222 lines
		
	
	
		
			5.2 KiB
		
	
	
	
		
			TeX
		
	
	
	
	
	
			
		
		
	
	
			222 lines
		
	
	
		
			5.2 KiB
		
	
	
	
		
			TeX
		
	
	
	
	
	
| \documentclass[11pt]{memoir}
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| 
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| \def\watermarkloaded{0}
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| 
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| \input{includes/variables}
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| \input{includes/draft}
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| \input{includes/frame}
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| \input{includes/packages}
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| \input{includes/pagelayout}
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| \input{includes/geometry}
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| \input{includes/toc}
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| \input{includes/font}
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| \input{includes/title}
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| \input{includes/secdiv}
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| \input{includes/hyphenation}
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| 
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| \renewcommand{\arraystretch}{1.3}
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| 
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| \begin{document}
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|   \frontmatter
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| 
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|   \thispagestyle{empty}
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|   \null
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|   \vfill
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|   \begin{flushright}
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|     \DisplayFont Marsh
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|   \end{flushright}
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|   \vfill
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|   \cleardoublepage
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| 
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|   \pagestyle{empty}
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| 
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|   \doublespacing
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| 
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|   \begin{flushright}
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|     \null
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|     \vfill
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|     {\Huge\DisplayFont Marsh}
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| 
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|     \vspace{1ex}
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| 
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|     {\DisplayFont A Post-Self story}
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| 
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|     \vfill
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| 
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|     {\Large\DisplayFont Madison Rye Progress}
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| 
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|     With contributions from Samantha Yule Fireheart, Andréa C. Mason, Caela Argent, J.S. Hawthorne, Krzysztof ``Tomash'' Drewniak
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|   \end{flushright}
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|   \thispagestyle{empty}
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| 
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|   \newpage
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| 
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|   \input{includes/copyright}
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| 
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|   \tableofcontents*
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|   \newpage
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|   \null
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|   \cleardoublepage
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| 
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|   %\onehalfspacing
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|   %\doublespacing
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| 
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|   % \input{content/preface}
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| 
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|   \mainmatter
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| 
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|   \pagestyle{ourbook}
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| 
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|   \cleardoublepage
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|   \null
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|   \thispagestyle{empty}
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| 
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|   \vfill
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| 
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|   \begin{flushright}
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| 
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|   \begin{tabular}{m{3cm} m{7cm}}
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|   \CK 少年不識愁滋味  & In youth I'd never tasted much of sorrow \\
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|   \CK 愛上層樓。      & I liked to climb up high         \\
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|   \CK 愛上層樓。      & I liked to climb up high         \\
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|   \CK 為賦新詞強說愁。& To conjure up a bit of sorrow to \\
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|                       & \vin sing a brand new song.      \\
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|                         \vspace{1em}                     \\
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|   \CK 而今識盡愁滋味  & Now I know too well the taste of sorrow. \\
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|   \CK 欲說還休。      & I start to sing then pause       \\
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|   \CK 欲說還休。      & I start to sing then pause       \\
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|   \CK 卻道天涼好個秋。& And sigh instead, “What a cool   \\
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|                       & \vin and lovely autumn day.”
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|   \end{tabular}%
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| 
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|   \vspace{2em}
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| 
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|   --- Xin Qiji (1140--1207), after Eileen Cheng-Yin Chao
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|   % https://www.instagram.com/p/BPbY4f-jFRK/
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| 
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|   \end{flushright}
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| 
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|   \vfill
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| 
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| 
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| \null
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|   \cleardoublepage
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|   \addcontentsline{toc}{part}{Marsh}
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|   
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|   \chapter*{Reed — 2399}
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|   \markboth{Marsh}{Madison Rye Progress}
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| 
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|   \input{content/001}
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|   \input{content/002}
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|   \input{content/003}
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|   \input{content/004}
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| 
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|   \interlude{Feeds}{Various Authors}
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|   \markboth{Feeds}{Various Authors}
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|   \chapter*{Lagrange Central Feed — 2401}
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|   \input{content/005} % Feeds
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|   
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|   \newpage
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|   \null
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|   \thispagestyle{empty}
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|   \cleardoublepage
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|   \chapter*{Reed — 2401}
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|   \markboth{Marsh}{Madison Rye Progress}
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|   \input{content/006}
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|   \input{content/007}
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|   \input{content/008}
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|   \input{content/010}
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|   \input{content/011}
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| 
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|   \interlude{Nasturtiums}{Madison Rye Progress}
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|   \markboth{Nasturtiums}{Madison Rye Progress}
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|   \chapter*{Beholden — 2401}
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|   \input{content/nasturtiums}
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| 
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|   \newpage
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|   \null
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|   \thispagestyle{empty}
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|   \cleardoublepage
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|   \chapter*{Reed — 2401}
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|   \markboth{Marsh}{Madison Rye Progress}
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|   \input{content/012}
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|   \input{content/013}
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|   \input{content/014}
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|   \input{content/015}
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|   \input{content/016}
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| 
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|   \interlude{Columbines}{Fireheart}
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|   \markboth{Columbines}{Fireherat}
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|   \chapter*{A Finger Pointing — 2401}
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|   \input{content/columbines}
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| 
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|   \newpage
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|   \null
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|   \thispagestyle{empty}
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|   \cleardoublepage
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|   \chapter*{Reed — 2401}
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|   \markboth{Marsh}{Madison Rye Progress}
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|   \input{content/017}
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| 
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|   \cleartoverso
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|   \chapter*{Epilogue}
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|   \input{content/018}
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| 
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|   \cleartoverso
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|   \addcontentsline{toc}{part}{Stories}
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|   \thispagestyle{empty}
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|   \story{Toward Eternity}{Thomas “Faux” Steele}
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|   \markboth{Toward Eternity}{Thomas “Faux” Steele}
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|   \chapter*{Aurélien Delacroix — 2401}
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|   \input{stories/toward-eternity}
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| 
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|   \cleartoverso
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|   \thispagestyle{empty}
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|   \story{A Well-Trained Eye}{Andréa C. Mason}
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|   \markboth{A Well-Trained Eye}{Andréa C. Mason}
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|   \chapter*{Lucia Marchetti — 2401}
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|   \input{stories/a-well-trained-eye}
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| 
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|   \cleartoverso
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|   \thispagestyle{empty}
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|   \story{Home From the Game}{Caela Argent}
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|   \markboth{Home From the Game}{Caela Argent}
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|   \chapter*{Sadie Amara — 2401}
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|   \input{stories/home-from-the-game}
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| 
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|   \cleartoverso
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|   \thispagestyle{empty}
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|   \story{Prophecies}{Madison Rye Progress, with Fireheart}
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|   \markboth{Prophecies}{Madison Rye Progress / Fireheart}
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|   \chapter*{Slow Hours — 2401}
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|   \input{stories/prophecies}
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| 
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|   \cleartoverso
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|   \thispagestyle{empty}
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|   \story{Journal of Diago Pereira}{Nat Mcardle-Mott-Merrifield and Sarah Bloden}
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|   \markboth{Journal of Diago Pereira}{Nat Mcardle-Mott-Merrifield and Sarah Bloden}
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|   \chapter*{Henrique Pereira — 2401}
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|   \input{stories/journal}
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| 
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|   \cleartoverso
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|   \thispagestyle{empty}
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|   \story{New Year's Eve}{Various}
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|   \markboth{New Year's Eve}{Various}
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|   \chapter*{Various Cladists — 2401}
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|   \input{stories/nye}
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| 
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|   \cleartoverso
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|   \thispagestyle{empty}
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|   \story{Millwright}{Andréa C. Mason}
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|   \markboth{Millwright}{Andréa C. Mason}
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|   \chapter*{Andréa C. Mason\#Millwright — 2403}
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|   \input{stories/millwright}
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| 
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|   \cleartoverso
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|   \thispagestyle{empty}
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|   \story{Sentences}{Krzysztof “Tomash” Drewniak}
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|   \markboth{Sentences}{Krzysztof “Tomash” Drewniak}
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|   \chapter*{In All Ways — 2405–2406}
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|   \input{stories/sentences}
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| \end{document}
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