173 lines
		
	
	
		
			3.4 KiB
		
	
	
	
		
			TeX
		
	
	
	
	
	
			
		
		
	
	
			173 lines
		
	
	
		
			3.4 KiB
		
	
	
	
		
			TeX
		
	
	
	
	
	
| \documentclass[11pt]{memoir}
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| 
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| \def\watermarkloaded{0}
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| 
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| \input{includes/variables}
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| \input{includes/draft}
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| \input{includes/frame}
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| \input{includes/packages}
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| \input{includes/pagelayout}
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| \input{includes/geometry}
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| \input{includes/toc}
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| \input{includes/font}
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| \input{includes/title}
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| \input{includes/secdiv}
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| \input{includes/hyphenation}
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| 
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| \newcommand{\Char}[1]{
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|   \cleardoublepage
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|   \null
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|   \thispagestyle{empty}
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|   \vfill
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|   \begin{center}
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|     \huge\TitleFont #1
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|   \end{center}
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|   \vspace{2cm}
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|   \vfill
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| }
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| 
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| \begin{document}
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|   \frontmatter
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| 
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|   \thispagestyle{empty}
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|   \null
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|   \vfill
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|   \begin{flushright}
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|     \DisplayFont Motes Played
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|   \end{flushright}
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|   \vfill
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|   \cleardoublepage
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| 
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|   \pagestyle{empty}
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| 
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|   \doublespacing
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| 
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|   \begin{flushright}\DisplayFont
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|     \null
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|     \vfill
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|     {\Huge Motes Played}
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|     \vspace{1ex}
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| 
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|     A Post-Self story
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|     \vspace{1.5em}
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| 
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|     %\includegraphics[width=3in]{littlebook.png}
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|     \rotatebox{5}{\large\LittleSkunks A little book for little skunks}
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| 
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|     \vfill
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| 
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|     {\Large Madison Rye Progress}
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|     
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|     and {\Large Samantha Yule Fireheart}
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|   \end{flushright}
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|   \thispagestyle{empty}
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| 
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|   \newpage
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| 
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|   \input{includes/copyright}
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| 
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|   \newpage
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|   \null
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|   \cleardoublepage
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| 
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|   \onehalfspacing
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|   %\doublespacing
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| 
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|   \null
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|   \vfill
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|   \noindent\textbf{Note:} this book relies on the plots of The Post-Self Cycle, particularly \emph{Mitzvot}. It is strongly recommended that you read those works first. They may all be found \emph{post-self.ink/cycle} as paperbacks, ebooks, and free to read in the browser. If you would prefer to jump right in, spoilers be damned, you can find a primer in the appendices on page \pageref{primer} to get you started.
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| 
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|   The tilde (\textasciitilde) is the punctuation mark of whimsy and on this I will not be swayed.
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|   
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|   \vspace{1cm}
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|   
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|   \noindent\textbf{Content notes:} Contains mentions of rough, but consensual sex with one vague description; blood; adult characters engaging with the world as children, unrelated to sex; themes of familial abuse.
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| 
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|   \cleardoublepage
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|   \null
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|   \vfill
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| 
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|   \begin{flushright}
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|   \emph{To The Lament, who offered me reclamation.}
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| 
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|   \emph{—Madison Rye Progress\phantom{.}}
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|   \end{flushright}
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| 
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|   \vfill
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| 
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|   \mainmatter
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| 
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|   \part*{Motes Played}
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| 
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|   \pagestyle{ourbook}
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| 
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|   \cleardoublepage
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|   \null
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|   \thispagestyle{empty}
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| 
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|   \vfill
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| 
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|   \begin{verse}
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|   She died at play, \\
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| Gamboled away \\
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| Her lease of spotted hours, \\
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| Then sank as gaily as a Turk \\
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| Upon a Couch of flowers.
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| 
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| Her ghost strolled softly o’er the hill \\
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| Yesterday, and Today, \\
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| Her vestments as the silver fleece — \\
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| Her countenance as spray.
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| \end{verse}
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| 
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|   \emph{— Emily Dickinson}
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| 
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|     \vfill
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| 
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| \pagestyle{ourbook}
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| 
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| \null
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|   \cleardoublepage
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|   
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|   \Char{Motes — 2362}
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|   \markboth{Motes Played}{Madison Scott-Clary}
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|   \chapter*{1}
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|   \input{content/001}
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|   \chapter*{2}
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|   \input{content/002}
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|   \chapter*{3}
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|   \input{content/003}
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|   \chapter*{4}
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|   \input{content/004}
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|   \chapter*{5}
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|   \input{content/005}
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|   \chapter*{6}
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|   \input{content/006}
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|   
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|   \Char{A Finger Pointing — 2362}
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|   \chapter*{7}
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|   \input{content/007}
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| 
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|   \Char{Beholden — 2362}
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|   \chapter*{8}
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|   \input{content/008}
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| 
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|   \Char{Motes — 2362}
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|   \chapter*{9}
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|   \input{content/009}
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|   \chapter*{10}
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|   \input{content/010}
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| 
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|   \backmatter
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|   \thispagestyle{empty}
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|   \part*{\normalfont\textbf{Afterword}}
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|   \chapter*{Appendix I — Thoughts on Motes}
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|   \input{content/thoughts-on-motes}
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|   \chapter*{Appendix II — Primer}
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|   \label{primer}
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|   \input{content/primer}
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|   
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|   \input{content/afterword}
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| 
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| \end{document}
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