Update with The Lament

content/_index.md

@@ -37,7 +37,7 @@ Contains mentions of rough, but consensual sex with one vague description; blood
 
 -----
 
-### About the author
+### About the authors
 
 ![Print by Forrest Gerke](https://makyo.ink/assets/img/headshot.png)
 
@@ -45,6 +45,12 @@ Madison Scott-Clary is a transgender writer, editor, and software engineer. She
 
 <p style="text-align: center"><a href="https://makyo.ink" target="_blank">makyo.ink</a></p>
 
+-----
+
+The Lament is a median system dedicated to the bittersweet in life, in storytelling, and in kink...
+
+<p style="text-align: center"><a href="https://cohost.org/hamratza" target="_blank">cohost.org/hamratza</a></p>
+
 ### Acknowledgements {#acknowledgements .unnumbered}
 
 Thanks, as always, to the polycule, who have been endlessly supportive, but most especially to The Lament, so many of whose words appear within this book. Thanks as well as to Tomash, Ellen, Andréa, and all the rest of the Post-Self community, who have helped build this lovely world, and to Lilium who made me think most about the impact of my work.

content/draft/000.md

@@ -14,3 +14,11 @@ Her countenance as spray.
 
   
 — Emily Dickinson{{% /verse %}}
+
+---
+
+<div style="text-align: center">
+
+*To The Lament, who offered me reclamation.*  
+*— Madison Scott-Clary*
+</div>

content/thoughts-on-motes.md

@@ -2,7 +2,7 @@
 title: Thoughts on Motes
 ---
 
-*Motes Played* was written in a few short weeks at the end of December, 2023 and the beginning of January, 2024 in a burst of creativity. The origin for the story actually stems from a conversation that I had with my partner on a drive from visiting eir parents down in Vancouver back home to northern Washington. In the span of about four hours, we made our way down through the stanzas of the Ode clade and spoke about what make them tick.
+*Motes Played* was written in a few short weeks at the end of December, 2023 and the beginning of January, 2024 in a burst of creativity. The origin for the story actually stems from a conversation that I had with my partner, whose system is named The Lament, on a drive from visiting eir parents down in Vancouver back home to northern Washington. In the span of about four hours, we made our way down through the stanzas of the Ode clade and spoke about what make them tick.
 
 There are some known quantities. True Name is the politician, A Finger Pointing is the theatrician, Praiseworthy is the propagandist turned arts administrator, and so on. All of the stanzas have been labeled with their basic ideas, of course, and one of those was Hammered Silver being the center of all of Michelle's feelings on motherhood.
 
@@ -22,11 +22,11 @@ Not only that, but there were already family dynamics in the clade, with Motes t
 
 Boom, automatic conflict.
 
-I wrote in a flurry, finishing a chapter a day most days over a two week span, working at a similar speed to how *Toledot* came into being. Hypomania be like\~[^1]
+I wrote in a flurry with The Lament's help, finishing a chapter a day most days over a two week span, working at a similar speed to how *Toledot* came into being. Hypomania be like\~[^1]
 
-Editing took a bit longer, mind, but was still a nice process, thanks to my partner who read each chapter aloud to me. Given how much the story means to em as well, it was a joy for both of us. I also got a few beta reads from within [the Post-Self community](https://wiki.post-self.ink/wiki/The_Post-Self_community) which were, for the most part, really kind and understanding.
+Editing took a bit longer, mind, but was still a nice process, thanks to em, as ey read each chapter aloud to me, refined the story, and wrote portions of the text. Given how much the story means to em as well, it was a joy for both of us. I also got a few beta reads from within [the Post-Self community](https://wiki.post-self.ink/wiki/The_Post-Self_community) which were, for the most part, really kind and understanding.
 
-The last step on my end is typesetting and final editing pass (which I usually do on the typeset book), getting ready for publication, and getting a cover. I am already chatting with [Astolpho](https://furaffinity.net/user/astolpho) about that last bit, and he sounds interested.
+The last step on my end was typesetting and final editing pass (which I usually do on the typeset book), getting ready for publication, and getting a cover. I have known [Astolpho](https://furaffinity.net/user/astolpho) in some capacity for a few years, though I had been a fan of his art for far longer. We connected in early 2024 and he was quite interested in helping this project come to fruition, so it was lovely to work together.
 
 ## The story
 
@@ -105,7 +105,7 @@ It is my *desire,* however, to explain where I am coming from.
 
 If I am coming across as anxious, defensive, or even bitter, I guess it is because, to an extent, I am. I am trying to get better at not apologizing for everything, despite my people-pleasing tendencies. I will tamp down that urge in favor of explaining the roots of these feelings.
 
-I began this essay by talking about my initial wariness at the idea of publishing this thing that I wrote. Since then, I have been struck with the occasional flash of such discomfort, but more and more often, I have been struck with a sense of pride. I *like* what I have accomplished. I like that I wrote in this vaguely children's book style. I like that we get Odists interacting with Odists, and that even the narration is written in (admittedly somewhat gentled) Odespeak. I like that I had the chance to lean into not only [my own plurality](https://makyo.is/plural) but [my partner's](https://cohost.org/hamratza). I like that I got to explore the more populous areas of the System through someone other than the relatively shut-in Bălans. I like that I had the chance to lean into this topic, even! It is fulfilling to write something emotional and difficult.
+I began this essay by talking about my initial wariness at the idea of publishing this thing that I wrote. Since then, I have been struck with the occasional flash of such discomfort, but more and more often, I have been struck with a sense of pride. I *like* what I have accomplished. I like that I wrote in this vaguely children's book style. I like that we get Odists interacting with Odists, and that even the narration is written in (admittedly somewhat gentled) Odespeak. I like that I had the chance to lean into not only [my own plurality](https://makyo.is/plural) but [The Lament's](https://cohost.org/hamratza). I like that I got to explore the more populous areas of the System through someone other than the relatively shut-in Bălans. I like that I had the chance to lean into this topic, even! It is fulfilling to write something emotional and difficult.
 
 I remain anxious, I still struggle against defensiveness, and yes, I suppose I do feel a little bitter even still. These are a class of feelings that I try to keep to myself as I work through them. That bitterness, especially, is a reactionary feeling that speaks to complicated thoughts in need of processing, and this contrast between pride in my work and all those big feelings is, yes, plenty complicated.
 
@@ -141,6 +141,8 @@ I have come to love Motes, and I hope you do too.
     <figcaption>Motes says: please enjoy~</figcaption>
 </figure>
 
+<p style="text-align: right">— Madison Scott-Clary<br>April 29, 2024</p>
+
 [^1]: Okay, but having sciatica for two months probably helped.
 
 [^2]: I find 'the purity of childhood' personally unnerving. It strikes me as an aspect of the oft-maligned purity culture. Kids can be mean. They can be *cruel.* They are creatures who act upon their base desires, for better or worse. I think this, in combination with its laws-for-thee-none-for-me attitude, has led to the "corruption" of children becoming a talking point of the right, those bastions of that very same purity culture.