books/marsh/book.tex

\documentclass[11pt]{memoir}

\def\watermarkloaded{0}

\input{includes/variables}
\input{includes/draft}
\input{includes/frame}
\input{includes/packages}
\input{includes/pagelayout}
\input{includes/geometry}
\input{includes/toc}
\input{includes/font}
\input{includes/title}
\input{includes/secdiv}
\input{includes/hyphenation}

\renewcommand{\arraystretch}{1.3}

\begin{document}
  \frontmatter

  \thispagestyle{empty}
  \null
  \vfill
  \begin{flushright}
    \DisplayFont Marsh
  \end{flushright}
  \vfill
  \cleardoublepage

  \pagestyle{empty}

  \doublespacing

  \begin{flushright}
    \null
    \vfill
    {\Huge\DisplayFont Marsh}

    {\Large\DisplayFont and Stories From After}

    \vspace{2ex}

    {\DisplayFont A Post-Self anthology}

    \vfill

    {\large\DisplayFont Edited by}

    {\Large\DisplayFont Madison Rye Progress}

    %With contributions from Samantha Yule Fireheart, Andréa C. Mason, Caela Argent, J.S. Hawthorne, Krzysztof ``Tomash'' Drewniak
  \end{flushright}

  \newpage

  \input{includes/copyright}

  \thispagestyle{empty}
  \tableofcontents*
  \null
  \thispagestyle{empty}

  %\onehalfspacing
  %\doublespacing

  % \input{content/preface}

  \mainmatter
  \null
  \thispagestyle{empty}

  \pagestyle{ourbook}

  \vfill
  \part*{Marsh}
  \cftaddtitleline{toc}{part}{\hspace{0.5\textwidth-2em}\TitleFont\huge Marsh}{}
  \addcontentsline{toc}{chapter}{Marsh — A Novel}
  \cftaddtitleline{toc}{section}{\itshape Madison Rye Progress}{}
  
  \begin{center}
    \TitleFont\huge{Madison Rye Progress}
  \end{center}
  
  \vfill
  \cleardoublepage
  
  \null

  \thispagestyle{empty}

  \vfill

\begin{comment}
  \begin{flushright}

  \begin{tabular}{m{3cm} m{7cm}}
  \CK 少年不識愁滋味  & In youth I'd never tasted much of sorrow \\
  \CK 愛上層樓。      & I liked to climb up high         \\
  \CK 愛上層樓。      & I liked to climb up high         \\
  \CK 為賦新詞強說愁。& To conjure up a bit of sorrow to \\
                      & \vin sing a brand new song.      \\
                        \vspace{1em}                     \\
  \CK 而今識盡愁滋味  & Now I know too well the taste of sorrow. \\
  \CK 欲說還休。      & I start to sing then pause       \\
  \CK 欲說還休。      & I start to sing then pause       \\
  \CK 卻道天涼好個秋。& And sigh instead, “What a cool   \\
                      & \vin and lovely autumn day.”
  \end{tabular}%

  \vspace{2em}

  --- Xin Qiji (1140--1207), after Eileen Cheng-Yin Chao
  % https://www.instagram.com/p/BPbY4f-jFRK/

  \end{flushright}
\end{comment}

  \begin{quote}
  \emph{Fourmillante cité, cité pleine de rêves,\\
  Où le spectre en plein jour raccroche le passant.}

  Unreal city, city full of dreams,\\
  Where ghosts in broad daylight cling to passsers-by.
  \end{quote}

  — Charles Baudelaire, via T.S. Eliot


  \vfill


\null
  \cleardoublepage
  
  \chapter*{Reed — 2399}
  \markboth{Marsh}{Madison Rye Progress}

  \input{content/001}
  \input{content/002}
  \input{content/003}
  \input{content/004}

  \interlude{Feeds}{Various Authors}
  \markboth{Feeds}{Various Authors}
  \chapter*{Lagrange Central Feed — 2401}
  \input{content/005} % Feeds
  
  \newpage
  \null
  \thispagestyle{empty}
  \cleardoublepage
  \chapter*{Reed — 2401}
  \markboth{Marsh}{Madison Rye Progress}
  \input{content/006}
  \input{content/007}
  \input{content/008}
  \input{content/010}
  \input{content/011}

  \interlude{Nasturtiums}{Madison Rye Progress}
  \markboth{Nasturtiums}{Madison Rye Progress}
  \chapter*{Beholden — 2401}
  \input{content/nasturtiums}

  \newpage
  \null
  \thispagestyle{empty}
  \cleardoublepage
  \chapter*{Reed — 2401}
  \markboth{Marsh}{Madison Rye Progress}
  \input{content/012}
  \input{content/013}
  \input{content/014}
  \input{content/015}
  \input{content/016}

  \interlude{Columbines}{Samantha Yule Fireheart}
  \markboth{Columbines}{Samantha Yule Fireherat}
  \chapter*{A Finger Pointing — 2401}
  \input{content/columbines}

  \newpage
  \null
  \thispagestyle{empty}
  \cleardoublepage
  \chapter*{Reed — 2401}
  \markboth{Marsh}{Madison Rye Progress}
  \input{content/017}

  \cleartoverso
  \chapter*{Epilogue}
  \input{content/018}

  \cleartoverso
  \cftaddtitleline{toc}{part}{\hspace{0.5\textwidth-6em}\TitleFont\huge Stories From After}{}
  \thispagestyle{empty}
  \story{Game Night}{Michael Miele}
  \markboth{Game Night}{Michael Miele}
  \chapter*{Joanna — 2401}
  \input{stories/game-night}

  \cleartoverso
  \thispagestyle{empty}
  \story{Home From the Game}{Caela Argent}
  \markboth{Home From the Game}{Caela Argent}
  \chapter*{Sadie Amara — 2401}
  \input{stories/home-from-the-game}

  \cleartoverso
  \thispagestyle{empty}
  \story{A Well-Trained Eye}{Andréa C. Mason}
  \markboth{A Well-Trained Eye}{Andréa C. Mason}
  \chapter*{Lucia Marchetti — 2401}
  \input{stories/a-well-trained-eye}
  
  \cleartoverso
  \thispagestyle{empty}
  \story{Toward Eternity}{Thomas “Faux” Steele}
  \markboth{Toward Eternity}{Thomas “Faux” Steele}
  \chapter*{Aurélien Delacroix — 2401}
  \input{stories/toward-eternity}

  \cleartoverso
  \thispagestyle{empty}
  \story{Prophecies}{Madison Rye Progress, with Samantha Yule Fireheart}
  \markboth{Prophecies}{Madison Rye Progress / Samantha Yule Fireheart}
  \chapter*{Slow Hours — 2401}
  \input{stories/prophecies}

  \cleartoverso
  \thispagestyle{empty}
  \story{Journal of Diago Pereira}{Nat Mcardle-Mott-Merrifield and Sarah Bloden}
  \markboth{Journal of Diago Pereira}{Nat Mcardle-Mott-Merrifield and Sarah Bloden}
  \chapter*{Henrique Pereira — 2401}
  %\input{stories/journal}

  \cleartoverso
  \thispagestyle{empty}
  \story{New Year's Eve}{Various}
  \markboth{New Year's Eve}{Various}
  \chapter*{Various Cladists — 2401}
  \input{stories/nye}

  \cleartoverso
  \thispagestyle{empty}
  \story{Millwright}{Andréa C. Mason}
  \markboth{Millwright}{Andréa C. Mason}
  \chapter*{Andréa C. Mason\#Millwright — 2403}
  \input{stories/millwright}

  \cleartoverso
  \thispagestyle{empty}
  \story{Sentences}{Krzysztof “Tomash” Drewniak}
  \markboth{Sentences}{Krzysztof “Tomash” Drewniak}
  \chapter*{In All Ways — 2405–2406}
  \input{stories/sentences}
\end{document}