Add playlist pages
This commit is contained in:
Madison Scott-Clary
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[Nanon](nanon)
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[Nanon](nanon)
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: The constructed language spoken by the Artemisians.
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: The constructed language spoken by the Artemisians.
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## Soundtracks
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[Music](music)
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: Music that inspired or was inspired by Post-Self
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Each book within the Post-Self Cycle, as well as many of the other stories in the setting, was written with a song or playlist running on repeat — at least for the most part. Just a little something that helped the author set the mood. While these are hardly required to enjoy the writing, they're offered as a curiosity.
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* [*Qoheleth and Gallery Exhibition*](https://open.spotify.com/playlist/5zRXvPUVxSuGjpzVu4N2Qw?si=8e5bdf5d974a4487) (Spotify)
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* [*Toledot*](https://open.spotify.com/playlist/0irVoAkYEVR7LBrI9M1q5Z?si=1525f4d1b2c24195) (Spotify)
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* [*Nevi'im*](https://open.spotify.com/playlist/5WqgcXtf6aIElLvwUskvAH?si=b6c7f22427044416) (Spotify)
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* [*Mitzvot*](https://open.spotify.com/playlist/57ltPyWR4rRB65MHabWxVA?si=af174d0a468442e5) (Spotify)
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* ["Selected Letters"](https://open.spotify.com/playlist/1QvvLpL09kGQMZnTstUD4f?si=b7637a76d39d43f7)
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* ["She Who Haunts the Storm"](https://www.youtube.com/watch?v=1lTYPvArbGo) (YouTube)
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* "Cowboy" - [1](https://open.spotify.com/track/62qiyZxpfg6wEIV6S5PE9y?si=1a6179b30b064d5a) (Spotify), [2](https://open.spotify.com/track/0HoaLXRp7jJtdQFunUyUGc?si=9ee056fef66e491c) (Spotify)
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* ["Support Group for Anomalies in Forking"](https://youtu.be/J0taTmgq3qw) (YouTube)
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Beyond those, ["Getting Lost"](/getting-lost.mp3) is a piece of music written a while back which became the official soundtrack for the "RJ getting lost" scene in *Qoheleth*.
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## The Post-Anthropocene
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## The Post-Anthropocene
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An audio essay based on the open podcast "The Anthropocene", an extra funded by the *Mitzvot* Kickstarter backers.
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An audio essay based on the open podcast "The Anthropocene", an extra funded by the *Mitzvot* Kickstarter backers.
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content/extras/music/_index.md
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content/extras/music/_index.md
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---
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title: Playlists and music
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layout: single
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---
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Each book within the Post-Self Cycle, as well as many of the other stories in the setting, was written with a song or playlist running on repeat — at least for the most part. Just a little something that helped the author set the mood. While these are hardly required to enjoy the writing, they're offered as a curiosity.
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* [*Qoheleth and Gallery Exhibition*](qoheleth) — ([Spotify](https://open.spotify.com/playlist/5zRXvPUVxSuGjpzVu4N2Qw?si=8e5bdf5d974a4487))
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* [*Toledot*](toledot) — ([Spotify](https://open.spotify.com/playlist/0irVoAkYEVR7LBrI9M1q5Z?si=1525f4d1b2c24195))
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* [*Nevi'im*](neviim) — ([Spotify](https://open.spotify.com/playlist/5WqgcXtf6aIElLvwUskvAH?si=b6c7f22427044416))
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* [*Mitzvot*](mitzvot) — ([Spotify](https://open.spotify.com/playlist/57ltPyWR4rRB65MHabWxVA?si=af174d0a468442e5))
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* ["Selected Letters"](selected-letters) — ([Spotify](https://open.spotify.com/playlist/1QvvLpL09kGQMZnTstUD4f?si=b7637a76d39d43f7))
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* [*Marsh*](marsh) — ([Spotify](https://open.spotify.com/playlist/37NQwp1zOcjN7eANsbFwuz?si=2cfac81bc27f4ed9))
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* [*Motes Played*](motes-played) — ([Spotify](https://open.spotify.com/playlist/4zq0qWWk8VwNZj4YUePKBU?si=6ef6afd07b8942a9))
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* ["She Who Haunts the Storm"](https://www.youtube.com/watch?v=1lTYPvArbGo) (YouTube)
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* "Cowboy" - [1](https://open.spotify.com/track/62qiyZxpfg6wEIV6S5PE9y?si=1a6179b30b064d5a) (Spotify), [2](https://open.spotify.com/track/0HoaLXRp7jJtdQFunUyUGc?si=9ee056fef66e491c) (Spotify)
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* ["Support Group for Anomalies in Forking"](https://youtu.be/J0taTmgq3qw) (YouTube)
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Beyond those, ["Getting Lost"](/getting-lost.mp3) is a piece of music written a while back which became the official soundtrack for the "RJ getting lost" scene in *Qoheleth*.
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94
content/extras/music/marsh.md
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content/extras/music/marsh.md
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---
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title: Marsh playlist
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---
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<style>
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thead th {
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text-align: center;
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}
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tbody td {
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text-justify: none;
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vertical-align: middle;
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padding: 0.25rem;
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border: 2px solid white;
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}
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tbody td img {
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max-width: 100px;
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display: block;
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margin: 0;
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}
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tbody tr:nth-of-type(odd) td {
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background-color: #ddd;
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}
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</style>
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Cover | Artist | Song
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---|---|---
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 | Dopam!ne | kamisama-chan
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 | OTOMIC | Coherence
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 | Guilt Chip | Missingno.
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 | Kyroshie, Dust | Slayers Mill
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 | Bankaji, Kloud Forest | Shrimp Levels
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 | Loompaskettee, herold | Boutta Put the Sauce On It
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 | LIHUAYU | 996
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 | Kyroshie | From My Mind
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 | Changeline | OCTOPUS.LADY
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 | Ada Rook | TRU U
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 | Hudson Lee, Frequent, KOAN Sound | Reflex Angle - KOAN Sound Remix
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 | Goreshit | The Nature of Dying
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 | Gramatik, Branx | Future Crypto
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 | Nosaj Thing, KAZU | Eclipse/Blue
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 | Changeline | PENCIL.QUEST
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 | Clark | Secret
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 | Ceptre | Rapt
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 | Space Laces | Run DLL
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 | Space Laces | D.A.W
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 | DVRST | REASON TO LIVE
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 | Kayzo, Kamiyada+, Tisoki | NEWS FLASH (Tisoki Remix)
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 | Ethan Bortnick | cut my fingers off
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 | lapix | Day by day - PSYQUI Remix
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 | The Buttress | Brutus (Instrumental)
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 | My Brightest Diamond | Inside a Boy - Son Lux Remix
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 | Vylet Pony | HONEYMOON PHASE (LIMERANCE)
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 | phonon | emme
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 | Floex, Olaf Stuut | Lianas - Olaf Stuut Remix
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 | My Brightest Diamond | To Pluto's Moon - Son Lux Remix
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 | Chrome Sparks | Marijuana
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 | Vernon Jane, Maniac Love | Last Good Fuck - Maniac Love Remix
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 | Vorso | SFX
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 | not sorry | LD50 - VIP
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 | Rezz, Deathpact | Chemical Bond
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 | Dog Blood, Skrillex, Boys Noize | BREAK LAW
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 | Dj Technorch | Love Love Love You I Love You - Eye's by Eyes Remix
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 | MUST DIE!, Ducky | DELETE IT ALL
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 | Elderbrook | Could
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 | Skest | SWAMP SKONSTER
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 | Luke Vibert | Knockout
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 | Luke Vibert | Ready
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 | Mefjus, Camo & Krooked | Sientelo
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 | Camo & Krooked, Mefjus, Sophie Lindinger | No Tomorrow
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 | Knife Party | Destroy Them With Lazers
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 | Noisia | Tentacles
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 | Figueroa, Amon Tobin | Better Run
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 | Son Lux, Lorde | Easy (Switch Screens) [feat. Lorde]
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 | Trey Frey, Henry Homesweet | Très Frais (Henry Homesweet Remix)
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 | Salvatore Ganacci | Horse
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 | Ryuichi Sakamoto | CHASM
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 | Haywyre | Restraint
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 | Henry Homesweet | Wetiko
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 | Clark | Superscope
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 | Ott | Harwell Dekatron
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 | Trifonic | Terminal A
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 | Amon Tobin | Journeyman
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 | Eskmo, Brendan Angelides | We Got More
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 | Popbot | Agglomerate
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 | X&G | HITTIT
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 | Runnit | nasti
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 | Stickleback | Nasti
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 | gladde paling | 5G straal (hamster)
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 | Little Snake, Flying Lotus | Fallen Angels
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 | IMPVLED | CORRUPTED_FILE
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 | COPYCATT | ALL TALK
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 | Goreshit | Toromi Hearts 2
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 | Eliminate | Elevator
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 | GRiZ, Chrishira Perrier | Feel It All
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content/extras/music/mitzvot.md
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content/extras/music/mitzvot.md
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---
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title: Mitzvot playlist
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---
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<style>
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thead th {
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text-align: center;
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}
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tbody td {
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text-justify: none;
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vertical-align: middle;
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padding: 0.25rem;
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border: 2px solid white;
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}
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tbody td img {
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max-width: 100px;
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display: block;
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margin: 0;
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}
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tbody tr:nth-of-type(odd) td {
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background-color: #ddd;
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}
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</style>
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Cover | Artist | Song
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 | Alberto Ginastera, François-Xavier Poizat | Danzas argentinas, Op. 2: I. Danza del viejo boyero (Animato allegro)
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 | Alberto Ginastera, François-Xavier Poizat | Danzas argentinas, Op. 2: II. Danza de la moza donosa (Dolcemente espressivo)
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 | Alberto Ginastera, François-Xavier Poizat | Danzas argentinas, Op. 2: III. Danza del gaucho matrero (Furiosamente ritmico e energico)
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 | Arno Babadjanian, Sona Shaboyan | Poem
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 | Samuel Barber, Leon McCawley | Barber: Excursions, Op. 20: I. Un poco allegro
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 | Aaron Copland, Enrique Bátiz/Orquesta Filarmónica de la Ciudad de México, Enrique Bátiz, Orquesta Filarmónica de la Ciudad de México | Dance Symphony (1999 Digital Remaster): Introduction: Lento - molto allegro
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 | Aaron Copland, Enrique Bátiz/Orquesta Filarmónica de la Ciudad de México, Enrique Bátiz, Orquesta Filarmónica de la Ciudad de México | Dance Symphony (1999 Digital Remaster): Andante moderato
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 | Aaron Copland, Enrique Bátiz/Orquesta Filarmónica de la Ciudad de México, Enrique Bátiz, Orquesta Filarmónica de la Ciudad de México | Dance Symphony (1999 Digital Remaster): Allegro vivo
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 | Paul Dooley, Illinois State University Wind Symphony, Daniel A. Belongia | Point Blank
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 | Eric Whitacre, BYU Singers, Ronald Staheli | A Boy and a Girl
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 | BYU Singers | I Will Wade Out
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 | Dale Warland Singers | Evensong - Stephen Paulus
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 | The Singers - Minnesota Choral Artists, Matthew Culloton | Pilgrims' Hymn
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 | Arnold Schoenberg, Pierre Boulez | 6 Pieces, Op. 35: V. Landsknechte "Einmal muss man sterben"
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 | Arnold Schoenberg, Pierre Boulez | Drei Satiren, Op. 28: I. Am Scheideweg "Tonal oder atonal?"
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 | Arnold Schoenberg, Pierre Boulez, London Sinfonietta | 4 Pieces, Op. 27: IV. Der Wunsch des Liebhabers "Süßes Mondlicht auf den Pflaumenbäumen"
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 | Arnold Schoenberg, Pierre Boulez, BBC Symphony Orchestra | Kol Nidre, Op. 39
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 | Arnold Schoenberg, Pierre Boulez | Drei Volksliedsätze, Op. 49: II. Der Mai tritt ein mit Freuden
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 | Leonard Bernstein, Michael Wager, Israel Philharmonic Orchestra | Symphony No. 3 "Kaddish": Ia. Invocation. Adagio
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 | Leonard Bernstein, Michael Wager, Wiener Jeunesse-Chor, Israel Philharmonic Orchestra | Symphony No. 3 "Kaddish": Ib. Kaddish 1. L'istesso tempo – Allegro molto
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 | Leonard Bernstein, Michael Wager, Wiener Jeunesse-Chor, Israel Philharmonic Orchestra | Symphony No. 3 "Kaddish": IIa. Din – Torah: Di nuovo adagio
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 | Leonard Bernstein, Montserrat Caballé, Michael Wager, Vienna Boys' Choir, Israel Philharmonic Orchestra | Symphony No. 3 "Kaddish": IIb. Kaddish 2. Andante con tenerezza
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 | Leonard Bernstein, Michael Wager, Israel Philharmonic Orchestra | Symphony No. 3 "Kaddish": IIIa. Kaddish 3. Scherzo – Presto scherzando, sempre pianissimo
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 | Leonard Bernstein, Michael Wager, Vienna Boys' Choir, Israel Philharmonic Orchestra | Symphony No. 3 "Kaddish": IIIb. Kaddish 3. Finale – Adagio come nel Din-Torah
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 | Leonard Bernstein, Montserrat Caballé, Michael Wager, Vienna Boys' Choir, Wiener Jeunesse-Chor, Israel Philharmonic Orchestra | Symphony No. 3 "Kaddish": IIIc. Kaddish 3. Allegro vivo, con gioia
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 | Dmitri Shostakovich, Han-Na Chang, Antonio Pappano, London Symphony Orchestra | Shostakovich: Cello Concerto No. 1 in E-Flat Major, Op. 107: I. Allegretto
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 | Dmitri Shostakovich, Han-Na Chang, Antonio Pappano, London Symphony Orchestra | Shostakovich: Cello Concerto No. 1 in E-Flat Major, Op. 107: II. Moderato
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 | Dmitri Shostakovich, Han-Na Chang, Antonio Pappano, London Symphony Orchestra | Shostakovich: Cello Concerto No. 1 in E-Flat Major, Op. 107: III. Cadenza
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 | Dmitri Shostakovich, Han-Na Chang, Antonio Pappano, London Symphony Orchestra | Shostakovich: Cello Concerto No. 1 in E-Flat Major, Op. 107: IV. Finale. Allegro con moto
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 | Dmitri Shostakovich, Heinrich Schiff, Bavarian Radio Symphony Orchestra, Maxim Shostakovich | Cello Concerto No. 2, Op. 126: 1. Largo
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 | Dmitri Shostakovich, Heinrich Schiff, Bavarian Radio Symphony Orchestra, Maxim Shostakovich | Cello Concerto No. 2, Op. 126: 2. Allegretto
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 | Dmitri Shostakovich, Heinrich Schiff, Bavarian Radio Symphony Orchestra, Maxim Shostakovich | Cello Concerto No. 2, Op. 126: 3. Allegretto
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 | Dmitri Shostakovich, Emerson String Quartet | String Quartet No. 12 in D Flat Major, Op. 133: II. Allegretto - Adagio - Moderato - Allegretto - Live
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 | John Adams, Kent Nagano, The Opera De Lyon, London Opera Chorus | Adams: The Death of Klinghoffer, Prologue: Chorus of Exiled Palestinians
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 | John Adams, Sir Simon Rattle, City Of Birmingham Symphony Orchestra | Adams: The Chairman Dances (Foxtrot for Orchestra)
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 | John Adams, Sir Simon Rattle, City Of Birmingham Symphony Orchestra | Adams: Harmonielehre: III. Meister Eckhardt and Quackie
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 | Michael Nyman | Here To There
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 | Detlev Glanert, Royal Concertgebouw Orchestra, Aga Mikolaj, Christof Fischesser, David Wilson-Johnson, Gerhard Siegel, Netherlands Radio Choir, Ursula Hesse von den Steinen, Markus Stenz | Glanert: Requiem für Hieronymus Bosch: I. De Demonibus - Live
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 | Detlev Glanert, Royal Concertgebouw Orchestra, Edward Cassell | Glanert: Requiem für Hieronymus Bosch: II. Requiem Æternam - Live
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 | Detlev Glanert, Royal Concertgebouw Orchestra, Christof Fischesser, David Wilson-Johnson, Markus Stenz | Glanert: Requiem für Hieronymus Bosch: III. Gula - Live
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 | Detlev Glanert, Royal Concertgebouw Orchestra, Aga Mikolaj, Christof Fischesser, David Wilson-Johnson, Gerhard Siegel, Ursula Hesse von den Steinen, Markus Stenz | Glanert: Requiem für Hieronymus Bosch: IV. Absolve Domine - Live
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 | Detlev Glanert, Royal Concertgebouw Orchestra, David Wilson-Johnson, Gerhard Siegel, Markus Stenz | Glanert: Requiem für Hieronymus Bosch: V. Ira - Live
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 | Detlev Glanert, Royal Concertgebouw Orchestra, Aga Mikolaj, Christof Fischesser, David Wilson-Johnson, Gerhard Siegel, Ursula Hesse von den Steinen, Markus Stenz | Glanert: Requiem für Hieronymus Bosch: VI. Dies Iræ (Live)
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 | Detlev Glanert, Royal Concertgebouw Orchestra, Aga Mikolaj, David Wilson-Johnson, Markus Stenz | Glanert: Requiem für Hieronymus Bosch: VII. Invidia - Live
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 | Detlev Glanert, Royal Concertgebouw Orchestra, Aga Mikolaj, Christof Fischesser, David Wilson-Johnson, Gerhard Siegel, Ursula Hesse von den Steinen, Markus Stenz | Glanert: Requiem für Hieronymus Bosch: VIII. Juste judex - Live
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 | Detlev Glanert, Royal Concertgebouw Orchestra | Glanert: Requiem für Hieronymus Bosch: IX. Organ solo - Live
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 | Detlev Glanert, Royal Concertgebouw Orchestra, Aga Mikolaj, David Wilson-Johnson, Ursula Hesse von den Steinen, Markus Stenz | Glanert: Requiem für Hieronymus Bosch: X. Acedia - Live
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 | Detlev Glanert, Royal Concertgebouw Orchestra, Markus Stenz | Glanert: Requiem für Hieronymus Bosch: XI. Domine, Jesu Christe - Live
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 | Detlev Glanert, Royal Concertgebouw Orchestra, David Wilson-Johnson, Ursula Hesse von den Steinen, Markus Stenz | Glanert: Requiem für Hieronymus Bosch: XII. Superbia - Live
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 | Detlev Glanert, Royal Concertgebouw Orchestra, Markus Stenz | Glanert: Requiem für Hieronymus Bosch: XIII. Sanctus - Live
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 | Detlev Glanert, Royal Concertgebouw Orchestra, Christof Fischesser, David Wilson-Johnson, Gerhard Siegel, Markus Stenz | Glanert: Requiem für Hieronymus Bosch: XIV. Luxuria - Live
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 | Detlev Glanert, Royal Concertgebouw Orchestra, Aga Mikolaj, Gerhard Siegel, Ursula Hesse von den Steinen, Markus Stenz | Glanert: Requiem für Hieronymus Bosch: Agnus Dei - Live
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 | Detlev Glanert, Royal Concertgebouw Orchestra, Aga Mikolaj, Christof Fischesser, David Wilson-Johnson, Gerhard Siegel, Ursula Hesse von den Steinen, Markus Stenz | Glanert: Requiem für Hieronymus Bosch: XVI. Avaritia - Live
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 | Detlev Glanert, Royal Concertgebouw Orchestra, Aga Mikolaj, Christof Fischesser, David Wilson-Johnson, Gerhard Siegel, Ursula Hesse von den Steinen, Markus Stenz | Glanert: Requiem für Hieronymus Bosch: XVII. Libera Me & Peccatum - Live
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 | Detlev Glanert, Royal Concertgebouw Orchestra, Aga Mikolaj, Christof Fischesser, David Wilson-Johnson, Gerhard Siegel, Ursula Hesse von den Steinen, Markus Stenz | Glanert: Requiem für Hieronymus Bosch: XVIII. In Paradisum - Live
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 | Benjamin Britten, Gianandrea Noseda, London Symphony Chorus, London Symphony Orchestra | War Requiem, Op. 66: i. Requiem Aeternam - Requiem aeternam
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 | Benjamin Britten, Gianandrea Noseda, Choir of Eltham College, London Symphony Chorus, London Symphony Orchestra | War Requiem, Op. 66: ii. Requiem Aeternam - Te decet hymnus
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 | Benjamin Britten, Gianandrea Noseda, Ian Bostridge, London Symphony Orchestra | War Requiem, Op. 66: iii. Requiem Aeternam - "What passing-bells for these who die as cattle?"
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 | Benjamin Britten, Gianandrea Noseda, London Symphony Chorus, London Symphony Orchestra | War Requiem, Op. 66: iv. Requiem Aeternam - Kyrie eleison
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||||||
|
 | Benjamin Britten, Gianandrea Noseda, London Symphony Chorus, London Symphony Orchestra | War Requiem, Op. 66: v. Dies Irae - Dies irae
|
||||||
|
 | Benjamin Britten, Gianandrea Noseda, Simon Keenlyside, London Symphony Orchestra | War Requiem, Op. 66: vi. Dies Irae - "Bugles sang, saddening the evening air"
|
||||||
|
 | Benjamin Britten, Gianandrea Noseda, Sabina Cvilak, London Symphony Chorus, London Symphony Orchestra | War Requiem, Op. 66: vii. Dies Irae - Liber scriptus
|
||||||
|
 | Benjamin Britten, Gianandrea Noseda, Ian Bostridge, Simon Keenlyside, London Symphony Orchestra | War Requiem, Op. 66: viii. Dies Irae - "Out there, we've walked quite friendly up to Death"
|
||||||
|
 | Benjamin Britten, Gianandrea Noseda, London Symphony Chorus, London Symphony Orchestra | War Requiem, Op. 66: ix. Dies Irae - Recordare Iesu pie
|
||||||
|
 | Benjamin Britten, Gianandrea Noseda, London Symphony Chorus, London Symphony Orchestra | War Requiem, Op. 66: x. Dies Irae - Confutatis maledictis
|
||||||
|
 | Benjamin Britten, Gianandrea Noseda, Simon Keenlyside, London Symphony Orchestra | War Requiem, Op. 66: xi. Dies Irae - "Be slowly lifted up, thou long black arm"
|
||||||
|
 | Benjamin Britten, Gianandrea Noseda, Sabina Cvilak, London Symphony Chorus, London Symphony Orchestra | War Requiem, Op. 66: xii. Dies Irae - Dies irae
|
||||||
|
 | Benjamin Britten, Gianandrea Noseda, Sabina Cvilak, Ian Bostridge, London Symphony Chorus, London Symphony Orchestra | War Requiem, Op. 66: xiii. Dies Irae - "Move him into the sun"
|
||||||
|
 | Benjamin Britten, Gianandrea Noseda, London Symphony Chorus, London Symphony Orchestra | War Requiem, Op. 66: xiv. Dies Irae - Pie Iesu Domine
|
||||||
|
 | Benjamin Britten, Gianandrea Noseda, Choir of Eltham College, London Symphony Orchestra | War Requiem, Op. 66: xv. Offertorium - Domine Jesu Christe
|
||||||
|
 | Benjamin Britten, Gianandrea Noseda, London Symphony Chorus, London Symphony Orchestra | War Requiem, Op. 66: xvi. Offertorium - Sed signifer Sanctus
|
||||||
|
 | Benjamin Britten, Gianandrea Noseda, Ian Bostridge, Simon Keenlyside, London Symphony Orchestra | War Requiem, Op. 66: xvii. Offertorium - "So Abram rose, and clave the wood"
|
||||||
|
 | Benjamin Britten, Gianandrea Noseda, Ian Bostridge, Simon Keenlyside, Choir of Eltham College, London Symphony Chorus, London Symphony Orchestra | War Requiem, Op. 66: xvii. Offertorium - Hostias et preces tibi
|
||||||
|
 | Benjamin Britten, Gianandrea Noseda, Sabina Cvilak, Choir of Eltham College, London Symphony Chorus, London Symphony Orchestra | War Requiem, Op. 66: xix. Sanctus - Sanctus
|
||||||
|
 | Benjamin Britten, Gianandrea Noseda, Simon Keenlyside, London Symphony Orchestra | War Requiem, Op. 66: xx. Sanctus - "After the blast of lightning from the East"
|
||||||
|
 | Benjamin Britten, Gianandrea Noseda, Ian Bostridge, London Symphony Chorus, London Symphony Orchestra | War Requiem, Op. 66: xxi. Agnus Dei - "One ever hangs where shelled roads part" Agnus Dei
|
||||||
|
 | Benjamin Britten, Gianandrea Noseda, Sabina Cvilak, London Symphony Chorus, London Symphony Orchestra | War Requiem, Op. 66: xxii. Libera Me - Libera me
|
||||||
|
 | Benjamin Britten, Gianandrea Noseda, Ian Bostridge, London Symphony Orchestra | War Requiem, Op. 66: xxiii. Libera Me - "It seemed that out of battle I escaped"
|
||||||
|
 | Benjamin Britten, Gianandrea Noseda, Simon Keenlyside, London Symphony Orchestra | War Requiem, Op. 66: xxiv. Libera Me - " 'None', said the other"
|
||||||
|
 | Benjamin Britten, Gianandrea Noseda, Sabina Cvilak, Ian Bostridge, Simon Keenlyside, Choir of Eltham College, London Symphony Chorus, London Symphony Orchestra | War Requiem, Op. 66: xxv. Libera Me - "Let us sleep now…" In paradisum
|
||||||
|
 | Benjamin Britten, Gianandrea Noseda, London Symphony Chorus, London Symphony Orchestra | War Requiem, Op. 66: xxvi. Libera Me - Requiescant in pace
|
||||||
|
 | Charles Ives, Cincinnati Philharmonia Orchestra, Gerhard Samuel | The Unanswered Question
|
||||||
188
content/extras/music/motes-played.md
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188
content/extras/music/motes-played.md
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|
|||||||
|
---
|
||||||
|
title: Motes Played playlist
|
||||||
|
---
|
||||||
|
|
||||||
|
<style>
|
||||||
|
thead th {
|
||||||
|
text-align: center;
|
||||||
|
}
|
||||||
|
tbody td {
|
||||||
|
text-justify: none;
|
||||||
|
vertical-align: middle;
|
||||||
|
padding: 0.25rem;
|
||||||
|
border: 2px solid white;
|
||||||
|
}
|
||||||
|
tbody td img {
|
||||||
|
max-width: 100px;
|
||||||
|
display: block;
|
||||||
|
margin: 0;
|
||||||
|
}
|
||||||
|
tbody tr:nth-of-type(odd) td {
|
||||||
|
background-color: #ddd;
|
||||||
|
}
|
||||||
|
</style>
|
||||||
|
|
||||||
|
Cover | Artist | Song
|
||||||
|
---|---|---
|
||||||
|
 | Frequent, Hudson Lee | Day Bird Collection
|
||||||
|
 | Tanger | Fizzy
|
||||||
|
 | Shawn Wasabi, Hollis | OTTER POP (feat. Hollis)
|
||||||
|
 | Iglooghost | Bug Thief
|
||||||
|
 | Mega Mango | Boggle
|
||||||
|
 | Mouse On Mars | Dark Fx
|
||||||
|
 | Mouse On Mars | Scat
|
||||||
|
 | Mouse On Mars | Tux & Damask
|
||||||
|
 | Mouse On Mars | Subsequence
|
||||||
|
 | Lusine | Jetstream
|
||||||
|
 | Ruth B. | Dandelions
|
||||||
|
 | Floating Points | Argente
|
||||||
|
 | Xguiz, Patricia Taxxon | Eeeaaaooo
|
||||||
|
 | múm | Awake On A Train
|
||||||
|
 | Jaga Jazzist | Animal Chin
|
||||||
|
 | Vernon Jane | Praying 2 Angels
|
||||||
|
 | Haywyre | Dichotomy (Soft Mix)
|
||||||
|
 | Dillon Francis, Diplo, Maluca | Que Que feat. Maluca
|
||||||
|
 | Röyksopp | Eple
|
||||||
|
 | Ronald Jenkees | Rhodes Deep
|
||||||
|
 | Eliminate | Elevator
|
||||||
|
 | Grant, Juneau | Are We Still Young
|
||||||
|
 | Amon Tobin | Three Different Hat Sizes
|
||||||
|
 | Amon Tobin, MC Decimal R. | Verbal
|
||||||
|
 | Botany | Quatic
|
||||||
|
 | Little Big | Skibidi
|
||||||
|
 | Mason, Princess Superstar, 1991 | Perfect (Exceeder) - 1991 Remix
|
||||||
|
 | xxanteria, isq | FUNKED UP
|
||||||
|
 | Creeds | Push Up - Main Edit
|
||||||
|
 | Blockhead | For Fork's Sake
|
||||||
|
 | Chrome Sparks | Marijuana
|
||||||
|
 | Floex | Veronika's Dream
|
||||||
|
 | Owen Pallett | Lewis Takes Action
|
||||||
|
 | Kyroshie | Please Tell Me It's A Joke
|
||||||
|
 | Florence + The Machine | Dog Days Are Over
|
||||||
|
 | The Temper Trap | Sweet Disposition
|
||||||
|
 | Mouse On Mars | Stereomission
|
||||||
|
 | Have A Nice Life | A Quick One Before the Eternal Worm Devours Connecticut
|
||||||
|
 | Blockhead | Give Them Their Flowers
|
||||||
|
 | Anna Ternheim | No, I Don't Remember
|
||||||
|
 | aYia | Ruins
|
||||||
|
 | Portico Quartet | Knee-Deep in the North Sea
|
||||||
|
 | Melt Yourself Down | Fix My Life
|
||||||
|
 | Bent Knee | Bone Rage
|
||||||
|
 | Glass Animals | Pools
|
||||||
|
 | Mouse On Mars | Kompod
|
||||||
|
 | Mouse On Mars | Kanu
|
||||||
|
 | SHSTR | Artificial Sunset
|
||||||
|
 | SHSTR | The Exile
|
||||||
|
 | SHSTR | The Lamb and the Wolf
|
||||||
|
 | SHSTR | Sightless Eyes
|
||||||
|
 | Never Get Used To People | Life Letters
|
||||||
|
 | Buke & Gase | Houdini Crush
|
||||||
|
 | Esperanza Spalding | Good Lava
|
||||||
|
 | Long Arm | Double Bass in Love
|
||||||
|
 | Gramatik, Branx | Future Crypto
|
||||||
|
 | Vernon Jane | Fuck Me
|
||||||
|
 | Juno Reactor | God Is God
|
||||||
|
 | DROELOE | Only Be Me
|
||||||
|
 | Four Tet, Jon Hopkins | Angel Echoes - Jon Hopkins Remix
|
||||||
|
 | Phoebe Bridgers | Motion Sickness
|
||||||
|
 | Jhariah | PRESSURE BOMB 3?!?!
|
||||||
|
 | Haywyre | Do You Don't You
|
||||||
|
 | Lemon Jelly | Page One
|
||||||
|
 | Haywyre | Never Count On Me
|
||||||
|
 | MUST DIE!, Ducky | DELETE IT ALL
|
||||||
|
 | lapix | Day by day - PSYQUI Remix
|
||||||
|
 | The Buttress | Brutus (Instrumental)
|
||||||
|
 | Moon Bounce | Drugs
|
||||||
|
 | Space Laces | Vaultage 003
|
||||||
|
 | Kayzo, Kamiyada+, Tisoki | NEWS FLASH (Tisoki Remix)
|
||||||
|
 | Space Laces | D.A.W
|
||||||
|
 | Ceptre | Rapt
|
||||||
|
 | Runnit | nasti
|
||||||
|
 | Stickleback | Nasti
|
||||||
|
 | ellis | Feel That Way
|
||||||
|
 | Jain | Come
|
||||||
|
 | Rubik | Sun's Eyes
|
||||||
|
 | TV On The Radio | Quartz
|
||||||
|
 | Air | How Does It Make You Feel?
|
||||||
|
 | Donovans | Yo !
|
||||||
|
 | Donovans | Rise & Fall
|
||||||
|
 | gladde paling | hap slik weg
|
||||||
|
 | ratbag | rats in my walls
|
||||||
|
 | Cheese People | Доля риска
|
||||||
|
 | SWRSLT | Pretty Cvnt
|
||||||
|
 | GRiZ, Chrishira Perrier | Feel It All
|
||||||
|
 | KOAN Sound | Liquid Levity
|
||||||
|
 | The Cinematic Orchestra | Ode To The Big Sea
|
||||||
|
 | Hiatus Kaiyote | Malika
|
||||||
|
 | Amon Tobin | Bridge
|
||||||
|
 | Men I Trust | Show Me How
|
||||||
|
 | Jaga Jazzist | Airborne
|
||||||
|
 | The Flashbulb | Morning Run
|
||||||
|
 | Blockhead | Carnivores Unite
|
||||||
|
 | Hiatus Kaiyote | Rainbow Rhodes
|
||||||
|
 | BADBADNOTGOOD, Leland Whitty | Confessions (feat. Leland Whitty)
|
||||||
|
 | Blockhead | Ashes in the Hudson
|
||||||
|
 | Blockhead | Lord of Them Thangs
|
||||||
|
 | Blockhead | Boundary Issues
|
||||||
|
 | Blockhead | Greetings and Incelutations
|
||||||
|
 | Blockhead | The Candy Tangerine Man
|
||||||
|
 | Blockhead | Let's Play the Feud!
|
||||||
|
 | Blockhead | Werewolves Love Astrology
|
||||||
|
 | Amon Tobin | Chocolate Lovely
|
||||||
|
 | The Cinematic Orchestra | Man With The Movie Camera
|
||||||
|
 | Bill Laurance | The Good Things
|
||||||
|
 | Camo & Krooked, Mefjus, Sophie Lindinger | No Tomorrow
|
||||||
|
 | Lemon Jelly | '64 aka Go
|
||||||
|
 | Dusty Brown | This City Is Killing Me
|
||||||
|
 | ALEPH | R.E.M.
|
||||||
|
 | Telefon Tel Aviv | When It Happens, It Moves All by Itself
|
||||||
|
 | SOHN | Life Behind Glass
|
||||||
|
 | London Grammar | Leave the War With Me
|
||||||
|
 | phonon | emme
|
||||||
|
 | Bear Ghost, Dan E.T. | Rivers Is A Vampire
|
||||||
|
 | Alamaailman Vasarat | Kebab Tai Henki!
|
||||||
|
 | Fiona Apple | Waltz (Better Than Fine)
|
||||||
|
 | YACHT | I Walked Alone
|
||||||
|
 | Daedelus | Order of the Golden Dawn
|
||||||
|
 | Tomasz Stanko Quartet | Kattorna
|
||||||
|
 | Boom Bip | The Use of Unacceptable Colours In Nature
|
||||||
|
 | Dave Brubeck | 40 Days
|
||||||
|
 | Skalpel | Sculpture
|
||||||
|
 | Clark | Secret
|
||||||
|
 | Siriusmo | Liu
|
||||||
|
 | Shigeto | First Saturn Return
|
||||||
|
 | The Cinematic Orchestra | Flite
|
||||||
|
 | Savath & Savalas | Te Quiero Pero Por Otro Lado…
|
||||||
|
 | Oliver Nelson | Stolen Moments
|
||||||
|
 | Ibrahim Maalouf | Will Soon Be a Woman (Live au Babylon Istanbul, 2013)
|
||||||
|
 | Kokoroko | Ewà Inú
|
||||||
|
 | Kokoroko | Dide O
|
||||||
|
 | Kokoroko | Soul Searching
|
||||||
|
 | Kokoroko | Those Good Times
|
||||||
|
 | Kokoroko | Interlude
|
||||||
|
 | Kokoroko | Something's Going On
|
||||||
|
 | Kokoroko | Ti-de
|
||||||
|
 | Kokoroko | Uman
|
||||||
|
 | João Donato | Manha de Carnaval
|
||||||
|
 | Elis Regina, Antônio Carlos Jobim | Só Tinha De Ser Com Você
|
||||||
|
 | Elis Regina, Antônio Carlos Jobim | Fotografia
|
||||||
|
 | Antônio Carlos Jobim | Children's Games
|
||||||
|
 | beabadoobee | the perfect pair
|
||||||
|
 | DOMi & JD BECK | SMiLE
|
||||||
|
 | DOMi & JD BECK | WHATUP
|
||||||
|
 | DOMi & JD BECK, Thundercat | BOWLiNG (feat. Thundercat)
|
||||||
|
 | Robert Glasper, Q-Tip, Esperanza Spalding | Why We Speak [Feat. Q-Tip & Esperanza Spalding]
|
||||||
|
 | All Day Breakfast Cafe | What If Nile Rodgers And Fela Kuti Were Friends
|
||||||
|
 | Camilla George, SANITY, Daru Jones | Creation - Abasi and Atai
|
||||||
|
 | The Comet Is Coming | LUCID DREAMER
|
||||||
|
 | atlas, Flavors | valentine (prod. flavors)
|
||||||
|
 | Haywyre | Memory
|
||||||
|
 | Haywyre, CoMa | Time
|
||||||
|
 | Haywyre, Galimatias | Voice of Reason
|
||||||
|
 | Moonchild | The List
|
||||||
|
 | Hiatus Kaiyote | Mobius Streak
|
||||||
|
 | PJ Morton, Yebba | How Deep Is Your Love (feat. Yebba) - Live
|
||||||
|
 | Dana and Alden, quickly\, quickly | Coconut Water
|
||||||
|
 | Clara Mendes | Útil Paisagem
|
||||||
|
 | Thundercat | Them Changes
|
||||||
|
 | Justice | D.A.N.C.E
|
||||||
33
content/extras/music/neviim.md
Normal file
33
content/extras/music/neviim.md
Normal file
@ -0,0 +1,33 @@
|
|||||||
|
---
|
||||||
|
title: Nevi'im playlist
|
||||||
|
---
|
||||||
|
|
||||||
|
<style>
|
||||||
|
thead th {
|
||||||
|
text-align: center;
|
||||||
|
}
|
||||||
|
tbody td {
|
||||||
|
text-justify: none;
|
||||||
|
vertical-align: middle;
|
||||||
|
padding: 0.25rem;
|
||||||
|
border: 2px solid white;
|
||||||
|
}
|
||||||
|
tbody td img {
|
||||||
|
max-width: 100px;
|
||||||
|
display: block;
|
||||||
|
margin: 0;
|
||||||
|
}
|
||||||
|
tbody tr:nth-of-type(odd) td {
|
||||||
|
background-color: #ddd;
|
||||||
|
}
|
||||||
|
</style>
|
||||||
|
|
||||||
|
Cover | Artist | Song
|
||||||
|
---|---|---
|
||||||
|
 | San Fermin | The Woods
|
||||||
|
 | Miracle Musical | The Mind Electric
|
||||||
|
 | Goreshit | The Nature of Dying
|
||||||
|
 | The Comet Is Coming | Birth Of Creation
|
||||||
|
 | Gotye | State Of The Art
|
||||||
|
 | Hecq | Bête Noire
|
||||||
|
 | Hecq | Bane
|
||||||
341
content/extras/music/qoheleth.md
Normal file
341
content/extras/music/qoheleth.md
Normal file
@ -0,0 +1,341 @@
|
|||||||
|
---
|
||||||
|
title: Qoheleth playlist
|
||||||
|
---
|
||||||
|
|
||||||
|
<style>
|
||||||
|
thead th {
|
||||||
|
text-align: center;
|
||||||
|
}
|
||||||
|
tbody td {
|
||||||
|
text-justify: none;
|
||||||
|
vertical-align: middle;
|
||||||
|
padding: 0.25rem;
|
||||||
|
border: 2px solid white;
|
||||||
|
}
|
||||||
|
tbody td img {
|
||||||
|
max-width: 100px;
|
||||||
|
display: block;
|
||||||
|
margin: 0;
|
||||||
|
}
|
||||||
|
tbody tr:nth-of-type(odd) td {
|
||||||
|
background-color: #ddd;
|
||||||
|
}
|
||||||
|
</style>
|
||||||
|
|
||||||
|
Cover | Artist | Song
|
||||||
|
---|---|---
|
||||||
|
 | Ben Salisbury, Geoff Barrow | What Do You Know?
|
||||||
|
 | Ben Salisbury, Geoff Barrow | Ambulance Chase
|
||||||
|
 | Ben Salisbury, Geoff Barrow | Approaching the Shimmer
|
||||||
|
 | Ben Salisbury, Geoff Barrow | Disoriented
|
||||||
|
 | Ben Salisbury, Geoff Barrow | The Alligator
|
||||||
|
 | Ben Salisbury, Geoff Barrow | For Those That Follow
|
||||||
|
 | Ben Salisbury, Geoff Barrow | The Swimming Pool
|
||||||
|
 | Ben Salisbury, Geoff Barrow | The Watchtower
|
||||||
|
 | Ben Salisbury, Geoff Barrow | Sheppard
|
||||||
|
 | Ben Salisbury, Geoff Barrow | The Body
|
||||||
|
 | Ben Salisbury, Geoff Barrow | Plant People
|
||||||
|
 | Ben Salisbury, Geoff Barrow | Cells Divide
|
||||||
|
 | Ben Salisbury, Geoff Barrow | The Bear
|
||||||
|
 | Ben Salisbury, Geoff Barrow | The Beach
|
||||||
|
 | Ben Salisbury, Geoff Barrow | Were You Me?
|
||||||
|
 | Ben Salisbury, Geoff Barrow | Lighthouse Chamber
|
||||||
|
 | Ben Salisbury, Geoff Barrow | The Alien
|
||||||
|
 | Ben Salisbury, Geoff Barrow | Annihilation
|
||||||
|
 | Cliff Martinez | Is That What Everybody Wants
|
||||||
|
 | Cliff Martinez | First Sleep
|
||||||
|
 | Cliff Martinez | Can I Sit Next to You
|
||||||
|
 | Cliff Martinez | Will She Come Back
|
||||||
|
 | Cliff Martinez | Death Shall Have No Dominion
|
||||||
|
 | Cliff Martinez | Maybe You're My Puppet
|
||||||
|
 | Cliff Martinez | Don't Blow It
|
||||||
|
 | Cliff Martinez | Hi Energy Proton Accelerator
|
||||||
|
 | Cliff Martinez | Wear Your Seat Belt
|
||||||
|
 | Cliff Martinez | Wormhole
|
||||||
|
 | Cliff Martinez | We Don't Have to Think Like That Anymore
|
||||||
|
 | Jóhann Jóhannsson | Arrival
|
||||||
|
 | Jóhann Jóhannsson | Heptapod B
|
||||||
|
 | Jóhann Jóhannsson | Sapir-Whorf
|
||||||
|
 | Jóhann Jóhannsson | Hydraulic Lift
|
||||||
|
 | Jóhann Jóhannsson | First Encounter
|
||||||
|
 | Jóhann Jóhannsson | Transmutation at a Distance
|
||||||
|
 | Jóhann Jóhannsson | Around the Clock News
|
||||||
|
 | Jóhann Jóhannsson | Xenolinguistics
|
||||||
|
 | Jóhann Jóhannsson | Ultimatum
|
||||||
|
 | Jóhann Jóhannsson | Principle of Least Time
|
||||||
|
 | Jóhann Jóhannsson | Hazmat
|
||||||
|
 | Jóhann Jóhannsson | Hammers and Nails
|
||||||
|
 | Jóhann Jóhannsson | Xenoanthropology
|
||||||
|
 | Jóhann Jóhannsson | Non-Zero-Sum Game
|
||||||
|
 | Jóhann Jóhannsson | Properties of Explosive Materials
|
||||||
|
 | Jóhann Jóhannsson | Escalation
|
||||||
|
 | Jóhann Jóhannsson | Decyphering
|
||||||
|
 | Jóhann Jóhannsson | One of Twelve
|
||||||
|
 | Jóhann Jóhannsson | Rise
|
||||||
|
 | Jóhann Jóhannsson | Kangaru
|
||||||
|
 | Max Richter, Louisa Fuller, Natalia Bonner, John Metcalfe, Philip Sheppard, Chris Worsey | On The Nature Of Daylight
|
||||||
|
 | Hildur Guðnadóttir | Hoyt's Office
|
||||||
|
 | Hildur Guðnadóttir | Defeated Clown
|
||||||
|
 | Hildur Guðnadóttir | Following Sophie
|
||||||
|
 | Hildur Guðnadóttir | Penny in the Hospital
|
||||||
|
 | Hildur Guðnadóttir | Young Penny
|
||||||
|
 | Hildur Guðnadóttir | Meeting Bruce Wayne
|
||||||
|
 | Hildur Guðnadóttir | Hiding in the Fridge
|
||||||
|
 | Hildur Guðnadóttir | A Bad Comedian
|
||||||
|
 | Hildur Guðnadóttir | Arthur Comes to Sophie
|
||||||
|
 | Hildur Guðnadóttir | Looking for Answers
|
||||||
|
 | Hildur Guðnadóttir | Penny Taken to the Hospital
|
||||||
|
 | Hildur Guðnadóttir | Subway
|
||||||
|
 | Hildur Guðnadóttir | Bathroom Dance
|
||||||
|
 | Hildur Guðnadóttir | Learning How to Act Normal
|
||||||
|
 | Hildur Guðnadóttir | Confession
|
||||||
|
 | Hildur Guðnadóttir | Escape from the Train
|
||||||
|
 | Hildur Guðnadóttir | Call Me Joker
|
||||||
|
 | Hildur Guðnadóttir | The Door
|
||||||
|
 | Hildur Guðnadóttir | Bridge of Death
|
||||||
|
 | Hildur Guðnadóttir | Turbine Hall
|
||||||
|
 | Homin Lviv Municipal Choir | Vichnaya Pamyat
|
||||||
|
 | Hildur Guðnadóttir | Pump Room
|
||||||
|
 | Hildur Guðnadóttir | Clean Up
|
||||||
|
 | Hildur Guðnadóttir | Dealing With Destruction
|
||||||
|
 | Hildur Guðnadóttir | Waiting for the Engineer
|
||||||
|
 | Hildur Guðnadóttir | Gallery
|
||||||
|
 | Hildur Guðnadóttir | 12 Hours Before
|
||||||
|
 | Hildur Guðnadóttir | Corridors
|
||||||
|
 | Hildur Guðnadóttir | Líður - Chernobyl Version
|
||||||
|
 | Hildur Guðnadóttir | Evacuation
|
||||||
|
 | Electric Youth | Modern Fears - Pilotpriest Come True Version
|
||||||
|
 | Electric Youth | Runaway - Pilotpriest Come True Version
|
||||||
|
 | Electric Youth, Pilotpriest | Coelocanth
|
||||||
|
 | Electric Youth | Come True
|
||||||
|
 | Electric Youth | Prologue
|
||||||
|
 | Electric Youth | The Seeker
|
||||||
|
 | Electric Youth | Don't Know Her
|
||||||
|
 | Pilotpriest | Title
|
||||||
|
 | Pilotpriest | Rested
|
||||||
|
 | Electric Youth | Lost Girl
|
||||||
|
 | Electric Youth | Hall of Glass
|
||||||
|
 | Pilotpriest | Watching
|
||||||
|
 | Pilotpriest | Nothing
|
||||||
|
 | Electric Youth | Sarah
|
||||||
|
 | Pilotpriest | Forgiven
|
||||||
|
 | The Newton Brothers | Abide With Me
|
||||||
|
 | The Newton Brothers | Hail the Day that Sees Him Rise
|
||||||
|
 | The Newton Brothers | Holy Holy Holy
|
||||||
|
 | The Newton Brothers | Lead Kindly Light
|
||||||
|
 | The Newton Brothers | Come, Darkness
|
||||||
|
 | The Newton Brothers | Were You There
|
||||||
|
 | The Newton Brothers | O Sons and Daughters
|
||||||
|
 | The Newton Brothers | Holy God We Praise Thy Name
|
||||||
|
 | The Newton Brothers | Nearer My God To Thee
|
||||||
|
 | The Newton Brothers | The Power of Faith
|
||||||
|
 | The Newton Brothers | Mortuus Feles
|
||||||
|
 | The Newton Brothers | Mercy
|
||||||
|
 | The Newton Brothers | Aftermath
|
||||||
|
 | The Newton Brothers | Dignity
|
||||||
|
 | The Newton Brothers | The Sea
|
||||||
|
 | The Newton Brothers | Angel of God
|
||||||
|
 | The Newton Brothers | Lead Kindly Light (Instrumental)
|
||||||
|
 | The Newton Brothers | Faith & Family Blood
|
||||||
|
 | The Newton Brothers | Prayer
|
||||||
|
 | The Newton Brothers | Act of Contrition
|
||||||
|
 | The Newton Brothers | Hurt
|
||||||
|
 | The Newton Brothers | 12th Century Revenants
|
||||||
|
 | The Newton Brothers | Communion
|
||||||
|
 | The Newton Brothers | Nearer My God To Thee (Instrumental)
|
||||||
|
 | The Newton Brothers | Body of Christ
|
||||||
|
 | The Newton Brothers | Were You There (Instrumental)
|
||||||
|
 | Jóhann Jóhannsson | Armoured Vehicle
|
||||||
|
 | Jóhann Jóhannsson | The Beast - From "Sicario"
|
||||||
|
 | Jóhann Jóhannsson | The Border
|
||||||
|
 | Jóhann Jóhannsson | Drywall
|
||||||
|
 | Jóhann Jóhannsson | Explosion
|
||||||
|
 | Jóhann Jóhannsson | Desert Music
|
||||||
|
 | Jóhann Jóhannsson | Target
|
||||||
|
 | Jóhann Jóhannsson | Convoy
|
||||||
|
 | Jóhann Jóhannsson | The Bank
|
||||||
|
 | Jóhann Jóhannsson | Surveillance
|
||||||
|
 | Jóhann Jóhannsson | Reflection
|
||||||
|
 | Jóhann Jóhannsson | Melancholia
|
||||||
|
 | Jóhann Jóhannsson | Night Vision
|
||||||
|
 | Jóhann Jóhannsson | Tunnel Music
|
||||||
|
 | Jóhann Jóhannsson | Fausto
|
||||||
|
 | Jóhann Jóhannsson | Balcony
|
||||||
|
 | Jóhann Jóhannsson | Soccer Game
|
||||||
|
 | Jóhann Jóhannsson | Alejandro's Song
|
||||||
|
 | Ben Salisbury | Plainsong
|
||||||
|
 | The Insects | Stranger Danger
|
||||||
|
 | Ben Salisbury | Amaya Corporation
|
||||||
|
 | Ben Salisbury, Geoff Barrow | Entering Devs / The Machine
|
||||||
|
 | Ben Salisbury, Geoff Barrow | Stealing The Code
|
||||||
|
 | Ben Salisbury | Two Concurrent States (Plainsong, Pt. 2)
|
||||||
|
 | The Insects | Tramlines
|
||||||
|
 | The Insects | Were You Listening?
|
||||||
|
 | Ben Salisbury, Geoff Barrow | Suffocation
|
||||||
|
 | The Insects, Ben Salisbury | You're Fired
|
||||||
|
 | The Insects | Christ
|
||||||
|
 | Ben Salisbury, Geoff Barrow | Sudoku
|
||||||
|
 | Ben Salisbury | Amaya's Theme - Version 1
|
||||||
|
 | Ben Salisbury | The Visualisation Chamber
|
||||||
|
 | The Insects | Reporting a Crime
|
||||||
|
 | Ben Salisbury | All Possible Worlds
|
||||||
|
 | The Insects | I'm a Tank
|
||||||
|
 | Ben Salisbury | Specifically You
|
||||||
|
 | Ben Salisbury | Crash No Crash
|
||||||
|
 | Ben Salisbury | Stay In My Bed
|
||||||
|
 | Suvi-Eeva Äikäs, Ben Salisbury | Object Input
|
||||||
|
 | Ben Salisbury | All Buddies Now
|
||||||
|
 | Ben Salisbury, Suvi-Eeva Äikäs | Keep Extrapolating
|
||||||
|
 | The Insects | Someone Crazy
|
||||||
|
 | The Insects | Ad Infinitum Ad Nauseam
|
||||||
|
 | Ben Salisbury | Aubade
|
||||||
|
 | The Insects | You Were Counting In Russian
|
||||||
|
 | Ben Salisbury, Geoff Barrow | Cause And Effect
|
||||||
|
 | Ben Salisbury | Aftermath
|
||||||
|
 | Ben Salisbury | The Universe Is Deterministic (Plainsong, Pt. 3)
|
||||||
|
 | Ben Salisbury, Geoff Barrow | The Day Will Break
|
||||||
|
 | The Insects | The Second Coming
|
||||||
|
 | Ben Salisbury | Resurrection
|
||||||
|
 | Ben Salisbury | Your System Breaks
|
||||||
|
 | The Insects | This Is Where You Say Goodbye
|
||||||
|
 | The Insects | Predetermined
|
||||||
|
 | Ben Salisbury | Amaya's Theme - Version 2
|
||||||
|
 | Cristobal Tapia De Veer | Layers
|
||||||
|
 | Cristobal Tapia De Veer | Devious
|
||||||
|
 | Cristobal Tapia De Veer | Naughty Cat
|
||||||
|
 | Cristobal Tapia De Veer | I Remember Everything
|
||||||
|
 | Cristobal Tapia De Veer | Estranged
|
||||||
|
 | Cristobal Tapia De Veer | The Public
|
||||||
|
 | Cristobal Tapia De Veer | Another Layer
|
||||||
|
 | Cristobal Tapia De Veer | I Remember Everything (She's Just a Girl)
|
||||||
|
 | Cristobal Tapia De Veer | White Rose
|
||||||
|
 | Cristobal Tapia De Veer | Devious Daddy
|
||||||
|
 | Cristobal Tapia De Veer | I Remember Everything (Kids)
|
||||||
|
 | Cristobal Tapia De Veer | What If He Did It to Me?
|
||||||
|
 | Cristobal Tapia De Veer | Dee (Happy Birthday)
|
||||||
|
 | Cristobal Tapia De Veer | Or... We Could Have a Drink Together
|
||||||
|
 | Cristobal Tapia De Veer | Paul vs Paul
|
||||||
|
 | Cristobal Tapia De Veer | Why She Loves You and Not Me?
|
||||||
|
 | Cristobal Tapia De Veer | Father & Daughter (I'm a Good Man)
|
||||||
|
 | Cristobal Tapia De Veer | I Choose to Believe
|
||||||
|
 | Cristobal Tapia De Veer | Prayer
|
||||||
|
 | Cristobal Tapia De Veer | Devious Buddies
|
||||||
|
 | Cristobal Tapia De Veer | I Remember Everything (Too Much for All of Us)
|
||||||
|
 | Cristobal Tapia De Veer | Well Tipped
|
||||||
|
 | Cristobal Tapia De Veer | Beach Party
|
||||||
|
 | Cristobal Tapia De Veer | Dee (Damaged)
|
||||||
|
 | Cristobal Tapia De Veer | Can I Come Home, Dad?
|
||||||
|
 | Cristobal Tapia De Veer | The Third Layer
|
||||||
|
 | Cristobal Tapia De Veer | The Trial
|
||||||
|
 | Cristobal Tapia De Veer | Always Look Forwards
|
||||||
|
 | Cristobal Tapia De Veer | Marie
|
||||||
|
 | Bohren & Der Club Of Gore | Midnight Black Earth
|
||||||
|
 | Bohren & Der Club Of Gore | Crimson Ways
|
||||||
|
 | Bohren & Der Club Of Gore | Maximum Black
|
||||||
|
 | Bohren & Der Club Of Gore | Vigilante Crusade
|
||||||
|
 | Bohren & Der Club Of Gore | Destroying Angels
|
||||||
|
 | Bohren & Der Club Of Gore | Grave Wisdom
|
||||||
|
 | Bohren & Der Club Of Gore | Constant Fear
|
||||||
|
 | Bohren & Der Club Of Gore | Skeletal Remains
|
||||||
|
 | Bohren & Der Club Of Gore | The Art of Coffins
|
||||||
|
 | Jim Williams | Introduction
|
||||||
|
 | Jim Williams | Reborn in the Mind of Another
|
||||||
|
 | Jim Williams | A Psychic Poison
|
||||||
|
 | Jim Williams | Some Distant Coast
|
||||||
|
 | Jim Williams | The Mind in It's Own Place
|
||||||
|
 | Jim Williams | Attracts Our Avarice
|
||||||
|
 | Jim Williams | Prison in Your Mind
|
||||||
|
 | Jim Williams | Skin After Successive Skin
|
||||||
|
 | Jim Williams | The Sin of Being Born
|
||||||
|
 | Jim Williams | Shudder of His Awakening
|
||||||
|
 | Jim Williams | The Cry of a Mistaken Soul
|
||||||
|
 | Jim Williams | The Owned Cannot
|
||||||
|
 | Jim Williams | Friction and Shallow
|
||||||
|
 | Jim Williams | A Rustling in the Leaves
|
||||||
|
 | Jim Williams | House as a Servant
|
||||||
|
 | Jim Williams | A Change to Destroyer
|
||||||
|
 | Jim Williams | Power Dictates
|
||||||
|
 | Jim Williams | Symptoms of Disease
|
||||||
|
 | Jim Williams | Opposite Inaccessible Corner
|
||||||
|
 | Jim Williams | An Enslavement
|
||||||
|
 | Jim Williams | The Owned Cannot have a Soul
|
||||||
|
 | Jim Williams | The Possessors are Possessed
|
||||||
|
 | Jim Williams | A False Reputation
|
||||||
|
 | Jim Williams | In It's Own Place
|
||||||
|
 | Jim Williams | Serve Or Govern
|
||||||
|
 | Jim Williams | The Owned Cannot have a Soul of it’s Own
|
||||||
|
 | Jim Williams | Possessor
|
||||||
|
 | Trent Reznor and Atticus Ross | Hand Covers Bruise
|
||||||
|
 | Trent Reznor and Atticus Ross | In Motion
|
||||||
|
 | Trent Reznor and Atticus Ross | A Familiar Taste
|
||||||
|
 | Trent Reznor and Atticus Ross | It Catches up With You
|
||||||
|
 | Trent Reznor and Atticus Ross | Intriguing Possibilities
|
||||||
|
 | Trent Reznor and Atticus Ross | Painted Sun in Abstract
|
||||||
|
 | Trent Reznor and Atticus Ross | 3:14 Every Night
|
||||||
|
 | Trent Reznor and Atticus Ross | Pieces Form the Whole
|
||||||
|
 | Trent Reznor and Atticus Ross | Carbon Prevails
|
||||||
|
 | Trent Reznor and Atticus Ross | Eventually We Find Our Way
|
||||||
|
 | Trent Reznor and Atticus Ross | Penetration
|
||||||
|
 | Trent Reznor and Atticus Ross | In the Hall of the Mountain King
|
||||||
|
 | Trent Reznor and Atticus Ross | On We March
|
||||||
|
 | Trent Reznor and Atticus Ross | Magnetic
|
||||||
|
 | Trent Reznor and Atticus Ross | Almost Home
|
||||||
|
 | Trent Reznor and Atticus Ross | Hand Covers Bruise, Reprise
|
||||||
|
 | Trent Reznor and Atticus Ross | Complication With Optimistic Outcome
|
||||||
|
 | Trent Reznor and Atticus Ross | The Gentle Hum of Anxiety
|
||||||
|
 | Trent Reznor and Atticus Ross | Soft Trees Break the Fall
|
||||||
|
 | Joel Schoch | Circling
|
||||||
|
 | Joel Schoch | Abandoned City
|
||||||
|
 | Joel Schoch | Idas House
|
||||||
|
 | Joel Schoch | Hat On
|
||||||
|
 | Joel Schoch | Use the Wind
|
||||||
|
 | Joel Schoch | Try the Perfect Sail
|
||||||
|
 | Joel Schoch | Travel
|
||||||
|
 | Joel Schoch | Tsunami
|
||||||
|
 | Joel Schoch | Survived
|
||||||
|
 | Joel Schoch | Dockyard Tale
|
||||||
|
 | Joel Schoch | Rough Sea
|
||||||
|
 | Joel Schoch | Totem
|
||||||
|
 | Joel Schoch | First Dive
|
||||||
|
 | Joel Schoch | Tunnel
|
||||||
|
 | Joel Schoch | University
|
||||||
|
 | Joel Schoch | Seagate
|
||||||
|
 | Joel Schoch | Boost
|
||||||
|
 | Joel Schoch | Open Sea
|
||||||
|
 | Joel Schoch | Trench Down
|
||||||
|
 | Joel Schoch | Sunken City
|
||||||
|
 | Joel Schoch | Rise
|
||||||
|
 | Joel Schoch | A New Dusk
|
||||||
|
 | Joel Schoch | Uncertain
|
||||||
|
 | Joel Schoch | Seismo
|
||||||
|
 | Joel Schoch | Cramping
|
||||||
|
 | Joel Schoch | Ship Graveyard
|
||||||
|
 | Joel Schoch | Frozen Cave
|
||||||
|
 | Joel Schoch | Charge Air
|
||||||
|
 | Joel Schoch | Waterfall
|
||||||
|
 | Joel Schoch | Round
|
||||||
|
 | Joel Schoch | Turn
|
||||||
|
 | Joel Schoch | Alone
|
||||||
|
 | Joel Schoch | Rise - Piano
|
||||||
|
 | Joel Schoch | Open
|
||||||
|
 | Joel Schoch | Colored Engine
|
||||||
|
 | Joel Schoch | Sail, My Friend!
|
||||||
|
 | Joel Schoch | Lights On
|
||||||
|
 | Joel Schoch | Bridge
|
||||||
|
 | Joel Schoch | Rain. Storm. Thunder.
|
||||||
|
 | Joel Schoch | Night
|
||||||
|
 | Joel Schoch | First Glimpse
|
||||||
|
 | Joel Schoch | More To See
|
||||||
|
 | Joel Schoch | Not Alone
|
||||||
|
 | Joel Schoch | Inconvenient Circumstances
|
||||||
|
 | Joel Schoch | Sun. Down.
|
||||||
|
 | Joel Schoch | Swamptown
|
||||||
|
 | Joel Schoch | Abandoned Construction Site
|
||||||
|
 | Joel Schoch | Explore It!
|
||||||
|
 | Joel Schoch | Drive It!
|
||||||
|
 | Joel Schoch | Still Driving
|
||||||
|
 | Joel Schoch | Canyon
|
||||||
|
 | Joel Schoch | Warmth In The Cold
|
||||||
|
 | Joel Schoch | Disorientated
|
||||||
|
 | Joel Schoch | Half
|
||||||
|
 | Joel Schoch | Lone Sails
|
||||||
37
content/extras/music/selected-letters.md
Normal file
37
content/extras/music/selected-letters.md
Normal file
@ -0,0 +1,37 @@
|
|||||||
|
---
|
||||||
|
title: Selected Letters playlist
|
||||||
|
---
|
||||||
|
|
||||||
|
<style>
|
||||||
|
thead th {
|
||||||
|
text-align: center;
|
||||||
|
}
|
||||||
|
tbody td {
|
||||||
|
text-justify: none;
|
||||||
|
vertical-align: middle;
|
||||||
|
padding: 0.25rem;
|
||||||
|
border: 2px solid white;
|
||||||
|
}
|
||||||
|
tbody td img {
|
||||||
|
max-width: 100px;
|
||||||
|
display: block;
|
||||||
|
margin: 0;
|
||||||
|
}
|
||||||
|
tbody tr:nth-of-type(odd) td {
|
||||||
|
background-color: #ddd;
|
||||||
|
}
|
||||||
|
</style>
|
||||||
|
|
||||||
|
Cover | Artist | Song
|
||||||
|
---|---|---
|
||||||
|
 | The Mars Volta | L'Via L'Viaquez
|
||||||
|
 | The Mars Volta | Cygnus...Vismund Cygnus
|
||||||
|
 | The Mars Volta | Televators
|
||||||
|
 | The Mars Volta | Take The Veil Cerpin Taxt
|
||||||
|
 | tricot | POOL
|
||||||
|
 | toe | 孤独の発明
|
||||||
|
 | LITE | Echolocation
|
||||||
|
 | Don Caballero | Fire Back About Your New Baby's Sex
|
||||||
|
 | Don Caballero | I Never Liked You
|
||||||
|
 | Don Caballero | A Lot of People Tell Me I Have a Fake British Accent
|
||||||
|
 | American Football | Never Meant
|
||||||
52
content/extras/music/toledot.md
Normal file
52
content/extras/music/toledot.md
Normal file
@ -0,0 +1,52 @@
|
|||||||
|
---
|
||||||
|
title: Toledot playlist
|
||||||
|
---
|
||||||
|
|
||||||
|
<style>
|
||||||
|
thead th {
|
||||||
|
text-align: center;
|
||||||
|
}
|
||||||
|
tbody td {
|
||||||
|
text-justify: none;
|
||||||
|
vertical-align: middle;
|
||||||
|
padding: 0.25rem;
|
||||||
|
border: 2px solid white;
|
||||||
|
}
|
||||||
|
tbody td img {
|
||||||
|
max-width: 100px;
|
||||||
|
display: block;
|
||||||
|
margin: 0;
|
||||||
|
}
|
||||||
|
tbody tr:nth-of-type(odd) td {
|
||||||
|
background-color: #ddd;
|
||||||
|
}
|
||||||
|
</style>
|
||||||
|
|
||||||
|
Cover | Artist | Song
|
||||||
|
---|---|---
|
||||||
|
 | John Adams, Edo de Waart, San Francisco Symphony, Vance George, San Francisco Symphony Chorus | Harmonium (for large orchestra and chorus): Part 1 - Negative Love
|
||||||
|
 | John Adams, Edo de Waart, San Francisco Symphony, Vance George, San Francisco Symphony Chorus | Harmonium (for large orchestra and chorus): Part 2 - Because I Could Not Stop For Death - Wild Nights
|
||||||
|
 | John Adams, Sir Simon Rattle, City Of Birmingham Symphony Orchestra | Adams: Harmonielehre: I. (without title)
|
||||||
|
 | John Adams, Sir Simon Rattle, City Of Birmingham Symphony Orchestra | Adams: Harmonielehre: II. The Anfortas Wound
|
||||||
|
 | John Adams, Sir Simon Rattle, City Of Birmingham Symphony Orchestra | Adams: Harmonielehre: III. Meister Eckhardt and Quackie
|
||||||
|
 | John Adams, Sir Simon Rattle, City Of Birmingham Symphony Orchestra | Adams: The Chairman Dances (Foxtrot for Orchestra)
|
||||||
|
 | John Adams, Sir Simon Rattle, Wesley Warren, Jonathan Holland, City Of Birmingham Symphony Orchestra | Adams: Two Fanfares for Orchestra: I. Tromba Lontana
|
||||||
|
 | John Adams, Orchestra of St. Luke's | Adams: Fearful Symmetries
|
||||||
|
 | Alfred Schnittke, Elena Dof-Donskaya, Valery Polyansky, USSR Ministry of Culture Chamber Choir | Concerto for Choir: II. I, an Expert in Human Passions, Composed this Collection of Songs, Where Every Verse is Full to the Brim with Blasck Sorrow
|
||||||
|
 | Alexey Fyodorovich Lvov, Novospassky Monastery Choir, Igumen Mitrofan | Meeting and vesting of Bishop: Cherubic Hymn
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 | Henryk Górecki, John Nelson | Euntes Ibant Et Flebant, Opus 32
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 | Henryk Górecki, Dawn Upshaw, London Sinfonietta, David Zinman | Symphony No. 3, Op. 36: I. Lento - Sostenuto Tranquillo Ma Cantabile
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 | Homin Lviv Municipal Choir | Vichnaya Pamyat
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 | Morten Lauridsen, Non Silentium | Introitus
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 | Morten Lauridsen, Non Silentium | In Te Domine Speravi
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 | Morten Lauridsen, Non Silentium | O Nata Lux
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 | Morten Lauridsen, Non Silentium | Veni Sancte Spiritus
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 | Morten Lauridsen, Non Silentium | Agnus Dei - Lux Aeterna
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 | The Singers - Minnesota Choral Artists | Mid-Winter Songs: I. Lament For Pasiphaë
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 | The Singers - Minnesota Choral Artists | Mid-Winter Songs: II. Like Snow
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 | The Singers - Minnesota Choral Artists | Mid-Winter Songs: III. She Tells Her Love While Half Asleep
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 | The Singers - Minnesota Choral Artists | Mid-Winter Songs: IV. Mid-Winter Waking
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 | The Singers - Minnesota Choral Artists | Mid-Winter Songs: V. Intercession In Late October
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 | Jessica Curry | The Sleep of Death
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 | Jessica Curry | For Ever
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 | The Newton Brothers | Nearer My God To Thee
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Reference in New Issue
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