I start to sing then pause \\
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\CK 卻道天涼好個秋。& And sigh instead, “What a cool \\
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& \vin and lovely autumn day.”
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\end{tabular}%
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\vspace{2em}
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--- Xin Qiji (1140--1207), after Eileen Cheng-Yin Chao
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% https://www.instagram.com/p/BPbY4f-jFRK/
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\end{flushright}
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\end{comment}
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\begin{quote}
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\emph{Fourmillante cité, cité pleine de rêves,\\
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Où le spectre en plein jour raccroche le passant.}
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Unreal city, city full of dreams,\\
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Where ghosts in broad daylight cling to passsers-by.
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\end{quote}
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— Charles Baudelaire, via T.S. Eliot
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\vfill
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\null
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\cleardoublepage
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\chapter*{Reed — 2399}
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\markboth{Marsh}{Madison Rye Progress}
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\input{content/001}
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\input{content/002}
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\input{content/003}
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\input{content/004}
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\interlude{Feeds}{Various Authors}
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\markboth{Feeds}{Various Authors}
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\chapter*{Lagrange Central Feed — 2401}
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\input{content/005} % Feeds
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\newpage
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\null
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\thispagestyle{empty}
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\cleardoublepage
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\chapter*{Reed — 2401}
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\markboth{Marsh}{Madison Rye Progress}
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\input{content/006}
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\input{content/007}
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\input{content/008}
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\input{content/010}
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\input{content/011}
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\interlude{Nasturtiums}{Madison Rye Progress}
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\markboth{Nasturtiums}{Madison Rye Progress}
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\chapter*{Beholden — 2401}
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\input{content/nasturtiums}
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\newpage
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\null
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\thispagestyle{empty}
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\cleardoublepage
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\chapter*{Reed — 2401}
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\markboth{Marsh}{Madison Rye Progress}
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\input{content/012}
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\input{content/013}
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\input{content/014}
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\input{content/015}
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\input{content/016}
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\interlude{Columbines}{Samantha Yule Fireheart}
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\markboth{Columbines}{Samantha Yule Fireherat}
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\chapter*{A Finger Pointing — 2401}
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\input{content/columbines}
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\newpage
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\null
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\thispagestyle{empty}
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\cleardoublepage
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\chapter*{Reed — 2401}
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\markboth{Marsh}{Madison Rye Progress}
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\input{content/017}
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\cleartoverso
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\chapter*{Epilogue}
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\input{content/018}
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\cleartoverso
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\addtocontents{toc}{\protect\newpage}
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\cftaddtitleline{toc}{part}{\hspace{0.5\textwidth-6em}\TitleFont\huge Stories From After}{}
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\thispagestyle{empty}
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\story{Game Night}{Michael Miele}
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\markboth{Game Night}{Michael Miele}
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\chapter*{Joanna — 2401}
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\input{stories/game-night}
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\cleartoverso
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\thispagestyle{empty}
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\story{Home From the Game}{Caela Argent}
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\markboth{Home From the Game}{Caela Argent}
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\chapter*{Sadie Amara — 2401}
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\input{stories/home-from-the-game}
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\cleartoverso
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\thispagestyle{empty}
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\story{The Party at the End of the World}{Krzysztof “Tomash” Drewniak}
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\markboth{The Party at the End of the World}{Krzysztof “Tomash” Drewniak}
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\chapter*{Scout at The Party V — 2401}
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\input{stories/party}
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\cleartoverso
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\thispagestyle{empty}
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\story{A Well-Trained Eye}{Andréa C. Mason}
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\markboth{A Well-Trained Eye}{Andréa C. Mason}
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\chapter*{Lucia Marchetti — 2401}
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\input{stories/a-well-trained-eye}
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\cleartoverso
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\thispagestyle{empty}
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\story{Toward Eternity}{Thomas “Faux” Steele}
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\markboth{Toward Eternity}{Thomas “Faux” Steele}
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\chapter*{Aurélien Delacroix — 2401}
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\input{stories/toward-eternity}
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\cleartoverso
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\thispagestyle{empty}
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\story{Prophecies}{Madison Rye Progress, with Samantha Yule Fireheart}
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\markboth{Prophecies}{Madison Rye Progress / Samantha Yule Fireheart}
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\chapter*{Slow Hours — 2401}
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\input{stories/prophecies}
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\cleartoverso
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\thispagestyle{empty}
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\story{Journal of Diago Pereira}{Nat Mcardle-Mott-Merrifield and Sarah Bloden}
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%\markboth{Journal of Diago Pereira}{Nat Mcardle-Mott-Merrifield and Sarah Bloden}
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\chapter*{Henrique Pereira — 2400–2401}
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\input{stories/journal}
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% \cleartoverso
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% \thispagestyle{empty}
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% \story{New Year's Eve}{Various}
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% \markboth{New Year's Eve}{Various}
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% \chapter*{Various Cladists — 2401}
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% \input{stories/nye}
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\cleartoverso
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\thispagestyle{empty}
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\story{Millwright}{Andréa C. Mason}
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\markboth{Millwright}{Andréa C. Mason}
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\chapter*{Andréa C. Mason\#Millwright — 2403}
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\input{stories/millwright}
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\cleartoverso
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\thispagestyle{empty}
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\story{Sentences}{Krzysztof “Tomash” Drewniak}
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\markboth{Sentences}{Krzysztof “Tomash” Drewniak}
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\chapter*{In All Ways — 2405–2406}
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\input{stories/sentences}
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\backmatter
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\story{Afterword}{}
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\input{content/afterword}
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\end{document}
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