171 lines
3.5 KiB
TeX
171 lines
3.5 KiB
TeX
\documentclass[11pt]{memoir}
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\def\watermarkloaded{0}
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\input{includes/variables}
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\input{includes/draft}
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\input{includes/frame}
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\input{includes/packages}
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\input{includes/pagelayout}
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\input{includes/geometry}
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\input{includes/toc}
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\input{includes/font}
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\input{includes/title}
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\input{includes/secdiv}
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\input{includes/hyphenation}
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\renewcommand{\arraystretch}{1.3}
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\begin{document}
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\frontmatter
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\thispagestyle{empty}
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\null
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\vfill
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\begin{flushright}
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\DisplayFont Marsh
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\end{flushright}
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\vfill
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\cleardoublepage
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\pagestyle{empty}
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\doublespacing
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\begin{flushright}
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\null
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\vfill
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{\Huge\DisplayFont Marsh}
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\vspace{1ex}
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{\DisplayFont A Post-Self story}
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\vfill
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{\Large\DisplayFont Madison Scott-Clary}
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With contributions from The Lament, Andréa C. Mason, Caela Argent, J.S. Hawthorne...
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\end{flushright}
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\thispagestyle{empty}
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\newpage
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\input{includes/copyright}
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\tableofcontents*
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\newpage
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\null
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\cleardoublepage
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%\onehalfspacing
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\doublespacing
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% \input{content/preface}
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\mainmatter
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\pagestyle{ourbook}
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\cleardoublepage
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\null
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\thispagestyle{empty}
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\vfill
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\begin{flushright}
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\begin{tabular}{m{3cm} m{7cm}}
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\CK 少年不識愁滋味 & In youth I'd never tasted much of sorrow \\
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\CK 愛上層樓。 & I liked to climb up high \\
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\CK 愛上層樓。 & I liked to climb up high \\
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\CK 為賦新詞強說愁。& To conjure up a bit of sorrow to \\
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& \vin sing a brand new song. \\
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\vspace{1em} \\
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\CK 而今識盡愁滋味 & Now I know too well the taste of sorrow. \\
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\CK 欲說還休。 & I start to sing then pause \\
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\CK 欲說還休。 & I start to sing then pause \\
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\CK 卻道天涼好個秋。& And sigh instead, “What a cool \\
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& \vin and lovely autumn day.”
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\end{tabular}%
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\vspace{2em}
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--- Xin Qiji (1140--1207), after Eileen Cheng-Yin Chao
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% https://www.instagram.com/p/BPbY4f-jFRK/
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\end{flushright}
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\vfill
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\null
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\cleardoublepage
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\chapter*{Reed — 2399}
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\markboth{Marsh}{Madison Scott-Clary}
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\input{content/001}
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\input{content/002}
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\input{content/003}
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\input{content/004}
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\interlude{Feeds}{Various Authors}
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\markboth{Feeds}{Various Authors}
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\chapter*{Lagrange Central Feed — 2401}
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\input{content/005} % Feeds
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\newpage
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\null
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\thispagestyle{empty}
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\cleardoublepage
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\chapter*{Reed — 2401}
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\markboth{Marsh}{Madison Scott-Clary}
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\input{content/006}
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\input{content/007}
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\input{content/008}
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\interlude{Millwright}{Andréa C. Mason}
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\markboth{Millwright}{Andréa C. Mason}
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\chapter*{Andréa C. Mason\#Millwright — 2401}
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\input{content/millwright}
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\newpage
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\null
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\thispagestyle{empty}
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\cleardoublepage
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\chapter*{Reed — 2401}
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\markboth{Marsh}{Madison Scott-Clary}
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\input{content/010}
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\input{content/011}
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\input{content/012}
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\input{content/013}
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\input{content/014}
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\input{content/015}
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\input{content/016}
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\interlude{Nasturtiums}{Madison Scott-Clary}
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\markboth{Nasturtiums}{Madison Scott-Clary}
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\chapter*{Beholden — 2401}
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\input{content/nasturtiums}
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\newpage
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\null
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\thispagestyle{empty}
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\cleardoublepage
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\chapter*{Reed — 2401}
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\markboth{Marsh}{Madison Scott-Clary}
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\input{content/017}
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\cleartoverso
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\chapter*{Epilogue}
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\input{content/018}
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\cleartoverso
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\story{Prophecies}{Madison Scott-Clary}
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\markboth{Prophecies}{Madison Scott-Clary}
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\chapter*{Slow Hours — 2401}
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\input{content/prophecies}
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\end{document}
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