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books/motes-played/book.tex
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\documentclass[11pt]{memoir}
\def\watermarkloaded{0}
\input{includes/variables}
\input{includes/draft}
\input{includes/frame}
\input{includes/packages}
\input{includes/pagelayout}
\input{includes/geometry}
\input{includes/toc}
\input{includes/font}
\input{includes/title}
\input{includes/secdiv}
\input{includes/hyphenation}
\newcommand{\Char}[1]{
\cleardoublepage
\null
\thispagestyle{empty}
\vfill
\begin{center}
\huge\TitleFont #1
\end{center}
\vspace{2cm}
\vfill
}
\begin{document}
\frontmatter
\thispagestyle{empty}
\null
\vfill
\begin{flushright}
\DisplayFont Motes Played
\end{flushright}
\vfill
\cleardoublepage
\pagestyle{empty}
\doublespacing
\begin{flushright}\DisplayFont
\null
\vfill
{\Huge Motes Played}
\vspace{1ex}
A Post-Self story
\vspace{2em}
\includegraphics[width=3in]{littlebook.png}
\vfill
{\Large Madison Rye Progress}
and {\Large Samantha Yule Fireheart}
\end{flushright}
\thispagestyle{empty}
\newpage
\input{includes/copyright}
\newpage
\null
\cleardoublepage
\onehalfspacing
%\doublespacing
\null
\vfill
\noindent\textbf{Note:} this book relies on the plots of The Post-Self Cycle, particularly \emph{Mitzvot}. It is strongly recommended that you read those works first. They may all be found \emph{post-self.ink/cycle} as paperbacks, ebooks, and free to read in the browser. If you would prefer to jump right in, spoilers be damned, you can find a primer in the appendices on page \pageref{primer} to get you started.
The tilde (\textasciitilde) is the punctuation mark of whimsy and on this I will not be swayed.
\vspace{1cm}
\noindent\textbf{Content notes:} Contains mentions of rough, but consensual sex with one vague description; blood; adult characters engaging with the world as children, unrelated to sex; themes of familial abuse.
\cleardoublepage
\null
\vfill
\emph{To The Lament, who offered me reclamation.}
\emph{—Madison Rye Progress}
\secdiv
\vfill
\mainmatter
\part*{Motes Played}
\pagestyle{ourbook}
\cleardoublepage
\null
\thispagestyle{empty}
\vfill
\begin{verse}
She died at play, \\
Gambolled away \\
Her lease of spotted hours, \\
Then sank as gaily as a Turk \\
Upon a Couch of flowers.
Her ghost strolled softly oer the hill \\
Yesterday, and Today, \\
Her vestments as the silver fleece — \\
Her countenance as spray.
\end{verse}
\emph{— Emily Dickinson}
\vfill
\pagestyle{ourbook}
\null
\cleardoublepage
\Char{Motes — 2362}
\markboth{Motes Played}{Madison Scott-Clary}
\chapter*{1}
\input{content/001}
\chapter*{2}
\input{content/002}
\chapter*{3}
\input{content/003}
\chapter*{4}
\input{content/004}
\chapter*{5}
\input{content/005}
\chapter*{6}
\input{content/006}
\Char{A Finger Pointing — 2362}
\chapter*{7}
\input{content/007}
\Char{Beholden — 2362}
\chapter*{8}
\input{content/008}
\Char{Motes — 2362}
\chapter*{9}
\input{content/009}
\chapter*{10}
\input{content/010}
\backmatter
\part*{\normalfont\textbf{Afterword}}
\chapter*{Appendix I — Thoughts on Motes}
\input{content/thoughts-on-motes}
\chapter*{Appendix II — Primer}
\label{primer}
\input{content/primer}
\input{content/afterword}
\end{document}